Allison Strickland

City Theatre have announced the second production of their 2022/2023 season, Anna Ziegler's The Wanderers directed by Colette Robert, which runs from November 26 to December 18 on the City Theatre Main Stage. 

Play On Shakespeare today announces an expansive list of compelling actors and dynamic directors confirmed to participate in the Play on! Festival, presented in association with Classic Stage Company (CSC) and Oregon Shakespeare Festival (OSF). Play on! features 39 readings of new, work-in-progress translations of Shakespeare's plays into contemporary modern English by some of today's most exciting playwrights-May 29-June 30 at the Lynn F. Angelson Theater at CSC (136 E. 13th Street). In 2015, Oregon Shakespeare Festival launched an ambitious 39-play, three-year commissioning project, Play on!, tasking 36 playwrights-more than half of whom were women and playwrights of color, each paired with a dramaturg-to translate Shakespeare's canon in celebration of the enduring impact of the Bard's work. Supported by a generous grant from the Hitz Foundation and inspired by long-time patron Dave Hitz's passion for Shakespeare, the project was and continues to be led by Lue Morgan Douthit. For more information, visit playonfestival.org.

POPTART! is a new play by Krystle Phelps that takes a searing look at a pop star whose life unravels the night leading up to an important concert. Directed by Gwenevere Sisco, this production focuses on a diva with a major chip on her shoulder, her long-suffering personal assistant, and a washed up rock star looking for a paycheck. While not a traditional musical, the artists featured in the story perform live original music by James Parenti, Krystle Phelps, and Trish Phelps. Exploring themes of gender, race, and all things celebrity, POPTART! delves into the need to be truly heard ... even if you have nothing to say.

POPTART! is a new play by Krystle Phelps that takes a searing look at a pop star whose life unravels the night leading up to an important concert. Directed by Gwenevere Sisco, this production focuses on a diva with a major chip on her shoulder, her long-suffering personal assistant, and a washed up rock star looking for a paycheck. While not a traditional musical, the artists featured in the story perform live original music by James Parenti, Krystle Phelps, and Trish Phelps. Exploring themes of gender, race, and all things celebrity, POPTART! delves into the need to be truly heard ... even if you have nothing to say.

In August Wilson's Pulitzer Prize-winning masterpiece The Piano Lesson, the past threatens to pull apart brother and sister. Bernice treasures a one-of-a-kind piano, an heirloom with carved figures of their enslaved ancestors. Boy Willie suddenly arrives from the South determined to sell the piano and buy the land his family worked on. When the ghost of the piano's original owner appears, family conflicts escalate to a dramatic confrontation. With lyrical language rolling from the rowdy to the tender, this is one of Wilson's finest.

When physical comedy is done well it can be a beautiful thing. I still marvel at a seven-minute bit David Hyde Pierce did with an ironing board on the show Frasier (seriously, go look it up). But good physical comedy is not easy. Fortunately for us the cast of Strawberry Theatre Workshop's production of "Black Comedy" are more than up to the task as they presented one of the funniest displays of physical comedy I've seen in town since "Boeing Boeing" a few years back.

Holy Crap! That's really the most emphatic sentiment I can use to describe the internal battles I had when trying to pick my top picks for this past year. There were so many amazing performances and achievements that to pick just one was almost an impossibility (and as you'll see, WAS an impossibility for one category). But the battle is over and it's my distinct pleasure to announce my picks for the 2013 Broadway World Seattle Critic's Choice Awards (or Jay's Picks, if you prefer).

Seattle Public Theater (SPT) cautiously welcomes back the horrible Herdman family for another assault on our seasonal sensibilities in The Best Christmas Pageant Ever at the historic Bathhouse Theater on Green Lake.

New Century Theatre Company's track record for putting on stunning shows remains brilliantly intact as they present another absolute winner with Enda Walsh's "The Walworth Farce". It's actually getting a little scary how they keep consistently putting up the goods show after show. It's almost like they've discovered some theatrical genie or wishing stone that magically turns their shows into gold. Or it could be that they just have the cream of the crop of Seattle theatrical talent on their team who not only know how to pick the slightly obscure shows but also how to produce and perform them. And "The Walworth Farce" is no exception as this four member cast goes from the raucously funny to the sublimely terrifying at the drop of a hat and takes you on a ride you won't soon forget.

New Century Theatre Company (NCTC) has announced that Darragh Kennan will assume the full position of Artistic Director for the company. He will continue to share leadership duties with Managing Director, Jamie Herlich. Former Co-Artistic Director, Hans Altwies, remains an active company member and now serves as Secretary on their Board of Directors. While he has stepped down as co-Artistic Director, a post which he has had since the company's inception in 2008, he is still very much a part of the company and will continue to be present in everything related to NCTC in the coming years.

A Shakespearean tale of one of the most famous couples in all of history performed by some of the best actors in town and directed by one of Seattle's best directors. You'd think it'd be a slam dunk success wouldn't you? Well, you'd be right. And even with a few moments that missed the mark for me and a show that could still use a little tightening, this almost three and a half hour production of "Antony and Cleopatra" from Seattle Shakespeare Company grabbed my attention and wouldn't let go.

ANTONY AND CLEOPATRA by William Shakespeare is directed by John Langs at the Intiman Playhouse, 201 Mercer Street, Seattle, Wash. The show opened last night, Friday, November 2, 2012 and will close on Sunday, November 18, 2012. Get a first look at the production in the photos below!

Seattle Shakespeare Company opens its new season at the Playhouse at Seattle Center with the epic romance Antony and Cleopatra. Director John Langs, who staged the company's block-buster production of Hamlet, helms the legendary and tragic affair of two charismatic world leaders caught between their own desires and the duty they owe their country.

Seattle Shakespeare Company opens its new season at the Playhouse at Seattle Center with the epic romance Antony and Cleopatra. Director John Langs, who staged the company's block-buster production of Hamlet, helms the legendary and tragic affair of two charismatic world leaders caught between their own desires and the duty they owe their country.

After 15 years of presenting 14 plays in 48 hours for four weekends every year, the producers of 14/48 present two new styles of the popular speed theatre festival.

After 15 years of presenting 14 plays in 48 hours for four weekends every year, the producers of 14/48 present two new styles of the popular speed theatre festival.

There are many words I can use to describe Seattle Shakespeare Company's current production of "A Midsummer Night's Dream". But the one word that kept popping up so many times while watching it was "HOT!" This production is just plain hot as director Sheila Daniels has put together a fearless production that puts in all the love, lust and sex you could ask for while also throwing in a bit of a twist and still keeping Shakespeare's ethereal comedy true to itself and fun as hell.

There are many words I can use to describe Seattle Shakespeare Company's current production of "A Midsummer Night's Dream". But the one word that kept popping up so many times while watching it was "HOT!" This production is just plain hot as director Sheila Daniels has put together a fearless production that puts in all the love, lust and sex you could ask for while also throwing in a bit of a twist and still keeping Shakespeare's ethereal comedy true to itself and fun as hell.