The “Outlander” television series is inspired by Diana Gabaldon’s international best-selling books, which have sold an estimated 50 million copies worldwide, with all nine of the books gracing the New York Times best-seller list. The “Outlander” television series has become a worldwide success with audiences, spanning different genres.
Opening its doors for the first time since March 2020, London’s iconic little Finborough Theatre is back. Jordan Hall’s How To Survive An Apocalypse, an award-winning, touching and witty romantic comedy, also looks at the need to prepare for potential Armageddon.
Noel Sullivan, Ben Lamb, Kristin Atherton and Christine Gomes will star in the UK premiere of Jordan Hall’s hit comedy How to Survive an Apocalypse. The play opens at Finborough Theatre, directed by Jimmy Walters for a four-week limited season, running from Tuesday 28 September - 23 October 2021.
This production was originally commissioned by the Finborough Theatre to celebrate its 40th anniversary as the play was written in 1980, the year the Finborough Theatre opened, and played to sold out audiences and gained eleven four star reviews during its run in March 2020 which was cut short by the national lockdown.
Noel Sullivan, best known for his part in the record-breaking pop group Hear'Say, has gone on to forge a prestigious acting career with numerous West End credits to his name. Noel most recently appeared in Andrew Lloyd Webber's award-winning musical School of Rock in the lead role of Dewey Finn at the Gillian Lynne Theatre. He also recently appeared in the BBC hit show Years and Years.
Charlotte Bennett and Katie Posner, Joint Artistic Directors of Paines Plough, today announce the company's plans for Autumn 2020.
Two-time OnComm award-winning, The Show Must Go Online, the global digital theatre movement producing live performances of the chronology of Shakespeare's plays weekly, today announce the full cast for their upcoming livestreamed performed reading of William Shakespeare's Hamlet.
The Show Must Go Online today announce the full cast for their upcoming livestreamed reading of William Shakespeare's Richard III, made up entirely of returning actors from the previous six readings.
The promotional images for Hockey Mom Hockey Dad have been released. In its European premiere, Michael Melski's hit play is at Finborough Theatre 31st March – 25th April.
The cast has been announced for hit Canadian play Hockey Mom Hockey Dad which makes its European premiere this spring. Known for his recurring role as Jim Strange on ITV's Endeavour, Sean Rigby (Gunpowder, BBC; Pomona, Orange Tree Theatre/National Theatre; The Rubenstein Kiss, Southwark Playhouse) plays competitive hockey dad Teddy. Performing alongside him as Donna is RSC regular Kristin Atherton (Waterloo Road, BBC; Julius Caesar, Royal Shakespeare Company; Katie Johnstone, Orange Tree Theatre).
THE HARD PROBLEM is Tom Stoppard's first play for the stage since Rock 'n' Roll in 2006, and his first for the National since his trilogy, The Coast of Utopia, 2002. The production began 21 January and officially opens tonight 28 January 2015 at the National Theatre. Let's see what the critics had to say...
THE HARD PROBLEM is Tom Stoppard's first play for the stage since Rock 'n' Roll in 2006, and his first for the National since his trilogy, The Coast of Utopia, 2002. The production began 21 January and officially opens tonight 28 January 2015 at the National Theatre.
THE HARD PROBLEM is Tom Stoppard's first play for the stage since Rock 'n' Roll in 2006, and his first for the National since his trilogy, The Coast of Utopia, 2002. The production begins tonight, 21 January 2015, at the National Theatre.
The Importance of Being Earnest ist ein brillantes, doppelbödiges Spiel nach dem Motto: „In matters of grave importance, style, not sincerity is the vital thing'.
MUSICAL THEATRE, despite its popularity, is still one of the most critically malignedart forms in the UK.
MUSICAL THEATRE, despite its popularity, is still one of the most critically malignedart forms in the UK.
MUSICAL THEATRE, despite its popularity, is still one of the most critically malignedart forms in the UK.
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