Stephanie Blythe News

Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks -- including the show-stopping tenor aria "Ah! Mes amis," with its nine high Cs-- in an Encore in HD presentation of The Metropolitan Opera production of the comic French opera La Fille Du Regiment on Sunday, March 17 at 12pm at The Ridgefield Playhouse.

On Saturday, March 2 at 1:00pm the Peterborough Players present, Live from the Metropolitan Opera, a screening of Donizetti's La Fille du Regiment.

Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks -- including the show-stopping tenor aria "Ah! Mes amis," with its nine high C's-- in an Encore in HD presentation of The Metropolitan Opera production of the comic French opera La Fille Du Regiment on Sunday, March 17 at 12pm at The Ridgefield Playhouse.

I've already cheered tenor Javier Camarena's Herculean take on “Ah, mes amis!” in the Met's current FILLE DU REGIMENT--with 1 ½ dozen high Cs, including an encore--but there's more than the tenor in Met's current revival of the Donizetti gem to make the season suddenly seem grand. He and soprano Pretty Yende have made a potent comic once before--in Rossini's BARBIERE--but FILLE is something altogether different.

Tenor Javier Camarena set a record last night with his encore of “Ah, mes amis!” as Tonio in the season's first performance of Donizetti's LA FILLE DU REGIMENT. It was the first time that anyone was called out for an encore in three different operas—in his case Rossini's LA CENERENTOLA, Donizetti's DON PASQUALE and this one. That's more than Luciano Pavarotti or Juan Diego Florez—the only others to be brought out for a bis of an aria in the last 50 years.

The Metropolitan Opera presents Donizetti's comedy La Fille du Régiment, with performances February 7 to March 2, 2019. Pretty Yende stars as Marie, the young canteen girl of the local regiment. Javier Camarena is the boy with whom she falls in love, Tonio, whose show-stopping aria “Ah! mes amis” is famous for its remarkable nine high Cs. Stephanie Blythe is the outlandish Marquise of Berkenfield, and Alessandro Corbelli and Maurizio Muraro share the role of the comical sergeant Sulpice

The 2018-19 season of The Met: Live in HD will continue at the Warner Theatre on Saturday, March 2 with Donizetti's LA FILLE DU REGIMENT at 12:55 pm in the Nancy Marine Studio. The 2018-19 season is sponsored by Viron Rondo Osteria. A complimentary 45 minute pre-opera lecture by Nunzio DeFilippis will be offered in the Studio Theatre Lobby two hours before the broadcast, sponsored by Mitchell Auto Group. Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks - including the show-stopping tenor aria Ah! Mes amis, with its nine high Cs. Maurizio Muraro plays comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts. To purchase tickets, call the Warner Box Office at 860-489-7180.

The Metropolitan Opera presents Donizetti's comedy La Fille du Régiment, with performances February 7 to March 2, 2019. Pretty Yende stars as Marie, the young canteen girl of the local regiment. Javier Camarena is the boy with whom she falls in love, Tonio, whose show-stopping aria “Ah! mes amis” is famous for its remarkable nine high Cs. Stephanie Blythe is the outlandish Marquise of Berkenfield, and Alessandro Corbelli and Maurizio Muraro share the role of the comical sergeant Sulpice.

Well, it's that time of the year again--time for a look-back on what was worth making note of during the calendar year that's about to come to an end. It's from a totally personal, subjective point of view, of course, but frankly that's the way opera-lovers always seem to like it, n'est-ce pas? The productions worth noting come from places big, small and in-between, from composers old as the hills to freshly minted or somewhere in between (likewise the performers), from traditional or boldly modern to simply stand up and sing.

Bard College announces the appointment of celebrated opera singer and recitalist Stephanie Blythe as artistic director of the Bard College Conservatory of Music Graduate Vocal Arts Program (VAP) beginning in July 2019. One of the most highly respected and critically acclaimed artists of her generation, mezzo-soprano Blythe possesses a repertoire ranging from Handel to Wagner and from German lieder to contemporary and classic American song. Blythe has performed on many of the world's great stages, such as Carnegie Hall; the Metropolitan Opera; Covent Garden; Paris National Opera; and San Francisco, Chicago Lyric, and Seattle Operas. She was named Musical America's Vocalist of the Year, received an Opera News Award, and won the Richard Tucker Award. Blythe recently released her first crossover recording on the Innova label with pianist Craig Terry.

MasterVoices and its 150 choristers opens its 77th season on Wednesday, November 28 at 8 pm at Carnegie Hall when the ensemble's Artistic Director Ted Sperling leads the New York premiere of a multi-media version of Handel's Israel in Egypt. The timely oratorio of exile and displacement is reflecting the biblical account of the heroic flight of Israelites enslaved in Pharaonic Egypt and their crossing the Red Sea.  

