Images 1979 - Articles Page 3.4

The launch of a science laboratory into Earth's outer orbit was hailed as a miracle of the modern age. But what was really going on up there? The nature of the experiments conducted was kept top secret...

Tony Award winner Jerry Mitchell is going full out these days. Not only is he directing and choreographing the original musical, Half Time, at the Paper Mill Playhouse in New Jersey, but he's also about to begin rehearsals as the director and choreographer for Broadway's Pretty Woman.

The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Jos e Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen's Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; Dan el Bjarnason's Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of the Boston Ballet (Philharmonic debut) and set to Mr. Salonen's Nyx and Lachen verlernt. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event.

As a way of introducing myself as the new DANCE REVIEWER for Broadway World L. A., I am reporting on an historic event in which I participated at St. Luke's Theatre on March 26th, 2018 in NYC: the 40th-year anniversary and reunion of the cast members of the opening of Tony Award-Winning Bob Fosse's DANCIN' on Broadway at The Broadhurst Theatre on March 27, 1978.

Sundance Institute announces the slate of theatremakers from the U.S. and Middle East / North Africa who will convene at the Theatre Program's second annual Theatre Lab in Morocco next month. The Lab, which will take place from May 6 - 27 at the Fellah Hotel outside Marrakech, comprises three uninterrupted weeks of consultation, mentorship and workshop performance of new work for the stage. The Theatre Lab alternates locations each season, moving between the Sundance Resort in Utah, and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists. Led by Sundance Institute Theatre Program Director Philip Himberg and Producing Director Christopher Hibma, teams of creative advisors, actors and dramaturgs will collaborate with writers and directors, independent from commercial or public pressures, as they develop their projects.

Now celebrating the 23rd anniversary in Houston and the 26th season since its inception in Brussels, Belgium, Dance Salad Festival promises another gathering of world-class performers. Famous in their own countries, classical, modern and contemporary dance companies/dancers share the Dance Salad Festival stage to form a mix of movement and compelling choreography.

The Mississippi Museum of Art (the Museum) and Tougaloo College (the College) are presenting Now: The Call and Look of Freedom, the inaugural exhibition of the Art and Civil Rights Initiative (the Initiative) through May 15, 2018. The Initiative, funded by the Henry Luce Foundation and launched in December 2017, is a multi-layered, multi-year partnership that leverages the art collections of both institutions to foster community dialogue and interpretation about civil rights issues, past and present.  Romare Bearden. The Conversation, 1979 Elizabeth Catlett. My Right is a Future of Equality with Other Americans, from The Negro Woman series, 1947 Now: The Call and Look of Freedom is on view at the Tougaloo College Art Gallery in The Bennie G. Thompson Academic & Civil Rights Research Center. It is the first in a series of four exhibitions over two years drawing from the collections of the College and the Museum to be mounted alternatively at both institutions. The exhibition is curated by LaTanya Autry, Curator of Art & Civil Rights, a joint position she holds with the College and the Museum. 

Tim Marriott is absolutely riveting as Mengele.

The Martin E. Segal Theatre Center announces the fourth annual Segal Center Film Festival on Theatre and Performance (FTP). The program includes a roster of more than 35 features, shorts, and documentaries by artists from Argentina, Belgium, Canada, China, France, Germany, Israel, Italy, Lebanon, The Netherlands, Poland, Serbia, The United Kingdom, and the United States. The festival takes place on Thursday, March 1; Friday, March 2; and Saturday, March 3 at The Martin E. Segal Theatre Center, located at The Graduate Center, City University of New York, NYC, 365 Fifth Avenue, at 34th Street.

The Raymond F. Kravis Center for the Performing Arts is once again offering audience members a dazzling, star-packed lineup of amazing shows, memorable concerts, insightful lectures and very special events during the months of March and April.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) has added a performance (February 8 at 9pm) to its critically lauded world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box, directed by Evan Yionoulis. The run will conclude, as a scheduled, on February 11.

Theatre for a New Audience will present He Brought Her Heart Back in a Box, the first new work in nine years from Adrienne Kennedy.

The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Jos e Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen's Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; Dan el Bjarnason's Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of the Boston Ballet (Philharmonic debut) and set to Mr. Salonen's Nyx and Lachen verlernt. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event.

In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines. This five-year autobiographical project not only honors the lineage of American postmodern dance, but also traces the influences and impulses that have shaped choreographer Stephen Petronio, an artist uniquely positioned to preserve this postmodern tradition.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces the cast and creative team for He Brought Her Heart Back in a Box, the first new work in a decade from Adrienne Kennedy, whom The New York Times called one of the finest living American playwrights. Set in Georgia and New York City in 1941, He Brought Her Heart Back in a Box is a heartbreaking, nail-biting memory tale of segregation, theatrical yearning, and doomed love.

