Romeo and Juliet Revival 1935 - Articles Page 1.8

Georgia Ensemble Theatre (GET), the professional North Fulton theatre company, continues its 27th season this October-November with Night Must Fall, a chilling experience just in time for the spooky season of the year. The production will be directed by Shannon Eubanks and run October 24th through November 10th, 2019, at the company's home in the Roswell Cultural Arts Center.

San Francisco Ballet (SF Ballet) is presented by The Royal Danish Ballet at The Royal Danish Opera House in Copenhagen, Denmark, October 30-November 2, 2019, with four performances of Artistic Director and Principal Choreographer Helgi Tomasson's Romeo & Juliet, set to Sergei Prokofiev's lush and evocative score of the same name. The tour marks the Company's first appearance at The Royal Danish Opera House, which was designed by Danish architect Henning Larsen and publicly inaugurated in 2005.

Artistic Director Helgi Tomasson and San Francisco Ballet today announced programming for the 2020 Repertory Season. Building on a heritage of commissioning groundbreaking dance from today's top choreographers, uncovering new choreographic talent, staging modern classics, and preserving the works that make up the canon of classic ballet, the 2020 Season places SF Ballet at the forefront of innovation and preeminence. Highlights include two new SF Ballet commissions by Cathy Marston and Trey McIntyre, and a co-commission with American Ballet Theatre of a work by Alexei Ratmansky; as well as works by George Balanchine, David Dawson, Harald Lander, Edwaard Liang, Benjamin Millepied, Mark Morris, Liam Scarlett, Helgi Tomasson, and Stanton Welch. The Season's three story ballets include Balanchine's A Midsummer Night's Dream, Wheeldon's Cinderella, and Tomasson's Romeo & Juliet.

The little OPERA theatre of ny(LOTNY) presents the New York Premiere of Benjamin Britten's opera in two acts, OWEN WINGRAVE, with libretto by Myfanwy Piper, at GK Arts Center, 29 Jay Street, Brooklyn, NY, from May 9-12, 2019, with performances Thursday through Saturday at 7:30pm and Sunday at 3pm. Tickets are $20-$45 and are available at www.ticketcentral.com.

2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to. Here are some productions I'm particularly excited about in the coming months.

Oregon Shakespeare Festival is making a splash recently with their same-sex production of Oklahoma! OSF is acclaimed for provocative show content, community engagement and unusually diverse casting. PBS recently did a feature on the company, where they sat down with some of the creatives to discuss what makes them unique.

The Oregon Shakespeare Festival will end its Green Show season early due the ongoing impacts of wildfire smoke. The Green Show, a series of free performances typically offered on OSF's Courtyard Stage six nights a week throughout the summer and into mid-October, will end on Sunday, Aug. 26, 2018. The Festival remains open and its 10 mainstage plays will continue into October.

The Oregon Shakespeare Festival opened Rodgers and Hammerstein's Oklahoma!, directed by OSF Artistic Director Bill Rauch, on April 22 in the Angus Bowmer Theatre. Preview performances were April 18, 20 and 21, and the musical runs through Oct. 27.

The Oregon Shakespeare Festival will open the U.S. premiere of Frances Ya-Chu Cowhig's Snow in Midsummer, directed by Justin Audibert, on August 5 in the Angus Bowmer Theatre. Preview performances are August 2, 3 and 4, and the play runs through Oct. 27, 2018.

The Oregon Shakespeare Festival will open the world premiere of Idris Goodwin's The Way the Mountain Moved, directed by May Adrales, on July 14 in the Thomas Theatre. Preview performances are July 10, 12 and 13, and the play runs through Oct. 28, 2018.

The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about saving his words and securing his legacy-under the stars when its flagship outdoor theatre opens the weekend of June 15-17, 2018. The Allen Elizabethan Theatre will feature Romeo and Juliet, directed by Damaso Rodriguez; Lauren Gunderson's The Book of Will, directed by Christopher Liam Moore; and Love's Labor's Lost, directed by Amanda Dehnert. Previews begin June 5, and all three shows will run through the weekend of October 12-14.

