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Latest News on Théâtre de la:
St. Ann's Warehouse to Present Schaubühne Production of WHO KILLED MY FATHER (Feb 24, 2022)
THE BALD SOPRANO Performs At Théâtre de la Huchette Through August 28th (Aug 4, 2021)
BWW Review: THE PAJAMA GAME at Opéra De Rennes (Feb 10, 2020)
St. Ann's Warehouse to Present Schaubühne Production of WHO KILLED MY FATHER (Feb 24, 2022)
THE BALD SOPRANO Performs At Théâtre de la Huchette Through August 28th (Aug 4, 2021)
BWW Review: THE PAJAMA GAME at Opéra De Rennes (Feb 10, 2020)
Théâtre de la News
St. Ann's Warehouse to Present Schaubühne Production of WHO KILLED MY FATHER
St. Ann’s Warehouse will present the U.S. premiere of Who Killed My Father (Qui a tué mon père), written and performed by Édouard Louis, directed by Thomas Ostermeier, and produced by Schaubühne Berlin and Théâtre de la Ville Paris, May 18–June 5.
St. Ann’s Warehouse will present the U.S. premiere of Who Killed My Father (Qui a tué mon père), written and performed by Édouard Louis, directed by Thomas Ostermeier, and produced by Schaubühne Berlin and Théâtre de la Ville Paris, May 18–June 5.
THE BALD SOPRANO Performs At Théâtre de la Huchette Through August 28th
THE BALD SOPRANO is now on stage at Théâtre de la Huchette through August 28th. English subtitles are presented every Wednesday.
THE BALD SOPRANO is now on stage at Théâtre de la Huchette through August 28th. English subtitles are presented every Wednesday.
BWW Review: THE PAJAMA GAME at Opéra De Rennes
After the concert version of West Side Story and an extensive tour of the musical Bells Are Ringing, director Jean Lacornerie and musical director Gérard Lecointe have chosen to collaborate again, delivering to the French public a comparatively little known musical of the 50s, The Pajama Game, which, outside being the work of the dream team Jerome Robbins directing, George Abbott writing the book, and Bob Fosse choreographing on Broadway for the very first time, stands as perhaps the only musical dealing with unions and labor conflicts. The least we can say is that this choice couldn't be more on point given the political context of France today, with major strikes going on in sync with the show, which began its run at Théâtre de la Croix-Rousse in Lyon, followed by an extensive tour at the Théâtre de la Renaissance, also in the Lyon area, and now for a three-day run at the gorgeous Opéra de Rennes, where I caught a sold out performance on February 1st.
After the concert version of West Side Story and an extensive tour of the musical Bells Are Ringing, director Jean Lacornerie and musical director Gérard Lecointe have chosen to collaborate again, delivering to the French public a comparatively little known musical of the 50s, The Pajama Game, which, outside being the work of the dream team Jerome Robbins directing, George Abbott writing the book, and Bob Fosse choreographing on Broadway for the very first time, stands as perhaps the only musical dealing with unions and labor conflicts. The least we can say is that this choice couldn't be more on point given the political context of France today, with major strikes going on in sync with the show, which began its run at Théâtre de la Croix-Rousse in Lyon, followed by an extensive tour at the Théâtre de la Renaissance, also in the Lyon area, and now for a three-day run at the gorgeous Opéra de Rennes, where I caught a sold out performance on February 1st.
BWW Review: HUCKELBERRY FINN at Théâtre De La Huchette
After the Trophy winners La Poupée Sanglante and Comedians!, to mention but a couple, Franck Desmedt has brought another jewel the tiny but cosy Thétre de la Huchette.
After the Trophy winners La Poupée Sanglante and Comedians!, to mention but a couple, Franck Desmedt has brought another jewel the tiny but cosy Thétre de la Huchette.
CROSSING THE LINE Festival 2019 Announced At FIAF
The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.
The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.
Merce Cunningham Trust Announces Summer & Fall 2019 Programming For Global Centennial Celebration
Today the Merce Cunningham Trust announces Summer & Fall 2019 programming for the worldwide Merce Cunningham Centennial, which unites artists, companies, and cultural and educational institutions in a celebration of Cunningham's vital impact. Launched in the fall of 2018 and continuing throughout all of 2019, the Centennial honors Cunningham's legacy across continents and artistic disciplines. The diversity of activities and participating partners demonstrate the profound, enduring resonance of the choreographer's work and his approach to how the body moves in time and space.
