BWW Review: Bake a Leg: SWEENEY TODD Opens in Sao Paulo with Sold Out Tickets
by Claudio Erlichman
- May 18, 2022
Sondheim's macabre musical Sweeney Todd, arrives in Brazil.
The show opened on March in Sao Paulo for a short season and takes place on the 033 Rooftop of Teatro Santander.
With direction by Ze Henrique de Paula, the Brazilian production stars Rodrigo Lombardi (Sweeney), Andrezza Massei (Mrs. Lovett), and Mateus Ribeiro (Tobias Ragg).
The American Theatre Wing Gala to Return In-Person After Two Year Hiatus
by Chloe Rabinowitz
- Apr 21, 2022
The American Theatre Wing has announced that it will honor the legacy of actor, director, and activist Antoinette “Tony” Perry alongside the past, present, and future women+ of the theatre at its annual Gala, which will be held on Monday, September 12, 2022 at Cipriani 42nd Street (110 East 42nd Street).
Ken Fallin Draws the Stage - David Greenspan in THE PATSY
by Ken Fallin
- Apr 15, 2022
BroadwayWorld has teamed up with renowned caricature artist Ken Fallin, a life-long theater enthusiast, who has drawn many Broadway and Off-Broadway productions. Below, check out his latest caricature of David Greenspan in The Patsy- Running at the Abrons Art Center through April 30.
The 5th Avenue Theatre Announces 2022/23 Season
by Chloe Rabinowitz
- Apr 11, 2022
The 5th Avenue Theatre announced its 2022/23 Season. The 2022/23 Season features a dynamic lineup of musical theater magic that includes a world premiere, a co-production with ACT – A Contemporary Theatre, and more. Check out the fill season
Ken Fallin Draws the Stage - A TOUCH OF THE POET
by Ken Fallin
- Apr 6, 2022
BroadwayWorld has teamed up with renowned caricature artist Ken Fallin, a life-long theater enthusiast, who has drawn many Broadway and Off-Broadway productions. Below, check out his latest caricature of Andy Murray, Belle Aykroyd, Robert Cuccioli and Kate Forbes in A Touch of the Poet, now running at the Irish Repertory Theatre.
BWW Review: ANYONE CAN WHISTLE, Southwark Playhouse
by Abbie Grundy
- Apr 6, 2022
Stephen Sondheim's and Arthur Laurents 1964 political satire is given a modern spin by director Georgie Rankom in this high-energy production. Let's see what BWW's critic had to say...
Final Days To Experience Musical Theatre West's SPAMILTON: AN AMERICAN PARODY
by A.A. Cristi
- Apr 5, 2022
Musical Theatre West's latest production, Spamilton: An American Parody, is preparing to take a final bow this Sunday, April 10. Experience the hysterical night of music, comedy, and satire that audiences are calling “brilliant,” “super fun from start to finish,” with a “phenomenal” cast and one-man band!
VIDEO: Inside Rehearsal For ANYONE CAN WHISTLE at Southwark Playhouse
by Stephi Wild
- Mar 25, 2022
An all new video has been released from inside rehearsal for the upcoming production Anyone Can Whistle! A political satire about conformity and the ostracisation of those considered ‘other’ in society, ‘Anyone Can Whistle’, directed by Georgie Rankcom, will play Southwark Playhouse, 1 April - 7 May, 2022.
BWW Interview: Southern Californian Peter Richards Makes It Personal in Directing WALT DISNEY
by Gil Kaan
- Mar 20, 2022
West Coast premiere of Lucas Hnath’s A Public Reading of An Unproduced Screenplay About the Death of Walt Disney opens March 26, 2022 at the Odyssey Theatre. Peter Richards directs the cast of Kevin Ashworth, Brittney Bertier, Thomas Piper and Cory Washington. Peter allowed me to probe into the interworking of A Public Read…, as well as his acting/directing career trajectory.
BWW Review: You Know How to WHISTLE �" Put Sondheim's Score in the Right Hands, As MasterVoices Concert at Carnegie Hall Showed
by Richard Sasanow
- Mar 13, 2022
The original title of the Sondheim-Laurents ANYONE CAN WHISTLE was THE NATIVES ARE RESTLESS, though the crowd at Carnegie Hall on Thursday for the MasterVoices concert performance of the trouble musical were hardly fidgety. They were willing and able to sit through the cockamamie book and story Arthur Laurents concocted to hear the wonderful score by the late and very lamented Stephen Sondheim. And, believe me, Ted Sperling, leading the orchestra and big chorus, with a couple of strong guest performers, showed how good much of this score can be.
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