Who's Who? 1913 - Articles Page 7

Dixie's Tupperware Party, the hilarious off-Broadway one-woman comedy starring Dixie Longate, which took the theater world by storm and garnered a prestigious Drama Desk Award nomination, returns to Los Angeles at the Kirk Douglas Theatre for a strictly limited engagement now through December 30.

Baryshnikov Arts Center (BAC) announces the naming of its Studio 4B for the great American entertainer, actor, singer, and comedian Danny Kaye (1911-1987) and his wife Sylvia Fine Kaye (1913-1991), an accomplished lyricist, composer, and producer who mostly collaborated with her husband, writing material that he performed. The dedication completes the naming of all of BAC's studios and theaters for gifted artists, friends and/or mentors to Founder and Artistic Director Mikhail Baryshnikov-a roster that includes philanthropist Howard Gilman; artists Jerome Robbins, John Cage, Merce Cunningham, Rudolf Nureyev; and BAC's founding managing director emerita, Christina Sterner.

Dixie's Tupperware Party, the hilarious off-Broadway one-woman comedy starring Dixie Longate, which took the theater world by storm and garnered a prestigious Drama Desk Award nomination, returns to Los Angeles at the Kirk Douglas Theatre for a strictly limited engagement November 28 to December 30.  The press opening is Thursday, November 29.  Tickets are available at www.dixiestupperwareparty.com.

Tickets are on sale from Monday 5 November at 9am for Sadler's Wells' Spring 2019 season, which features three world premieres, more than 15 UK premieres and a host of new creative partnerships involving artists from all over the world.

BroadwayWorld has a first look at The Wallace Buice Theatre Company's PARADE at the Lyric Studio in Marietta, GA. Alfred Uhry and Jason Robert Brown's masterpiece returns home to Marietta, where the story began 105 years ago. Check out photos below!

BroadwayWorld has a first look at The Wallace Buice Theatre Company's PARADE at the Lyric Studio in Marietta, GA. Alfred Uhry and Jason Robert Brown's masterpiece returns home to Marietta, where the story began 105 years ago.

Written by Nobel Prize Award-winner Luigi Pirandello, in a new version by Nicholas Wright, Naked begins performances Today, September 27 at 7pm at The Unicorn Theatre in Stockbridge, MA. Opening night is set for Saturday, September 29 at 7pm. Directed by Eric Hill (BTG: At Home at the Zoo, The Homecoming, Poe), the production features: David Adkins (Homeland BTG: The Petrified Forest, At Home at the Zoo) as Alfredo Cantavalle; Haley Aguero (BTG: Tarzan, The Music Man) as Emma; James Barry (Bloody Bloody Andrew Jackson BTG: The Caretaker, The Who's Tommy) as Franco Laspiga; Jeffrey Doornbos (A Thousand Miles Behind) as Consul Grotti; Tara Franklin (Sleep No More BTG: At Home at the Zoo, The Homecoming) as Ersilia Drei; Barbara Sims (A Streetcar Named Desire BTG: Benefactors) as Signora Onoria; and Obie and Drama Desk Award-winner, Rocco Sisto (The King and I BTG: The Homecoming) as Ludovico Nota. This production is sponsored by Lead Sponsor, Bobbie Hallig; Furlano and Arace, PC; The Westifeld News Group; Massachusetts Cultural Council and The Shubert Foundation.

Artistic and Executive Director of Exeter Northcott Theatre Daniel Buckroyd today announces the full cast for a major new revival of Schiller's Don Carlos presented in a co-production with Nuffield Southampton Theatres (NST) and Rose Theatre Kingston. Gadi Roll directs Tom Burke (Rodrigo, Marquis of Posa), Alexandra Dowling (Eboli), Darrell D'Silva (Philip), Kelly Gough (Elizabeth), Jason Morell (Domingo), Vinta Morgan (Alba), Samuel Valentine (Don Carlos), Stephen Ventura (Lerma) Flip Webster (Duchess), with Alexander Allin, Dan Ball, Guy Dennys and Euan Shanahan completing the company's ensemble.

Written by Nobel Prize Award-winner Luigi Pirandello, in a new version by Nicholas Wright, Naked begins performances Thursday, September 27 at 7pm at The Unicorn Theatre in Stockbridge, MA. Opening night is set for Saturday, September 29 at 7pm. Directed by Eric Hill (BTG: At Home at the Zoo, The Homecoming, Poe), the production features: David Adkins (Homeland BTG: The Petrified Forest, At Home at the Zoo) as Alfredo Cantavalle; Haley Aguero (BTG: Tarzan, The Music Man) as Emma; James Barry (Bloody Bloody Andrew Jackson BTG: The Caretaker, The Who's Tommy) as Franco Laspiga; Jeffrey Doornbos (A Thousand Miles Behind) as Consul Grotti; Tara Franklin (Sleep No More BTG: At Home at the Zoo, The Homecoming) as Ersilia Drei; Barbara Sims (A Streetcar Named Desire BTG: Benefactors) as Signora Onoria; and Obie and Drama Desk Award-winner, Rocco Sisto (The King and I BTG: The Homecoming) as Ludovico Nota. This production is sponsored by Lead Sponsor, Bobbie Hallig; Furlano and Arace, PC; The Westifeld News Group; Massachusetts Cultural Council and The Shubert Foundation.