Today the Merce Cunningham Trust announces Summer & Fall 2019 programming for the worldwide Merce Cunningham Centennial, which unites artists, companies, and cultural and educational institutions in a celebration of Cunningham's vital impact. Launched in the fall of 2018 and continuing throughout all of 2019, the Centennial honors Cunningham's legacy across continents and artistic disciplines. The diversity of activities and participating partners demonstrate the profound, enduring resonance of the choreographer's work and his approach to how the body moves in time and space.
Pittsburgh Symphony Announces Eighth Fellow In Training Program For African American Musicians
The Pittsburgh Symphony Orchestra is pleased to announce the appointment Shantanique Moore, flutist, as the next recipient of the symphony's two-year fellowship designed to enable one young African American musician the ability to dedicate him or herself to the pursuit of an orchestral career. Ms. Moore will be the eighth recipient of a fellowship from the symphony's EQT Orchestra Training Program for African American Musicians (OTPAAM).
The Pittsburgh Symphony Orchestra is pleased to announce the appointment Shantanique Moore, flutist, as the next recipient of the symphony's two-year fellowship designed to enable one young African American musician the ability to dedicate him or herself to the pursuit of an orchestral career. Ms. Moore will be the eighth recipient of a fellowship from the symphony's EQT Orchestra Training Program for African American Musicians (OTPAAM).
Celebrate World Theatre Day with Broadcast of Hit Show GOLEM
Following performances at the Young Vic, in the West End, an extensive international tour and a broadcast on the BBC, award-winning theatre company 1927 is to stream a filmed version of its show Golem to coincide with World Theatre Day.
Following performances at the Young Vic, in the West End, an extensive international tour and a broadcast on the BBC, award-winning theatre company 1927 is to stream a filmed version of its show Golem to coincide with World Theatre Day.
Chris Thorpe's Status To Tour The UK
When Chris Thorpe performed his one-man show Status at the 2018 Edinburgh Fringe, he claimed, provocatively, it wasn't about Brexit. Now, as the withdrawal date draws ever nearer, the Fringe First-winning, globe-spanning show about how we acquire our national identity, and what happens when we try to escape it, confronts head on the guilt, alienation and identity crisis experienced in response to the biggest political upheaval of the Century.
When Chris Thorpe performed his one-man show Status at the 2018 Edinburgh Fringe, he claimed, provocatively, it wasn't about Brexit. Now, as the withdrawal date draws ever nearer, the Fringe First-winning, globe-spanning show about how we acquire our national identity, and what happens when we try to escape it, confronts head on the guilt, alienation and identity crisis experienced in response to the biggest political upheaval of the Century.
Full Casting & ENO Orchestra Announced For London Run Of NOTRE DAME DE PARIS
Nicolas Talar for Enzo Products Ltd and Adam Blanshay Productions have announced the full casting for Notre Dame de Paris. Twenty years after its Parisian debut, and after receiving international acclaim in 23 countries worldwide, the French musical is set to be performed at London Coliseum. The original French production in London will be performed with English surtitles and a live orchestra from Wednesday 23 Sunday 27 January 2019, with a national press night on Wednesday 23 January 2019 at 7pm. The London run will culminate with the 5,000th performance of the worldwide hit show.
Nicolas Talar for Enzo Products Ltd and Adam Blanshay Productions have announced the full casting for Notre Dame de Paris. Twenty years after its Parisian debut, and after receiving international acclaim in 23 countries worldwide, the French musical is set to be performed at London Coliseum. The original French production in London will be performed with English surtitles and a live orchestra from Wednesday 23 Sunday 27 January 2019, with a national press night on Wednesday 23 January 2019 at 7pm. The London run will culminate with the 5,000th performance of the worldwide hit show.
BAM presents Théâtre de la Ville's hilarious Ionesco Suite
Emmanuel Demarcy-Mota and seven actors from his Theatre de la Ville put five Ionesco plays into a blender and serve up a potpourri of absurdity, hilarity, befuddlement, and witticism. Demarcy-Mota, whose affinity for 20th-century playwrights was masterfully displayed in three previous BAM engagements (Rhinoceros, 2012 Next Wave;Six Characters in Search of an Author, 2014 Next Wave; State of Siege, 2017 Next Wave), returns with a boldly conceived and delicately executed production. Framed as a buttoned-up family dinner that sinks into no-holds-barred inebriation, the scenes and texts of Jack, or The Submission; Delirium for Two; The Bald Soprano; The Lesson; and Conversation and French Speech Exercises are chopped up and reassembled into this constantly surprisingIonesco Suite.
