Mark Rubinstein News

Brett Haylock, Mark Rubinstein and Mick Perrin for Just for Laughs Live present La Soirée. Featuring stars from La Clique At the South Bank Big Top, Upper Ground, London SE1 8XX Behind the National Theatre

The Independent Reviewers of New England (IRNE), a panel of critics from media outlets around the state of Massachusetts, have announced the nominees for the IRNE Awards honoring the best of the 20010 Theatre Season. A list of the nominees is below

Brett Haylock, Mark Rubinstein and Mick Perrin for Just for Laughs Live present La Soirée. Featuring stars from La Clique At the South Bank Big Top, Upper Ground, London SE1 8XX Behind the National Theatre

Stage One, the charity committed to developing and supporting producers for the commercial theatre industry, is hosting a record number of aspiring producers in production companies across the West End on its highly successful Apprentice Scheme for New Producers.

Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.

Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.

Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.

Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.

Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.

As I write these words the opening night party of Roundabout's revival of Sunday in the Park With George, which I'll be seeing on Saturday, is no doubt in full swing, but despite the sublime glories of that Steven Sondheim/James Lapine creation, there's another musical in town about radical artists that deserves just as much attention from anyone interested in the euphoric excitement felt when watching a unique, intelligent and wondrously creative evening of musical theatre.

Matthew Marsh and Paul Freeman have been cast in the upcoming West End revival of David Mamet's Glengarry Glen Ross.

Emma Williams has been confirmed as the star of the upcoming West End musical Desperately Seeking Susan

Jonathan Pryce has been confirmed as the star of an upcoming West End revival of David Mamet's Glengarry Glen Ross

Tintin, adapted by Rufus Norris (Festen, London Cabaret revival) and David Greig from Georges Remi's classic comic strip character, will play a limited West End Christmas engagement at the Playhouse Theatre from December 6th, 2007 through February 23rd, 2008

London's theatre The Menier Chocolate Factory, with American producer Bob Boyett, have signed a three-year partnership to present Chocolate Factory productions in the United States.

West End star Emma Williams will likely play the title role in the upcoming West End musical Desperately Seeking Susan.

A musical version of 1985 cult film Desperately Seeking Susan may premiere in the West End at the Gielgud Theatre in November.

Roundabout Theatre Company, in association with Boyett Ostar Productions, David Babani, Caro Newling for Neal Street Productions and Mark Rubinstein, has announced that Olivier Award winners Daniel Evans and Jenna Russell will reprise their roles as George and Dot in The Menier Chocolate Factory's Olivier Award winning production of Stephen Sondheim and James Lapine's Pulitzer Prize winning musical Sunday in the Park with George, directed by Sam Buntrock.

Tony-winner Jonathan Pryce will headline an upcoming London revival of Glengarry Glen Ross, which will open in October of 2007 and run through mid-January of 2008

Casting is now complete for Daniel Kramer's new production of Martin Sherman's award-winning Bent, which will open at the Trafalgar Studios on September 22nd with press night on October 5th; Alan Cumming stars