BWW Review: Patrick Page Leads a Sumptuous Ensemble in Shakespeare@'s Radio Drama JULIUS CAESAR
by Michael Dale
- Mar 2, 2021
Even if Americans weren't recently subjected to the horror of violent deaths and the attempted murder of elected officials inside the U.S. Capitol Building, the issue of representatives desiring the right to carry firearms in congress would be enough to bring new relevance to William Shakespeare's drama of insurrection and its consequences, JULIUS CAESAR.
BWW Review: Trump-Era Liberals Are All At Sea In Anne Washburn's SHIPWRECK
by Michael Dale
- Oct 28, 2020
While not exactly a moment of déjà vu, I did feel a sense of the familiar while listening to director Saheem Ali's new podcast production of Anne Washburn's provocative play of Trump-era liberal ideology, SHIPWRECK, subtitled 'a History Play about 2017'. It was followed almost immediately by an internal debate as to whether or not it was okay to mention in in this review.
BWW Review: The Seeing Place Addresses LGBTQIA+ Issues Through Shakespeare's A MIDSUMMER NIGHT'S DREAM
by Michael Dale
- Sep 1, 2020
Back in pre-COVID New York, barely a midsummer weekend would go by without a theatre company somewhere presenting an outdoor production of Shakespeare's A MIDSUMMER NIGHT'S DREAM in whatever garden, meadow or parking lot would offer a permit. When you add the countless indoor productions, the Bard's merry mixture of comedy, romance and fantasy - offering numerous juicy roles for a talented ensemble -- is doubtlessly one of his most enduringly popular pieces.
Review Roundup: Richard Nelson's WHAT DO WE NEED TO TALK ABOUT? Conversations on Zoom
by Nicole Rosky
- Apr 30, 2020
Just last night, The Public Theater presented the world premiere of WHAT DO WE NEED TO TALK ABOUT? Conversations on Zoom, a new play in the Rhinebeck Panorama, written and directed by Tony Award winner Richard Nelson. Commissioned by The Public Theater and written by Nelson from his home in Rhinebeck, New York, during the COVID-19 pandemic, this unique theatrical experience was performed as a benefit for The Public Theater.
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