Emmanuel Demarcy-Mota and seven actors from his Theatre de la Ville put five Ionesco plays into a blender and serve up a potpourri of absurdity, hilarity, befuddlement, and witticism. Demarcy-Mota, whose affinity for 20th-century playwrights was masterfully displayed in three previous BAM engagements (Rhinoceros, 2012 Next Wave;Six Characters in Search of an Author, 2014 Next Wave; State of Siege, 2017 Next Wave), returns with a boldly conceived and delicately executed production. Framed as a buttoned-up family dinner that sinks into no-holds-barred inebriation, the scenes and texts of Jack, or The Submission; Delirium for Two; The Bald Soprano; The Lesson; and Conversation and French Speech Exercises are chopped up and reassembled into this constantly surprisingIonesco Suite.
BWW Review: EVITA at Grand Théâtre De La Ville De Luxembourg
EVITA IN LUXEMBOURG - It was a real pleasure to a musical addict for me, to see one of the world's most iconic musicals, 'Evita', when it came to Luxembourg's Grand Theatre performed from19-31st of December 2017. The first British musical to receive the Tony Award for Best Musical has been performed by the most famous people: Madonna, Antonio Banderas, Jonathan Pyrce ,Ricky Martin and so on…
EVITA IN LUXEMBOURG - It was a real pleasure to a musical addict for me, to see one of the world's most iconic musicals, 'Evita', when it came to Luxembourg's Grand Theatre performed from19-31st of December 2017. The first British musical to receive the Tony Award for Best Musical has been performed by the most famous people: Madonna, Antonio Banderas, Jonathan Pyrce ,Ricky Martin and so on…
Theatre de la Ville to Bring Albert Camus' STATE OF SIEGE to BAM
BAM presents Albert Camus' rarely-staged but increasingly relevant political allegory State of Siege in a production that Le Monde called 'beautifully staged and well thought, bending towards tragic grotesque,' directed by Emmanuel Demarcy-Mota, artistic director of Th tre de la Ville, Paris.
BAM presents Albert Camus' rarely-staged but increasingly relevant political allegory State of Siege in a production that Le Monde called 'beautifully staged and well thought, bending towards tragic grotesque,' directed by Emmanuel Demarcy-Mota, artistic director of Th tre de la Ville, Paris.
BAM Presents Théâtre de la Ville’s RHINOCEROS, Now thru 10/6
BAM presents the New York premiere of Theatre de la Ville's production of Ionesco's absurdist classic, Rhinoceros, directed by the Paris-based company's artistic director, Emmanuel Demarcy-Mota. Both the company and the director are making their BAM debut. Written in 1959, the play is a satire on social conformity and a commentary on fascism
BAM presents the New York premiere of Theatre de la Ville's production of Ionesco's absurdist classic, Rhinoceros, directed by the Paris-based company's artistic director, Emmanuel Demarcy-Mota. Both the company and the director are making their BAM debut. Written in 1959, the play is a satire on social conformity and a commentary on fascism
BAM Presents Théâtre de la Ville’s RHINOCEROS, 10/4-6
BAM presents the New York premiere of Theatre de la Ville's production of Ionesco's absurdist classic, Rhinoceros, directed by the Paris-based company's artistic director, Emmanuel Demarcy-Mota. Both the company and the director are making their BAM debut. Written in 1959, the play is a satire on social conformity and a commentary on fascism
BAM presents the New York premiere of Theatre de la Ville's production of Ionesco's absurdist classic, Rhinoceros, directed by the Paris-based company's artistic director, Emmanuel Demarcy-Mota. Both the company and the director are making their BAM debut. Written in 1959, the play is a satire on social conformity and a commentary on fascism
Teatre de la Ville Closes French Premiere of THE MARRIAGE, 10/1
From 29 September to 1 October 2010, Théâtre de la Ville will present the French premiere of the Russian play, The Marriage. Performances are Wednesday 29 September 2010 (20h30), Thursday 30 September 2010 (20h30), and Friday 1 October 2010 (20h30). Valery Fokine Directs the production, which comes courtesy of the Théâtre Alexandrinsky de Saint-Petersbourg Company. The play is performed in Russian with French subtitles.
