While there are no miracles of biblical proportions, Violet ends with emotional cleansing, self-realization and hopefulness...Sutton Foster is that rare above-the-title Broadway star who can match polished musical theatre craft with an approachable everywoman quality. As Violet, she mixes her character's devout trust in the Lord with a protective shell of distrust built from twelve years of blaming her dad for both her initial injury and how he handled its aftermath and from dealing with the repulsed and cruel treatment she's received from others for half her life. It was the best acting performance of her New York career...Violet is a small musical of big ideas. Its spectacle comes in its writing and in the opportunity for singing actors to play intriguing characters. This production is not to be missed.