The Metropolitan Opera marks the 100th anniversary of the world premiere of Puccini's Il Trittico, which took place at the Met's original opera house in 1918, with performances November 23 to December 15, 2018.  The three one-act operas of Il Trittico include the verismo-inspired Il Tabarro, featuring Amber Wagner as Giorgetta, Marcelo Álvarez as Luigi, George Gagnidze as Michele, MaryAnn McCormick as Frugola, and Maurizio Muraro as Talpa. Suor Angelica, a tale of religious redemption, features Kristine Opolais in the title role, Stephanie Blythe as La Principessa, and Maureen McKay as Suor Genovieffa.

Sometimes, it's nice to remember a time when opera was all about wonderful singing, singing and more singing. Sunday's annual concert of the Richard Tucker Foundation--celebrating the current winner of its top prize, bass-baritone Christian Van Horn--was a great salute to this artist in particular but to the form in general. And the presence of opera-loving Justice Ruth Bader Ginsburg—still doing her best to keep the flame at 85--was the cherry on the sundae.

On Sunday, October 21, the Richard Tucker Music Foundation's annual gala concert - one of the most highly anticipated operatic events of the season - will bring a galaxy of opera stars to the stage of Carnegie Hall. And opera-lovers around the world unable to make it in person will still have the opportunity to watch the performance live. Thanks to the foundation's partnership with medici.tv, the gala concert will be webcast live (6pm ET/3pm PT), free of charge, both on medici.tv and on medici.tv's Facebook page; the stream will subsequently be available for on-demand viewing for a limited period. In addition, the Richard Tucker Music Foundation continues its collaboration with WQXR 105.9 FM, New York's sole dedicated classical radio station, which will broadcast the performance to listeners in the New York metropolitan region and online at www.wqxr.org on November 10 at 1pm ET/10am PT.

Kathleen Turner will join the cast of Donizetti's comedy La Fille du Régiment at the Metropolitan Opera February 7–March 2, in the non-singing role of the Duchess of Krakenthorp. She will perform alongside Pretty Yende in the role of Marie, and Javier Camarena as Tonio. Stephanie Blythe will play the Marquise of Berkenfield, with Alessandro Corbelli and Maurizio Muraro sharing the role of Sergeant Sulpice. Laurent Pelly's staging will be conducted by Enrique Mazzola.

Young opera singers from across the United States, Canada, Puerto Rico, and for the first time, Mexico, will compete for $15,000 cash prizes and the opportunity to launch major operatic careers, when the Metropolitan Opera National Council Auditions launches its 65th annual auditions program this fall. Over 1,000 singers between the ages of 20 and 30 will participate in the program, the longest-running singing competition in the country. Finalists will perform on the stage of the Met at the Grand Finals Concert on Sunday, March 31, 2019.

Whether from disease, 19th century #MeToo-style abuse, or unrequited love, Opera Philadelphia's (OP) Festival O18 opening weekend showed us three ways that central female characters lost their grip on reality. While I considered only one of them a total success, audience openness to sometimes-demanding material made it clear that the company has found a formula that strikes at the hearts of opera-goers, new and old.

Back home at Carnegie Hall for the third year running, the Richard Tucker Music Foundation's annual gala concert, one of the most highly anticipated operatic events of the season, will take place on Sunday, October 21.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 77th season, celebrating the power of the human voice to unite, inspire and connect since 1941. The upcoming season will be framed by two major musical events, the New York premiere of a multi-media version of Handel's oratorioIsrael in Egypt performed at Carnegie Hall, and a new adaptation of the Kurt Weill-Ira Gershwin-Moss Hart avant-garde musical, Lady in the Dark, starring Victoria Clark at New York City Center. Lady in the Dark has not been seen in New York since it was presented at New York City Center in 1994 as part of the inaugural Encores! season.

Opera Philadelphia – “one of the most creative and ambitious companies in this country” (New York Times) – is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O, with the “spirit ... not to follow taste but to lead it” (Philadelphia Inquirer). Festival 018comprises five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city from September 20-30, and features two superstar opera divas: coloratura soprano Brenda Rae and mezzo-soprano Stephanie Blythe, co-stars of Opera Philadelphia's acclaimed spring 2017 production of Rossini's Tancredi. Rae headlines a new production of Donizetti's Lucia di Lammermoor from celebrated director and designer Laurent Pelly that anchors both the O18 festival and the company's year-round Opera at the Academy series. Blythe (aka Blythely Oratonio) takes the stage at Philadelphia's Theatre of Living Arts (TLA) for a three-night, three-part cabaret takeover titled Queens of the Night, along with self-described “drag queen king” Dito van Reigersberg (aka Martha Graham Cracker). It all leads up to a reprise performance of Dito & Aeneas: Two Queens, One Night, Opera Philadelphia's 2017 cabaret-play spectacular, which was hailed as “smart and bubbly in all the right places” (Philadelphia Inquirer). The two divas even perform together on the TLA stage, when Rae makes a special guest appearance opposite Blythe, comedically echoing the tragic lovers of Tancredi.