From 29 September to 1 October 2010, Théâtre de la Ville will present the French premiere of the Russian play, The Marriage. Performances are Wednesday 29 September 2010 (20h30), Thursday 30 September 2010 (20h30), and Friday 1 October 2010 (20h30). Valery Fokine Directs the production, which comes courtesy of the Théâtre Alexandrinsky de Saint-Petersbourg Company. The play is performed in Russian with French subtitles.
Teatre de la Ville Presents French Premiere of THE MARRIAGE, Sept. 29 - Oct. 1
From 29 September to 1 October 2010, Théâtre de la Ville will present the French premiere of the Russian play, The Marriage. Performances are Wednesday 29 September 2010 (20h30), Thursday 30 September 2010 (20h30), and Friday 1 October 2010 (20h30). Valery Fokine Directs the production, which comes courtesy of the Théâtre Alexandrinsky de Saint-Petersbourg Company. The play is performed in Russian with French subtitles.
From 29 September to 1 October 2010, Théâtre de la Ville will present the French premiere of the Russian play, The Marriage. Performances are Wednesday 29 September 2010 (20h30), Thursday 30 September 2010 (20h30), and Friday 1 October 2010 (20h30). Valery Fokine Directs the production, which comes courtesy of the Théâtre Alexandrinsky de Saint-Petersbourg Company. The play is performed in Russian with French subtitles.
Teatre de la Ville Presents French Premiere of THE MARRIAGE, Sept. 29 - Oct. 1
From 29 September to 1 October 2010, Théâtre de la Ville will present the French premiere of the Russian play, The Marriage. Performances are Wednesday 29 September 2010 (20h30), Thursday 30 September 2010 (20h30), and Friday 1 October 2010 (20h30). Valery Fokine Directs the production, which comes courtesy of the Théâtre Alexandrinsky de Saint-Petersbourg Company. The play is performed in Russian with French subtitles.
From 29 September to 1 October 2010, Théâtre de la Ville will present the French premiere of the Russian play, The Marriage. Performances are Wednesday 29 September 2010 (20h30), Thursday 30 September 2010 (20h30), and Friday 1 October 2010 (20h30). Valery Fokine Directs the production, which comes courtesy of the Théâtre Alexandrinsky de Saint-Petersbourg Company. The play is performed in Russian with French subtitles.
Michèle Bernier Performs at Théâtre de la Renaissance, 6/30
Michèle Bernier - Et pas une ride! au Théâtre de la Renaissance - 75010 Paris Jusqu'au 30 juin 2010.
Michèle Bernier - Et pas une ride! au Théâtre de la Renaissance - 75010 Paris Jusqu'au 30 juin 2010.
'Manta' to Perform at Théâtre de la Cité Internationale, 4/6-4/16
Héla Fattoumi et Eric Lamoureux, ont co-écrit cette dernière création, un solo dansé par Héla Fattoumi, d'origine tunisienne. Petite fille, elle a joué avec le Safsari (voile blanc) des femmes tunisiennes, comme l'enfant joue à l'adulte en chaussant les escarpins de sa mère. Jeune fille, elle a baigné dans une éducation axée sur une somme d'interdits liés à la tradition arabo-musulmane. Pour échapper à cette continuité, elle a plongé dans des lectures qui lui ont révélé l'impérieuse nécessité de questionner sa culture d'origine, à certains endroits, trop liberticides. Héla Fattoumi est donc une femme arabe, pétrie d'une double culture, dite émancipée, une femme très attachée à la question de leur liberté, celle de vivre leur vie de femme.
Héla Fattoumi et Eric Lamoureux, ont co-écrit cette dernière création, un solo dansé par Héla Fattoumi, d'origine tunisienne. Petite fille, elle a joué avec le Safsari (voile blanc) des femmes tunisiennes, comme l'enfant joue à l'adulte en chaussant les escarpins de sa mère. Jeune fille, elle a baigné dans une éducation axée sur une somme d'interdits liés à la tradition arabo-musulmane. Pour échapper à cette continuité, elle a plongé dans des lectures qui lui ont révélé l'impérieuse nécessité de questionner sa culture d'origine, à certains endroits, trop liberticides. Héla Fattoumi est donc une femme arabe, pétrie d'une double culture, dite émancipée, une femme très attachée à la question de leur liberté, celle de vivre leur vie de femme.
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