TN Shakespeare Co. to Present ROMEO AND JULIET at GPAC, 1/28 & 30
Shakespeare's Romeo and Juliet first appeared on stage in 1595. He borrowed the story from a poem published in 1562 titled The Tragical History of Romeus and Juliet, written first in Italian by Bandell, then in English by Arthur Brooke. Shakespeare followed the poem's plot and used some of the same words for his dialogue.
As in all of the plays from which he borrows, his Romeo and Juliet is infused with deep humanity, new and unique characters, compacts the action into a few short days, and evolves the two young lovers into fully realized young people who build between them a love that is inclusive of their minds, spirits, and bodies. Until Shakespeare crafted his title characters for the stage, no other playwright had yet expressed so understandably the exhilaration, maturity, purity, and completeness of shared, young love.
Shakespeare also tells the entire story before his play begins - in his Prologue, written in 14-line sonnet form. What is popularly considered the greatest love story ever told is born in a world of rage. The ancient feud between the Capulet and Montague households infuses fair Verona with prejudice and hatred. No one ever says what started the violent feud, which prevents audiences from taking sides. Civilians are killing one another.
The only children of the houses of Montague and Capulet are teenagers Romeo and Juliet, and they are "star-cross'd." Fate is working against them, and these children will take their own lives because their love for one another cannot be requited in the world of violence their parents and ancestors have wrought. The suicides of Juliet and Romeo become the terrible sacrifice that is needed to end the rage. The children are unsavable, making the play a tragedy. But their deaths, and those of their young peers in the story, are remarkable for their timeless instruction to all ages.
"In response to violence, Romeo and Juliet offers us a great lesson in the power of individual choice, the freedom that truth brings, and, best of all, the hope for change," says Shine. "Romeo and Juliet shows us all what love and forgiveness can do to change a community for the better."
Stephanie Shine+ (Director) TSC directorial work includes It's a Wonderful Life: a Live Radio Play, Shakespeare's Greatest Hits, Southern Yuletide, Romeo and Juliet, and The Rebel Shakespeare and His Women. During her 18 years with Seattle Shakespeare Company, 13 as Artistic Director, she directed 17 productions, including The Threepenny Opera, Cyrano de Bergerac, and the lauded all-male Taming of the Shrew. A well-known actress in the Northwest, Stephanie has performed for Seattle Repertory Theatre, Seattle Shakespeare Company, ACT, The Empty Space, Seattle Children's Theatre, Book-It Repertory Theatre, and Tacoma Actors Guild. Regionally, she appeared with the Oregon and New Jersey Shakespeare Festivals, Houston's Alley Theatre, Arizona Theatre Company, and NYC's Theatre for a New Audience. Her Shakespeare roles include Juliet, Rosalind, Lady Macbeth, Beatrice, Regan, Feste, Kate, Bianca, Dionyza, The Princess of France, Hero, Perdita, and The Chorus in Henry V.
+ Member of The Society of Directors and Choreographers, Inc., an independent national labor union.
* Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.