Christian Ryan News

The award-winning Boomerang Theatre Company and Artistic Director Tim Errickson, in association with Bryant Park Shakespeare, present LOVE'S LABOUR'S LOST by William Shakespeare, directed by Associate Artistic Director Cailin Heffernan. LOVE'S LABOUR'S LOST will be presented at Bryant Park (Upper Terrace Steps, 42nd Street and 6th Avenue), now through Saturday, August 30, 2014. BroadwayWorld has a first look at the production below!

The award-winning Boomerang Theatre Company and Artistic Director Tim Errickson, in association with Bryant Park Shakespeare, are excited to announce their production of LOVE'S LABOUR'S LOST by William Shakespeare, directed by Associate Artistic Director Cailin Heffernan. LOVE'S LABOUR'S LOST will be presented at Bryant Park (Upper Terrace Steps, 42nd Street and 6th Avenue), Thursdays, Fridays and Saturdays at 7 p.m., beginning Thursday, August 14 through Saturday, August 30, 2014. BroadwayWorld has a sneak peek at the cast in rehearsal below!

The award-winning Boomerang Theatre Company and Artistic Director Tim Errickson, in association with Bryant Park Shakespeare, are excited to announce their production of LOVE'S LABOR'S LOST by William Shakespeare, directed by Associate Artistic Director Cailin Heffernan. LOVE'S LABOR'S LOST will be presented at Bryant Park (Upper Terrace Steps, 42nd Street and 6th Avenue), Thursdays, Fridays and Saturdays at 7 p.m., beginning today, August 14 through Saturday, August 30, 2014.

The award-winning Boomerang Theatre Company and Artistic Director Tim Errickson, in association with Bryant Park Shakespeare, are excited to announce their production of LOVE'S LABOR'S LOST by William Shakespeare, directed by Associate Artistic Director Cailin Heffernan. LOVE'S LABOR'S LOST will be presented at Bryant Park (Upper Terrace Steps, 42nd Street and 6th Avenue), Thursdays, Fridays and Saturdays at 7 p.m., beginning Thursday, August 14 through Saturday, August 30, 2014.

New Light Theater Project presents the World premiere of PICTURE OURSELVES IN LATVIA by hot, up-and-coming British playwright Ross Howard. Directed by Sarah Norris, the show opens tonight, July 17, at the Access Theater.

New Light Theater Project will present the World premiere of PICTURE OURSELVES IN LATVIA by hot, up-and-coming British playwright Ross Howard. Directed by Sarah Norris, previews begin tonight, July 10 at Access Theater. Opening night is slated for July 17.

New Light Theater Project will present the World premiere of PICTURE OURSELVES IN LATVIA by hot, up-and-coming British playwright Ross Howard. Directed by Sarah Norris, previews begin July 10 at Access Theater. Opening night is slated for July 17.

New Light Theater Project will present the World premiere of PICTURE OURSELVES IN LATVIA by hot, up-and-coming British playwright Ross Howard. Directed by Sarah Norris, previews begin July 10 at Access Theater. Opening night is slated for July 17.

With Pope Francis making changes to 2000-year-old doctrines, could it be time for Christians to put down their Bible and create their own one-on-one relationship with God?

With the Egyptian revolution at the forefront of our minds--as well as the story of the statue of Pharaoh Akhenaten, stolen from the Cairo Museum during the protests and miraculously recovered--it is uncanny that there is currently a play running off-off Broadway about the life of Pharaoh Akhenaten, which mirrors current events in Egypt.

With the Egyptian revolution at the forefront of our minds--as well as the story of the statue of Pharaoh Akhenaten, stolen from the Cairo Museum during the protests and miraculously recovered--it is uncanny that there is currently a play running off-off Broadway about the life of Pharaoh Akhenaten, which mirrors current events in Egypt.

At an Egyptian dig in the late 1980s, Dr. Alexandra Philips, an archeologist on her first excavation since recovering from a nervous breakdown, uncovers a heretofore unknown burial chamber. As she probes the mystery of the tomb, the imprisoned spirit of Akhnaton, the forgotten husband of Queen Nefertiti and the father of King Tut-Ankh-Amun, appears to her and shares his story of a time when he held the world in his hands, before it was all cruelly ripped away. It's a feeling Alex herself remembers, as she is continually second-guessed about her abilities to still do her job. Feeling an unexpected kinship with this lost soul, yet craving a return to academic heights, Alex is torn when Akhnaton's longing to be at peace challenges her duty to science and her own career. But can Alex, like Akhnaton, risk all to rise a phoenix from the ashes of her life and be true to her own conscience above all else?