The Oregon Shakespeare Festival will open Rodgers and Hammerstein's Oklahoma!, directed by OSF Artistic Director Bill Rauch, on April 22 in the Angus Bowmer Theatre. Preview performances are April 18, 20 and 21, and the musical runs through Oct. 27.

Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.

 The Oregon Shakespeare Festival will present the world premiere of Manahatta by Mary Kathryn Nagle, directed by Laurie Woolery, on April 1, 2018, in the Thomas Theatre. Preview performances are March 28, 30 and 31, and the play runs through Oct. 27.

A story relevant to generations past and present, Shakespeare's cautionary tale of love serves as a modern metaphor for the influence of society over individual freedom. For although the personal journeys of Romeo & Juliet are integral to the tale, this is a love story within a clear social and political context - the collective identity of the group is considered more important than the desires of its citizens, dooming the young lovers from "opposite sides of the tracks" to their tragic end as their personal lives are molded by the hostilities of the previous era. Beginning in the 1930s during a time when a rigid dictatorial system had taken over the country, the Capulet family represents the upper-class conservatives with stiff, militaristic movement, while the Montagues represent the liberal low and middle classes, danced with loose, flowing motions laced with pedestrian naturalism.

The Music Center welcomes the return of The Joffrey Ballet to Los Angeles for a contemporary rendition of Shakespeare's timeless classic with the West Coast premiere of Romeo & Juliet.

The Tony Award-winning Oregon Shakespeare Festival will launch its 83nd year with preview performances beginning on February 16. The 2018 season officially kicks off Friday night, February 23, in the Angus Bowmer Theatre with Shakespeare's Othello (director, Bill Rauch). On Saturday afternoon, Shakespeare's Henry V (director, Rosa Joshi) opens in the Thomas Theatre, and the West Coast premiere of Kate Hamill's adaptation of Jane Austen's novel Sense and Sensibility (director, Hana S. Sharif) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, Karen Zacarias's Destiny of Desire (director, Jose Luis Valenzuela) will be staged in the Angus Bowmer Theatre.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Today, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

Gregory Valmont Thomas, a 14-season member of the Oregon Shakespeare Festival acting company, passed away early on Monday, Dec. 18, in Ashland after a battle with cancer. OSF's 2018 season will be dedicated to the man who worked under the name G. Valmont Thomas but was better known to his friends and colleagues as G. Val.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Thursday, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

The Oregon Shakespeare Festival wrapped up its 2017 season on October 28 with the final performances of Shakespeare in Love, Henry IV, Part Two, and Julius Caesar.

A populist candidate, promising to return the country to greatness, becomes president of the United States, and then all hell breaks loose in It Can't Happen Here, a new play based on Sinclair Lewis' eerily prescient 1935 novel, adapted for the stage by Tony Taccone and Bennett S. Cohen. Foothill Theatre Arts presents It Can't Happen Here, directed by Bruce McLeod, for three weeks only, now through November 19, 2017 at the Lohman Theatre, on the Foothill College Campus (at the bottom of the hill), 12345 El Monte Road, Los Altos Hills. BroadwayWorld has a first look at the cast in action below!

Hampstead Theatre presents the world premiere of Nicholas Wright's The Slaves of Solitude directed by Jonathan Kent.

Arena Stage at the Mead Center for American Theater announces the complete company for The Pajama Game directed by Alan Paul in his Arena Stage debut, with music and lyrics by Richard Adler and Jerry Ross, and book by George Abbott and Richard Bissell.

Los Angeles audiences will discover a new perspective on many timeless classics interpreted through a contemporary lens as they journey through The Music Center's dance season and uncover themes of conflict between female strength and societal expectations.  The 2017/2018 Glorya Kaufman Presents Dance at The Music Center (Dance at The Music Center) season is replete with powerful characters, riveting storylines, modern choreography and theatrics that take the traditional narrative ballet to a new level.  Audiences are invited to venture into the world of dance and experience realms of expression beyond expectation.  The coming season opens with the U.S. premiere of Matthew Bourne's The Red Shoes (September 15-October 1, 2017), a beloved fairytale and Hollywood classic where life imitates art, presented by Dance at The Music Center and Center Theatre Group.