Out There 1917 - Articles Page 9

Directed by Aimee Todoroff and Tonya Pinkins and now in performances at the Gloria Maddox Theatre, Visionary Voices begins with Susan Glaspell's Trifles, followed by Marita Bonner's Exit: An Illusion and ending with Glaspell's The People - three wonderful plays that are more engaging and poignant in their single acts than many full length shows ever have the opportunity of being. All three plays take place at or near the start of the twentieth century, craftily combining themes as relevant today as they were then - collaborating with suspenseful plots, troubled characters and questionable motives that, when put together, show just how clever Todoroff and Pinkins are. In both the structure of this show as a whole and the effect it has on the audience, the truth here is that Visionary Voices is more than a statement - it is definitely a production worth your time.

'What did you do during the war, Dada?' Somewhere underneath the relentless punning and the pastiche, the whistle-stop wit and the whirling theoretical debate, there's a seriousness to Tom Stoppard's 1974 Travesties that feels horribly prescient. The intellectual hijinks are genuinely hilarious, but there's no disguising the weight of the question they restlessly scamper over and clamber round: what can artists do when faced with social crisis? Can their work claim political agency, or are they just schoolboys with a chit to get them off chores, daubing happily away in a corner?

Don't forget, Valentine's Day is fast approaching on Tuesday, February 14th! Couples around the world celebrate with chocolates, candies, dinners, and gifts, and West Michigan has more than enough to go around. Let our great state be the backdrop to your perfect Valentine's Day date!

BRIC is pleased to announce free programming for its spring 2016 season at BRIC Arts | Media House, the organization's 40,000SF home in Downtown Brooklyn. The season includes over 30 free events including film, art, and creative workshops. BRIC is the leading presenter of free cultural programming in Brooklyn, and one of the largest in New York City. With offerings ranging from evening concerts to daytime family programming, BRIC House has quickly become one of New York City's most inviting and accessible spaces to experience the arts.

BRIC is pleased to announce free programming for its spring 2016 season at BRIC Arts | Media House, the organization's 40,000SF home in Downtown Brooklyn. The season includes over 30 free events including film, art, and creative workshops. BRIC is the leading presenter of free cultural programming in Brooklyn, and one of the largest in New York City. With offerings ranging from evening concerts to daytime family programming, BRIC House has quickly become one of New York City's most inviting and accessible spaces to experience the arts.

Central Works 2017 Season (CW '17) reflects the growth and compensation of more than a quarter century of new play creation. Central Works 25th anniversary season launched with Patricia Milton's Enemies: Foreign and Domestic, winner of the TBA award for "Outstanding World Premiere Play," and concluded with the SRO premiere of  Lauren Gunderson's new play Ada and the Memory Engine. The 2016 season followed with 3 productions extended after sold out performances and included CW's first NNPN Rolling World Premiere Into the Beautiful North by Karen Zacarias.  Overall box office has grown by 23% over the last two seasons.

The life and times of the spy-as-femme-fatale, Mata Hari, has always attracted the interest of film and stage artists. Now we have the Matt Marks-Paul Peers opera MATA HARI—which opened New York's fifth Prototype Festival last week and continues through Saturday the 14th—though I think of it as more of a dance than an opera. Not literally, of course, but dramatically, as a dance of death for the title character and the men (and one woman) who surround her in this compelling, though somewhat messy, work.

In Its Award-Winning Arts Center in Downtown Brooklyn, BRIC Presents and Incubates Fresh Work by Artists and Media-Makers Reflecting NYC's Diversity.

Girl Scouts of the USA (GSUSA) announced today the start of the 2017 cookie season, which marks the 100th year of the first known sale of cookies by Girl Scouts. A century ago, girls started participating in what would evolve into the largest entrepreneurial training program for girls in the world: the Girl Scout Cookie Program. Through the program, girls learn the essential skills they need to become effective leaders, manage finances, gain self-sufficiency, and develop confidence in handling money. To commemorate this banner year for the organization and celebrate how the cookie program powers amazing experiences for Girl Scouts year-round, the highly anticipated Girl Scout S'mores cookies are now available, joining classics like Thin Mints and Trefoils/Shortbread.

Company of Fools and the Sun Valley Center for the Arts are thrilled to announce that they have received a donation of the historic Liberty Theatre on Main Street in  Hailey, Idaho, from Demi Moore and Bruce Willis, who have owned the property since 1995.