Theatre for a New Audience will present He Brought Her Heart Back in a Box, the first new work in nine years from Adrienne Kennedy.

The Institute of Contemporary Art, Miami (ICA Miami) opens the doors to its new permanent home in the Miami Design District on December 1, 2017. Marking the first U.S. project designed by Spanish firm Aranguren + Gallegos Arquitectos, the new 37,500-square-foot building launches with a bold inaugural program that reflects the museum's mission of championing new narratives in contemporary art and providing a platform for the exchange of art and ideas. With more than double the gallery space and a new outdoor sculpture garden, ICA Miami's new home enables the museum to present ambitious thematic surveys for the first time in its history, as well as to expand its commitment to mounting monographic presentations of emerging talent, commissioning site-specific and boundary-pushing works of art, and fostering new scholarship.

The new exhibition Elijah Pierce: An American Journey at the Canton Museum of Art (CMA) celebrates the artwork of one of the most important self-taught, American folk artists of the 20th century: Elijah Pierce (1892 1984). Pierce was a prolific African American wood carver known for his brightly painted sculptural panels illustrating biblical stories, moral lessons, historical events, and images from popular culture a landscape of wood-carved art that is unlike any in America. This exhibit focuses on 39 major works. Featured in the exhibit is Pierce's most ambitious carving, Book of Wood (1932), consisting of seven panels with 33 scenes illustrating the years Christ lived on the earth, as well as works depicting segregation, the Vietnam War, Watergate, and Civil Rights, among others. This exhibition is on view November 24, 2017 - March 4, 2018 with a free public reception on Thursday, December 7, 2017 from 6:00 p.m. to 8:00 p.m.

Jerome Robbins, world renowned for his work as a choreographer and director of ballet and theater, film and television, would have been 100 years old on October 11, 2018. In honor of his life and legacy, The Jerome Robbins Foundation, partnering with other institutions across the country and around the world, will celebrate his centennial year through Spring 2019.

The holidays are here, and STAGE TO STAGE: My Journey to Broadway by Josh Groban makes a fantastic gift for your loved ones--or yourself! Out tomorrow, the photo essay collection is a gorgeously rendered coffee table book brimming with photographs as Groban reflects on his journey to Broadway. From Chess in Concert to his album Stages to his recent Broadway debut in Natasha, Pierre, and the Great Comet of 1812, as well as photographs of various other events, Groban shares insight on what brought him to where he is now.

When Chuck Berry sang Go, go Johnny go! in 1958, could he have ever imagined how far his rock-and-roll hit would really go? Johnny B. Goode is now some 13 billion miles from Earth, travelling at 38,000 miles per hour aboard NASA's Voyager 1 space probe.

The core of Armitage's work centers on a series of dance 'dreamscapes' that take the viewer on a poetic journey to evoke mysterious landscapes of reverie, dream and altered consciousness. Her latest work, Halloween Unleashed: Dancing Bones, Tasting Darkness and the Skeleton Within, is a subversive comedy designed to spook adults and families in a live action rendition of Disney's 1929 animated masterpiece, The Skeleton Dance. Combined with images from the wild, capricious street theater of Haitian carnival, Halloween Unleashed offers punk attitude and visual high-jinx, in a dance where bones dance alone, shoes fly off feet, and skeletons turn into musical instruments.

It's hard to believe that almost two years has gone by since the British aristocratic Crawley family and their servants graced our television screens on the hit series Downton Abbey. BroadwayWorld takes you on a trip down memory lane to the times when the Downton Abbey cast graced the stage!

The core of Armitage's work centers on a series of dance 'dreamscapes' that take the viewer on a poetic journey to evoke mysterious landscapes of reverie, dream and altered consciousness. Her latest work, Halloween Unleashed: Dancing Bones, Tasting Darkness and the Skeleton Within, is a subversive comedy designed to spook adults and families in a live action rendition of Disney's 1929 animated masterpiece, The Skeleton Dance. Combined with images from the wild, capricious street theater of Haitian carnival, Halloween Unleashed offers punk attitude and visual high-jinx, in a dance where bones dance alone, shoes fly off feet, and skeletons turn into musical instruments.

Striking live recordings of two monumental orchestral works by Canadian composer Vincent Ho, commissioned by the Winnipeg Symphony Orchestra (WSO), are brought together on a new release from Centrediscs, available October 13.