Breeding 2024 - Articles Page 19

There is much to enjoy in Coyote Stageworks' production of THE COCKTAIL HOUR, by A.R. Gurney: the script is funny, the directing is top-notch, and there is a great deal of excellent acting. Unfortunately, one actor was sick at the performance I attended, resulting in problems for the show that night.

Hot on the heels of the hilarious and critically acclaimed East 14th and The Kipling Hotel, Don Reed is back with an installment of his wonderfully wild autobiographical trilogy, Can You Dig It?: The '60s at The Marsh San Francisco. A nostalgic ride through the amusing and oftentimes turbulent 1960s and beyond, Reed's solo show takes place before his father became a pimp, before little Donnie was forced into that door-knocking religion, and includes some mind-blowing and unbelievably true tales never before revealed in the original production. From the Beatles to the Black Panthers, James Brown to the Jerk, MLK to JFK to the KKK-audiences will delight in living vicariously through the eyes of an awkward blinking kid just trying to fit in during the tumultuous '60s.

Fort Worth Opera (FWOpera) announced today the names of the six composer and librettist teams whose unpublished works have been selected for the company's sixth annual, critically-acclaimed new works series, Frontiers - funded in part by the Andrew W. Mellon Foundation. Held during the final week of the 2018 FWOpera Festival, these selected pieces will be presented in two separate showcases of three works each on Wednesday, May 2 from 7:30 pm - 9:30 pm, and Thursday, May 3 from 7:30 pm - 9:30 pm, on the stage of Bass Performance Hall. Featuring 20-minute excerpts of each selected piece, these brand-new operas will be sung by artists from the 2018 FWOpera Festival with piano accompaniment.

From the latest 4am White House Tweet to the results of the newest round of musical chairs in the Oval Office to what fresh ludicrosity Sarah Huckabee Sanders is being forced to defend, Will Durst's Durst Case Scenario has been extended at The Marsh San Francisco due to popular demand with performances now through the end of May.

On Monday, April 9, Roundabout Theatre Company's Roundabout Underground playwriting alumni will gather to present The 24 Hour Plays Off-Broadway. Six playwrights, six directors, 24 actors and a musical guest will perform six brand new short plays written & rehearsed over the course of a single day. The performance will begin at 8:00pm at the Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street).

The Marsh, acclaimed as a premier venue for solo shows and new works, welcomes a collaboration between lauded playwright Lynne Kaufman and award-winning director Robert Kelley with Two Minds. Returning to The Marsh after her hit run of Acid Test: The Many Incarnations of Ram Dass, Kaufman's new drama re-envisions the relationship between two men who changed the way people think. Daniel Kahneman and Amos Tversky's groundbreaking research on how people make decisions won the brilliant Israeli psychologists a Nobel Prize and a McArthur Genius Award. The pair was intellectually so aligned they could finish each other's sentences, but emotionally their differences tore them apart. Two Minds weaves together the story of their unique partnership as well as their troubled friendship.

Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) is pleased to present the New York premiere of Bobbie Clearly by Alex Lubischer, directed by Will Davis. This is the second play in Roundabout Underground's expanded two-play season, following Too Heavy for Your Pocket by Jireh Breon Holder this fall.

The Marsh Berkeley announces the return of its 2017 hit, The Mushroom Cure by Adam Strauss. Inspired by a scientific study that hallucinogenic mushrooms may cure obsessive-compulsive disorder (OCD), Strauss embarked on a program of vigilante psychopharmacology.

The Marsh announces that in addition to his hit performances at its San Francisco location, political comedian Will Durst's Durst Case Scenario will return to The Marsh Berkeley for four additional performances. Specializing in political humor for folks who don't like politics, Durst's rollicking feast of outraged and outrageous satire is a comedic exploration of how America is changing in the Trump era, his solo show will continue his extended run at The Marsh San Francisco

Due to popular demand, The Marsh San Francisco extends Jill Vice's solo show, A Fatal Step. Turning the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale. When Sarah's footing with her handsome podiatrist boyfriend is undermined by an archrival, she takes drastic steps to keep her man. The San Francisco Examiner praised Vice, noting "it's impossible to take your eyes off the animated actress," while the San Francisco Chronicle celebrated her performance declaring "Vice both does noir justice and impishly picks it apart." A Fatal Step, directed by Mark Kenward and developed with David Ford, will return for its extended run 8:00pm Thursdays and 8:30pm Saturdays March 24-April 28, 2018 at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open 1pm-4pm, Monday through Friday).

BabsonARTS is pleased to announce a very special presentation - On The Wing:  A Celebration of Birds In Music and Spoken Word, an evening of poetry reading, music, and ornithology - everything you wanted to know about birds - on Tuesday, March 27 at the Carling-Sorenson Theater at Babson College, Forest Street, Wellesley.

:April Fools' Day will mark the return of Bay Area's beloved Clown Prince of Fools, Unique Derique, in his zany extravaganza Fool La La! Over the Rainbow at The Marsh San Francisco. Featuring a sweet new bag of tricks, side-splitting physical comedy and a free 20-minute Hambone and juggling workshop after each performance, this all-ages show will leave audiences laughing and ready to spring through the season. Fool La La! Over the Rainbow will be presented 1pm Sundays April 1 - May 6, 2018 at The Marsh San Francisco Studio, 1062 Valencia St., San Francisco. For tickets ($15-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call 415-282-3055 (open 1pm-4pm, Monday through Friday).

