Lytza Colon News

Taken by the one-sided commentary about the relationship between Andy Warhol, a god of the New York Art World, and Jean-Michel Basquiat, made by Warhol groupies and critics, Reed offers a different view. His new play, 'The Slave Who Loved Caviar, A Theatrical Investigation Into the Relationship Between Jean-Michel Basquiat and Andy Warhol,' challenges the notion that Jean-Michel Basquiat was merely Warhol’s “mascot.”

Theater for the New City is holding its annual Village Halloween Costume Ball, a tradition for nearly 50 years, free and outdoors this year with big bands, big tents, singers, dancers and more on 10th Street.

Seven-time Emmy award winner William Electric Black is presenting a one-man show inspired by the famous musical.

Ego Actus Theatre Company today announced that it will present A BLACK AND WHITE COOKIE, a new play about racial harmony, written by Gary Morgenstein and directed by Joan Kane, March 26th through April 12th at Theater for the New City, 133 First Avenue.

HOOKED ON HAPPINESS, a new musical about a senior class' reaction to global warming is now playing at Theater For The New City (Crystal Field, Executive Director) for a limited engagement through December 1st. 

HOOKED ON HAPPINESS, a new musical about a high school drama  class' response to global warming is now in rehearsals at Theater For The New City (Crystal Field, Executive Director). HOOKED ON HAPPINESS, has book & lyrics by Tom Attea, music composed by Arthur Abrams, direction by Mark Marcante, and choreography by Mackenzie Surbey. 

Theater for the New City today announced that it will present the world premiere of HOOKED ON HAPPINESS, a new musical about global warming, with book & lyrics by Tom Attea, music composed by Arthur Abrams, direction by Mark Marcante, and choreography by Mackenzie Surbey, which opens Sunday, November 16th.

Nonstop theater, a costume competition and ballroom dancing will bewitch the East Village October 31 in the Village Halloween Costume Ball, which is presented annually by Theater for the New City (TNC), 155 First Avenue.  This unique festival continues as a grand coming-together for real witches, everyday New Yorkers and artists alike. An explosive fall tradition, it is always held on the actual night of Halloween and celebrates artistic creation and fertilization.

Written by Solnik, directed by Nikki Reed and presented by Executive Artistic Director Crystal Fields, "Birds of Paradise" is being performed in the East Village for a very limited run. With opening night this past Thursday and running only through July 14th, this show is definitely one I recommend seeing. With a rather clever plot that is as touching as it is on the constant brink of drama, "Birds of Paradise" is now one of my favorite of Solnik's productions.

Just as our nation celebrates its birthday on July 4, Birds of Paradise opens at Theater for the New City, telling a story of an American family during the Great Depression.

Since classical times, artists have always had to reconcile the demands of their patrons with their own artistic integrity.  In the 21st century, the patrons' demands can come from both the left and right. 'Zen A.M.,' a new comedy by Natalie Menna, illustrates the conundrum, nesting it in present-day issues of class identification, compassion, cultural identity and creative resistance.  Theater for the New City will present the world premiere of the piece May 31 to June 16, directed by Andrew Block.

A glorious group of ghosts are converging on Theater for the New City - and it has nothing to do with the theater's annual Halloween ball slated for later in the year.

Presented by Theater for the New City, SHAREHOLDER VALUE, a new play by Tom Attea, is now in previews and opens officially on March 30th.

Theater For the New City's first preview of SHAREHOLDER VALUE by Tom Attea, begins previews Friday, March 22nd. Based loosely on the meltdown at General Electric, the play is about the struggles of the CEO of a troubled conglomerate to deliver what he must every quarter, regardless of the problems the company faces: shareholder value.

Award-winning playwright Andrea J. Fulton's acclaimed, AUDELCO award-winning play UGLY IS A HARD PILL will get performances in Brooklyn on Saturday, April 13 at 2pm and 6pm at theCamba Cultural Center (1958 Fulton Street, Brooklyn), presented by the 81st Precinct Community Council and the Anderson & Bert Cade Fulton Foundation.

Where Do All the Ghosts Go? is a dark comedy about the demolition of a historic NYC building and the ghosts of significant people who have made it their post-life home. They must convince a young lesbian couple that ghosts really exist in order to get their help. Written and directed by Barbara Kahn. Set and Lights by Mark Marcante. Prop design by Lytza Colon. Costumes by Everett Clark. Sound by Joy Linsheid. With Chloe Simone Crawford, David Leeper, Christopher Lowe, Sarah Teed, Steph Van Vlack, Ashley Versher, Fleur Voorn. 155 First Ave (9th & 10th Sts). April 11-28 2019. Thus-Sat at 8pm, Sun at 3pm. Res/Info: 212-254-1109

Get a first look at Shareholder Value, a new play by Tom Attea, where stocks plummet and tensions soar.

Theater For the New City announces the world premiere of SHAREHOLDER VALUE by Tom Attea. Based loosely on the meltdown at General Electric, the play is about the struggles of the CEO of a troubled conglomerate to deliver what he must every quarter, regardless of the problems the company faces: shareholder value.

'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.

Theater for the New City takes you to the past where theater ghosts enlighten the present in Ghost Light Now & Then, a new play by Barbara Kahn.