This New Year's Eve, LIVE FROM LINCOLN CENTER rings in 2017 with the New York Philharmonic as international opera star Joyce DiDonato and Tony Award winner Paulo Szot join Philharmonic Music Director Alan Gilbert for an Enchanted Evening. Humorist and CBS Sunday Morning correspondent Mo Rocca hosts the broadcast from David Geffen Hall at Lincoln Center.

This New Year's Eve, LIVE FROM LINCOLN CENTER rings in 2017 with the New York Philharmonic as international opera star Joyce DiDonato and Tony Award winner Paulo Szot join Philharmonic Music Director Alan Gilbert for an Enchanted Evening. Humorist and CBS Sunday Morning correspondent Mo Rocca hosts the broadcast from David Geffen Hall at Lincoln Center.

Birdland Jazz Club has announced its January 2017 schedule, featuring The Marcus Roberts Trio, Joey DeFrancesco Quartet, Natalie Douglas, John Abercrombie Quartet,  Randy Rainbow, Danny Bacher, Nicolas King, Jim Caruso's Cast Party, and more. Scroll down for details!

Though spiritual philosophies may differ, most share a common thread; the belief that some locations on Earth hold a spiritual power. The faithful make pilgrimages to these sacred places for healing, guidance, or divine inspiration, and their significance cannot be expressed in words or pictures.

Today it is too easy to get down on our frail featherless friends. We are birds of a unique ability to fly. It is easy to dis, but deserves much more that's not to missed from our fellow monkeys who have elevated our canopy to reach closer to our internal gods above and inside. I will celebrate the best of humankind and try to write a pictorial story with no direction in sight. It will be an image game.

As part of its 2016-2017 Performing Arts Season, Japan Society presents Treasured Noh Plays from the Desk of W. B. Yeats performed by the Kita Noh Theater Company, an exploration of noh through full performances, excerpts, lectures and talks.

Carriageworks Director Lisa Havilah tonight unveiled the 2017 Artistic Program for Australia's leading contemporary multi-arts precinct, continuing Carriageworks' commitment to presenting new Australian and international stories, with 67 projects featuring artists from culturally diverse backgrounds. The program is set to further build upon extraordinary audience growth.  

As part of its 2016-2017 Performing Arts Season, Japan Society presents Treasured Noh Plays from the Desk of W. B. Yeats performed by the Kita Noh Theater Company, an exploration of noh through full performances, excerpts, lectures and talks.

This November, Feinstein's/54 Below, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. Scroll down for details!

Have you ever wanted to spend time with Stephen Sondheim in the lobby during one of his shows? Did you know that Patti LuPone once had a Broadway ghostly encounter? Have you wondered what it was like to be in the landmark Broadway premiere of Angels in America?

Gary Naylor sees an ambitious production that runs parallel storylines but doesn't solve the considerable problems so caused.

Wilde, Joyce, Shakespeare, Lenin, memory, the morality of war, social systems, and the meaning and purpose of art: Stoppard's dazzlingly intellectual 1974 play really is a life, the universe and everything affair. Thankfully, Patrick Marber's fleet-footed revival is equally attuned to its wit and skittish strangeness, offering a lifeline to audience members who may be nodding fervently at the line 'I'm finding this conversation extremely hard to follow'.

Next year marks the 100th anniversary of the United States' entry into World War I. Since our entry on April 6, 1917, many books have been written detailing the war and exploring its effects on the world and nation at large, but no comprehensive history of the war's effects on Kentucky existed. At the outbreak of the war, most citizens had relatively little government interaction in their daily lives. In addition, Kentuckians' unique way of identifying by county did little to promote unity. However, unlike the Civil War, which pitted brother against brother, Kentuckians of all ages, races, both sexes, and every political, economic, and social status were expected to “do their part.” The Kentucky that emerged from the war was markedly different than the state that entered it.

Below, BroadwayWorld is excited to give you a sneak peek of the new book, with a look at: The Schoenfeld Theatre...

HERE has announced its 2016-2017 producing season, featuring three HERE Resident Artist world premieres, two international presentations from HERE's renowned Dream Music Puppetry Program, the fifth annual PROTOTYPE: Opera/Theatre/Now festival, and HERE's yearly CULTUREMART festival, where HERE serves up a first look at new work in process from artists in the HERE Artist Residency Program (HARP).