National Sawdust of Williamsburg, Brooklyn will be celebrating the second anniversary of The Revolution - a series founded, curated, and produced by Katie Jones - on March 24th, 2018 at 10:00 p.m.

The Marsh San Francisco adds three free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign. This deeply moving and surprisingly funny work outlines Copeland's own struggles with depression and suicidal thought, and is presented at no cost to remove all barriers for those who may be struggling with depression themselves. Featuring humorous, poignant, and riveting insights, the solo show written by Copeland and directed by David Ford, will take place 5:30pm Sundays March 25 - April 29, 2018 (see exact schedule below), at The Marsh San Francisco, 1062 Valencia Street. General admission for this performance is free, although reservations ($55-$100), are recommended. To reserve tickets or for more information, the public may visit www.themarsh.org or call 415-282-3055 Monday through Friday between 1:00pm and 4:00pm.

Due to popular demand, Steve Budd's What They Said About Love, the 2016 San Francisco Fringe "Best of Fringe" winner, will be extended at The Marsh. In this absorbing solo show, Steve wonders why other people can-and why he can't-tie the knot. He sheds light on how people meet and make it to the altar, the push and pull of relationships, singles who can't seem to settle down, and more.

Due to popular demand, The Marsh San Francisco will extend Josh Kornbluth's insightful Josh's Brain Improvs until the end of 2018. Originally set to close March 28, the show will continue every other month on the final Wednesday of each month, with his last performance scheduled for November 28, 2018

The Tony Award-winning cast of Kinky Boots spent their Valentine's Day with Flynn the Bichon Frise -- aka the winner of the 2018 Westminster Dog Show! Flynn is the adorable Bichon Frise who was named 'Best in Show' yesterday at the 2018 Westminster 'Best in Show'. Last night, he continued his NYC tour, making his Broadway debut with a walk-on role in Broadway's hottest show!

Animal Planet's THE ZOO, the first-ever series to go behind the scenes at the world-famous Bronx Zoo, returns for an all-new season on Saturday, March 10 at 9 PM ET/PT. THE ZOO shares an unscripted look at the knowledge and diverse skills needed to operate a zoo. It focuses on the level of care given to the animals, the bond that exists between the animals and the staff, and how the higher purpose of zoos and aquariums is conservation of species in the wild.

Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) announces the first new play of Roundabout Underground's 2018-2019 season. The World premiere of Usual Girls, by Ming Peiffer, directed by Tyne Rafaeli was part of the 2017 Roundabout Underground Reading Series and will begin performances in the 2018/19 season.

Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) is pleased to announce the first new play of Roundabout Underground's 2018 - 2019 season. The World premiere of Usual Girls, by Ming Peiffer, directed by Tyne Rafaeli was part of the 2017 Roundabout Underground Reading Series and will begin performances in the 2018/19 season.

Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) has just announced the full cast of Bobbie Clearly, by Alex Lubischer, directed by Will Davis. This is the second play in Roundabout Underground's expanded two-play season, following Too Heavy for Your Pocket by Jire?h Breon Holder this fall.

Back by popular demand, radio host/standup comic Maureen Langan returns to The Marsh San Francisco for a special limited engagement of her 2017 smash hit Daughter of a Garbageman. This comedic and moving tale was declared one of the "Top 3 Shows of 2017" by Theatre Eddys ("a one-woman tour-de-force, jam-packed with moments to be relished and remembered").

While college basketball teams are competing to see who is the best team in the nation during March Madness, local performers will play for glory in The Marsh's Marsh Madness. This three-day festival brings a wide variety of performers center stage, including storytellers, improv groups, comedians, actors, musicians, dancers, mimes, and monologists, allowing audiences to get a glimpse of new and developing works from the Bay Area's vast talent pool. Audiences of Marsh Madness also have the chance to help select future stars, as the team that wins first prize will receive $1,000 and the opportunity to perform a main stage run at The Marsh, one of the nation's leading performance houses for solo and new performances. Up to 32 teams will perform in Marsh Madness March 9 - March 11, 2018 at The Marsh San Francisco, 1062 Valencia St., San Francisco.

The Marsh San Francisco announces a new solo show by David Kleinberg, Return to the Scene of the Crime. Kleinberg - who chronicled his year as an army combat correspondent in Vietnam with his hit show Hey, Hey, LBJ! - describes his return for the first time in 50 years to Vietnam.

Ken Ludwig is a two-time Olivier Award-winning playwright whose work is performed throughout the world in more than thirty countries and over twenty languages. He has written twenty-five plays and musicals, with six Broadway productions and seven in London's West End. I learned about his incredible way with comedic farce when I saw his first Broadway play, Lend Me A Tenor, which won two Tony Awards and was called 'one of the classic comedies of the 20th century" by The Washington Post. So when I heard the Morgan-Wixson Theatre in Santa Monica was presenting Ludwig's MOON OVER BUFFALO, one of his other comedic farces I had never seen before, I knew I was in for a treat watching all the missed communications, mistaken identities, secrets, and lies collide hilariously backstage. And I was not disappointed.