One of the fist modern instances of 'breaking the fourth wall,' Thornton Wilder's OUR TOWN is a story addressed directly to an audience - by the production's Stage Manager, the narrator and an occasional player in the story. It's a tale of the life of the fictional Grover's Corners, New Hampshire from 1901 through 1913, seen through the eyes of two neighboring families and the Stage Manager's decription of the locale.

Built in 1913 as the flagship for the big time vaudeville circuit run by E.F. Albee and Martin Beck, manager of the Western Vaudeville Managers Association, the Palace was the perfect showplace for the biggest of big time vaudeville during the last two decades of its existence.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.

Following is the unofficial transcript of CNBC's Kayla Tausche's sit down interview with Rep. Jeb Hensarling (R-TX), Chairman, House Financial Services Committee, today at CNBC's Capital Exchange event in Washington D.C.

Maria Shclover and Irina Shabshis, Cherry Orchard Festival co-founders and producers, today announced Israel's celebrated Gesher Theatre will return to New York City in early October with its two leading productions The Dybbuk and In the Tunnel at The Gerald W. Lynch Theater at John Jay College (524 West 59 Street).  Founded in 1991 in Tel Aviv by director Yevgeny Arye, these Gesher Theatre productions are being presented as part of a North American tour, which includes performances in Toronto and Pittsburgh. Performances are October 3 and 4 for The Dybbuk and October 6 and 7 for In the Tunnel.

After a successful run in Central Park, playing to over 4,000 people, performances resume on Wednesday, June 27 in Rockefeller Park/Battery Park City for New York Classical Theatre's critically acclaimed production of Romeo and Juliet, directed by the company's Founding Artistic Director Stephen Burdman. The production will play this week through June 30, before continuing on to The Battery, Carl Schurz Park, and Brooklyn Bridge Park for performances through July 29. There is no ticketing, and all performances are free and open to the public. Performance schedule can be found at newyorkclassical.org.   

Girls Inc. summer campers will preview the Houston Symphony's upcoming Mendelssohn's "Scottish" concert and meet the guest conductor, Elim Chan, one of the rising women conductors leading major symphonic orchestras around the world during rehearsal on Friday, June 22 at 10 a.m. The campers will meet Chan following rehearsal at 12:30 p.m.

The long awaited revival of Jason Robert Brownand Alfred Uhry's gripping Tony Award-winning murder mystery musical PARADE as presented in 2013 at Fullerton's Plummer Auditorium by 3-D Theatricals (3DT) of Los Angeles and Orange County, comes to two Southern California main stage theatres through June 10 at the Cerritos Center for the Performing Arts and June 15 - 24, 2018 at the Redondo Beach Performing Arts Center.

The long awaited revival of Jason Robert Brownand Alfred Uhry's gripping Tony Award-winning murder mystery musical PARADE as presented in 2013 at Fullerton's Plummer Auditorium by 3-D Theatricals (3DT) of Los Angeles and Orange County, will once again take a bow at two Southern California main stage theatres beginning June 1 - 10 at the Cerritos Center for the Performing Arts and June 15 - 24, 2018 at the Redondo Beach Performing Arts Center.

The long awaited revival of Jason Robert Brown and Alfred Uhry's gripping Tony Award-winning murder mystery musical PARADE as presented in 2013 at Fullerton's Plummer Auditorium by 3-D Theatricals (3DT) of Los Angeles and Orange County, will once again take a bow at two Southern California main stage theatres beginning June 1 - 10 at the Cerritos Center for the Performing Arts and June 15 - 24, 2018 at the Redondo Beach Performing Arts Center.

In the video below, Mirga Gražynit?-Tyla leads the Met Orchestra in the finale of Tchaikovsky's Fourth Symphony in preparation for the ensemble's May 18 performance at Carnegie Hall. 

Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.

The Vancouver Art Gallery announces a new exhibition uniting the works of two women artists practicing in British Columbia in the early twentieth century in Emily Carr in Dialogue with Mattie Gunterman, on view at the Gallery from April 28 to September 3, 2018. Home to the world's finest collection of Emily Carr works, the Gallery pairs a selection of paintings by Emily Carr (1871-1945) from its permanent collection with forty-eight photographs by US-born photographer Mattie Gunterman (1872-1945). Gunterman's photos are on loan from the private collection of Vancouver photographer and writer Henri Robideau.

Final casting is announced for a rare production of D H Lawrence's The Daughter-in-Law, a searing and unforgettable drama about heartache, inequality and the ties that bind, set in the heat of the 1912 miners' strike.

Italo Montemezzi's L'AMORE DEI TRE RE, which played four performances at City Opera's Rose Theate this weekend, was greeted as a masterpiece when it premiered at La Scala in 1913 proved popular for years at the Met. Today, I'm not sure that even Anna Netrebko and Jonas Kaufmann as the lovers could keep it afloat.