Images 1979 - Articles Page 3

Montreal theatre fans, take a memo: WISTA's upcoming production, 9 to 5 The Musical is headed to the West Island. The show will run for 6 performances from June 7, 8, 13, 14 and 15 at 7:30 PM, as well as June 15 at 1:30 PM at the Louise Chalmers Theatre (501 Boulevard St. Jeans, Pointe-Claire, QC).

Hudson Hall celebrates the Merce Cunningham Centennial with a 6-week program of dance, music, film, and photography to showcase the work of an iconic artist and the enduring power of his living legacy.

First production images are released today of Ain't Misbehavin' - now playing at Mercury Theatre Colchester until Saturday 30 March. The production then transfers to Southwark Playhouse from Friday 19 April to Saturday 1 June, as the first London revival in almost 25 years.

In 1979 stage and screen star Debbie Reynolds founded the Debbie Reynolds Dance Studio in North Hollywood, which remained operational for decades to follow. Stars such as Bette Midler, Michael Jackson, and Mariah Carey all rehearsed there. Now, according to TMZ, the building has unfortunately been demolished.

Craig Pettinati's staging of Sweeney Todd at the Kensington Arts Theatre is bursting with bright, young talent that promises theater traditions will be faithfully kept by a new generation. Most of the cast members are likely a decade or two younger than the 1979 Broadway debut of Stephen Sondheim's bloodiest musical, but they have a command of the material that is refreshing. The community theater favorite is staged in an intimate, and sometimes interactive, setting that offers an exciting new experience for fans and newcomers alike. The reward, however, is viewing a production featuring a number of fresh performers who feel primed to command any equity stage they choose.

This week, the mysterious West End hit play, The Ferryman by Jez Butterworth celebrated its opening night on Broadway to ecstatic reviews.

The Barbican today launches Life Rewired, an arts and learning season running throughout 2019 exploring what it means to be human in the face of technological and scientific forces that are dizzying in their speed, scale and complexity.

On my knees I beg you to turn away from the paths of violence and return to the ways of peace". Spoken by the late John Paul II, September 29, 1979, at Drogheda, Ireland in front of a quarter million people, these words changed the course of history and effectively propelled the Irish forward on their path toward peace. This is the compelling claim at the heart of a new feature-length documentary, John Paul II in Ireland: A Plea for Peace, that premieres this summer on public television across the United States.

According to Variety, Harrison Ford is in negotiations to star in the film adaptation of Jack London's “Call of the Wild'.

The launch of a science laboratory into Earth's outer orbit was hailed as a miracle of the modern age. But what was really going on up there? The nature of the experiments conducted was kept top secret...

Tony Award winner Jerry Mitchell is going full out these days. Not only is he directing and choreographing the original musical, Half Time, at the Paper Mill Playhouse in New Jersey, but he's also about to begin rehearsals as the director and choreographer for Broadway's Pretty Woman.

The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Jos e Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen's Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; Dan el Bjarnason's Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of the Boston Ballet (Philharmonic debut) and set to Mr. Salonen's Nyx and Lachen verlernt. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event.

As a way of introducing myself as the new DANCE REVIEWER for Broadway World L. A., I am reporting on an historic event in which I participated at St. Luke's Theatre on March 26th, 2018 in NYC: the 40th-year anniversary and reunion of the cast members of the opening of Tony Award-Winning Bob Fosse's DANCIN' on Broadway at The Broadhurst Theatre on March 27, 1978.

Sundance Institute announces the slate of theatremakers from the U.S. and Middle East / North Africa who will convene at the Theatre Program's second annual Theatre Lab in Morocco next month. The Lab, which will take place from May 6 - 27 at the Fellah Hotel outside Marrakech, comprises three uninterrupted weeks of consultation, mentorship and workshop performance of new work for the stage. The Theatre Lab alternates locations each season, moving between the Sundance Resort in Utah, and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists. Led by Sundance Institute Theatre Program Director Philip Himberg and Producing Director Christopher Hibma, teams of creative advisors, actors and dramaturgs will collaborate with writers and directors, independent from commercial or public pressures, as they develop their projects.

Now celebrating the 23rd anniversary in Houston and the 26th season since its inception in Brussels, Belgium, Dance Salad Festival promises another gathering of world-class performers. Famous in their own countries, classical, modern and contemporary dance companies/dancers share the Dance Salad Festival stage to form a mix of movement and compelling choreography.

The Mississippi Museum of Art (the Museum) and Tougaloo College (the College) are presenting Now: The Call and Look of Freedom, the inaugural exhibition of the Art and Civil Rights Initiative (the Initiative) through May 15, 2018. The Initiative, funded by the Henry Luce Foundation and launched in December 2017, is a multi-layered, multi-year partnership that leverages the art collections of both institutions to foster community dialogue and interpretation about civil rights issues, past and present.  Romare Bearden. The Conversation, 1979 Elizabeth Catlett. My Right is a Future of Equality with Other Americans, from The Negro Woman series, 1947 Now: The Call and Look of Freedom is on view at the Tougaloo College Art Gallery in The Bennie G. Thompson Academic & Civil Rights Research Center. It is the first in a series of four exhibitions over two years drawing from the collections of the College and the Museum to be mounted alternatively at both institutions. The exhibition is curated by LaTanya Autry, Curator of Art & Civil Rights, a joint position she holds with the College and the Museum. 

Tim Marriott is absolutely riveting as Mengele.

The Martin E. Segal Theatre Center announces the fourth annual Segal Center Film Festival on Theatre and Performance (FTP). The program includes a roster of more than 35 features, shorts, and documentaries by artists from Argentina, Belgium, Canada, China, France, Germany, Israel, Italy, Lebanon, The Netherlands, Poland, Serbia, The United Kingdom, and the United States. The festival takes place on Thursday, March 1; Friday, March 2; and Saturday, March 3 at The Martin E. Segal Theatre Center, located at The Graduate Center, City University of New York, NYC, 365 Fifth Avenue, at 34th Street.

The Raymond F. Kravis Center for the Performing Arts is once again offering audience members a dazzling, star-packed lineup of amazing shows, memorable concerts, insightful lectures and very special events during the months of March and April.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) has added a performance (February 8 at 9pm) to its critically lauded world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box, directed by Evan Yionoulis. The run will conclude, as a scheduled, on February 11.

Theatre for a New Audience will present He Brought Her Heart Back in a Box, the first new work in nine years from Adrienne Kennedy.

The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Jos e Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen's Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; Dan el Bjarnason's Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of the Boston Ballet (Philharmonic debut) and set to Mr. Salonen's Nyx and Lachen verlernt. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event.

In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines. This five-year autobiographical project not only honors the lineage of American postmodern dance, but also traces the influences and impulses that have shaped choreographer Stephen Petronio, an artist uniquely positioned to preserve this postmodern tradition.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces the cast and creative team for He Brought Her Heart Back in a Box, the first new work in a decade from Adrienne Kennedy, whom The New York Times called one of the finest living American playwrights. Set in Georgia and New York City in 1941, He Brought Her Heart Back in a Box is a heartbreaking, nail-biting memory tale of segregation, theatrical yearning, and doomed love.