Maboud Ebrahimzadeh News

Ayad Akhtar's Pulitzer Prize winning Disgraced has become a flashpoint of conversation. Critically-acclaimed and Tony-nominated on Broadway, produced around the world, Disgraced is about to spark debate on McCarter's Matthews Stage this October.

Ayad Akhtar's Pulitzer Prize winning Disgraced has become a flashpoint of conversation. Critically-acclaimed and Tony-nominated on Broadway, produced around the world, Disgraced is about to spark debate on McCarter's Matthews Stage this October.

I can nearly always count on the small, but mighty Forum Theatre to conjure up selections each season that are a little out-of-the-box, and present them with an abundance of creativity. Season 13 is no exception, and it starts off with the area premiere of Jonas Hassen Khemiri's I CALL MY BROTHERS (translated from Swedish by Rachel Willson-Broyles). In the intimate Silver Spring Black Box Theatre, Director Michael Dove and his strong cast of four deal well with the challenges and potential inherent in Khemiri's script, and give the audience a relevant night of theatre that ends - appropriately - with more questions than answers.

Theatre Philadelphia has announced the nominees for the 2016 Barrymore Awards for Excellence in Theatre.

Theatre Exile presents an explosive ending to their 19th season with a timely political thriller THE INVISIBLE HAND by Pulitzer Prize winner Ayad Akhtar. Nick, an American banker in Pakistan, is imprisoned and must trade shares when his $10M ransom can't be met. The global tale examines how society, money and power shape the good and evil within.

Theatre Exile presents an explosive ending to their 19th season with a timely political thriller THE INVISIBLE HAND by Pulitzer Prize winner Ayad Akhtar. Nick, an American banker in Pakistan, is imprisoned and must trade shares when his $10M ransom can't be met. The global tale examines how society, money and power shape the good and evil within.

Theatre Exile presents an explosive ending to their 19th season with a timely political thriller THE INVISIBLE HAND by Pulitzer Prize winner Ayad Akhtar. Nick, an American banker in Pakistan, is imprisoned and must trade shares when his $10M ransom can't be met. The global tale examines how society, money and power shape the good and evil within.

The John F. Kennedy Center for the Performing Arts hosts more than 150 outstanding theater students from colleges and universities across the nation as part of the 48th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 12-16, 2016 in multiple locations throughout the Center. Thousands of student artists from eight regions across the country presented their work at regional festivals from January 5 through February 27, 2016 and more than 150 were selected to travel to the Kennedy Center in Washington, D.C., for an all-expenses-paid trip to participate in the national festival.

Forum's chilling production will certainly keep you in suspense.

The Kennedy Center, in association with the Kennedy Center American College Theater Festival, the National New Play Network (NNPN)-the country's alliance of non-profit theaters that champions the development, production, and continued life of new plays-and with Stanford University's National Center for New Plays, will host more than 50 playwrights, directors, and dramaturgs from July 25 to August 2, 2015 as part of the 10th annual weeklong MFA Playwrights' Workshop featuring new works by MFA students from Columbia University, Northwestern University, Fordham University, Yale School of Drama, the Juilliard School, New York University-Tisch School of the Arts, University of California-San Diego, and the Juilliard School.

?Washington DC's Theater J wraps up their 2014-2015 season with Charles Busch's THE TALE OF THE ALLERGIST'S WIFE.

?Gulfshore Playhouse will close their 2014-2015 season with The Liar by David Ives, based on the comedy by Pierre Corneille, playing April 4th through 26th, with $30 preview performances on April 2nd and 3rd.

There is a scene about two thirds of the way through Mockingbird, currently playing at the Family Theater at the Kennedy Center, that cuts straight to the emotional core of the play. Mrs. Brook, a school counselor, asks protagonist Caitlin to try to feel empathy for her father. Caitlin, who is on the autistic spectrum, takes Mrs. Brook literally is initially confused. Why would she want try to walk in someone else's shoes? But then, after a moment of thought, Caitlin plunks herself down on the ground, removes her shoes, and slowly smiles as understanding dawns.

The Kennedy Center and VSA present the world premiere production of Mockingbird from January 17 to February 1, 2015 in the Family Theater. Commissioned by the Kennedy Center and VSA, the production is based on the National Book Award-winning novel by Kathryn Erskine, adapted by Julie Jensen and features direction by Tracy Callahan. The press opening performance is Saturday, January 17, 2015 at 4 p.m. This production for young audiences and their families is recommended for ages 10 and up.

Steeped in a mystic atmosphere, director Robert Richmond and his excellent company of actors breathe new life to Shakespeare's political and personal tale of assassination and retribution. JULIUS CAESAR is visually stunning, a feast for the ears, and boasts a commanding ensemble. If you thought JULIUS CAESAR was about guys in togas and Marc Antony's funeral speech, think again. This is a production not to miss.

Folger Theatre launches its 2014/15 season in Rome with William Shakespeare's enduring political tragedy, Julius Caesar from tonight, October 28 - December 7, 2014.

Folger Theatre launches its 2014/15 season in Rome with William Shakespeare's enduring political tragedy, Julius Caesar from October 28 - December 7, 2014. Robert Richmond (Richard III and Henry V at Folger) directs the epic portrait of the battle between ambition and honor, conspiracy and loyalty, leading an outstanding ensemble including Anthony Cochrane (Broadway's War Horse and Folger's Henry VIII) as the honorable Marcus Brutus, and Maurice Jones, making his Folger Theatre debut as Caesar's closest ally, Mark Antony.

Imagination Stage, in Bethesda, has scored yet another home run with its production of THE BFG, adapted by David Wood, OBE, from Roald Dahl's children's novel, and directed by Kathryn Chase Bryer and Eric J. Van Wyck. Parents will find themselves laughing along with their kids at Dahl's and Wood's irreverent humor, including an extended riff on the biologically impolite results of reversing the direction of the bubbles in soda pop. The more mature members of the audience will chuckle at the modern cultural references. This production is a must-see.

Imagination Stage is the new home of Giant Country in The BFG (Big Friendly Giant), a play based on the book by Roald Dahl and adapted by David Wood. Co-directed by Imagination Stage's Associate Artistic Director Kathryn Chase Bryer and Eric J. Van Wyk of Viterbo University, The BFG integrates puppetry, rich visuals, and imaginative storytelling as Sophie and the Big Friendly Giant go on a magical journey to save the children of England. Scroll down for a first look at the cast onstage!

Round House Theatre and the New York based company, The One-Minute Play Festival (#1MPF) have created a dynamic partnership to present The 1st Washington, D.C. One-Minute Play Festival, to be performed July 12 - 14, 2014 at Round House Theatre. Following sold-out performances in more than 20 cities, this festival aims to celebrate local voices and investigate the local zeitgeist through this exciting process. Performances are at 8pm on Saturday, July 12, Sunday, July 13, and Monday, July 14.