Michael Learned: On the Road With 'Miss Daisy'

Michael-Learned-On-the-Road-With-Miss-Daisy-20010101

Television viewers will continually associate Michael Learned with her role on the long-running series called THE WALTONS. In that show she was a weekly visitor in homes across the country for eight years-and now thanks to the internet, she's recognized in many other countries for her portrayal of the Walton clan. The actress, however, has a strong background in theater and is currently touring in DRIVING MISS DAISY-a role she fully enjoys.

Speaking by telephone, Michael Learned proves to be a delightful conversationalist. Of course, the first question to come up is how such a charming lady was given a name traditionally associated with males? Born of eccentric and charismatic parents, Learned says, "Think of F. Scott Fitzgerald and Zelda meeting the Waltons", the actress comes up with two explanations: her father (who worked for the CIA) told her that if she was a boy he would have named her 'Caleb' but since she was a girl he decided to call her 'Michael'. Her mother's version is that she was named after Michael Strange, the poet who was married to John Barrymore. The actress comes up with her own theory about her name, though. She says, "After a couple of martinis they though it was cute." She admits that her name was a source of embarrassment to her during her childhood, but now it doesn't seem to bother her.

Born in Washington, DC, Learned grew up in Connecticut and Europe and attended a boarding school in England. She traces her interest in theater to her experiences at the boarding school. "I went there because I was interested in ballet but I won the Drama Cup and my teacher told me that I wasn't a particularly good dancer and suggested that I go into drama. I did. I great training and learned about proper breathing while studying Shakespeare and mime. All the groundwork was being done before my body was really formed. It was wonderful."

She continues, "I got married very young and put my career on the back burner for the most part because that's what you did in those days. I've never been a pushy, ambitious type of person anyway. For a long time I was a wife and mother but in Canada I did some work for the CBC. That was back in the days when they did Moliere live. It was extraordinary. My husband, Peter Donat, and I moved to San Francisco to join ACT. It was the highlight of my professional life. We were a professional company and did the classics. We'd be rehearsing one play by day and another one at night. It was just great. It was a company that truly supported the actor. Not many of those companies exist."

Learned was going through a divorce from Donat and had three children to support. "My agent had been trying to get me interested in this part but I didn't think I was right for it," she explains. "I had just played PRIVATE LIVES as well as Cleopatra in ANTONY AND CLEOPATRA and I didn't see myself in the character of a farmwoman. Patricia Neal had played the part in the Movie of the Week version and didn't think we were the same type at all. Mostly, I was just scared of Hollywood but I had no money and three kids. I didn't even read for it. I just tested with Ralph Waite and Richard Thomas and that was great because I just played off of them. Four days later my agent called and told me I had the part. I became the 'Mother of America' at what was probably the lowest point in my life. It was a gift. It was truly a gift. It got my kids through private school and changed my life."

When asked whether her association with THE WALTONS had a positive or negative effect on her career, Learned pauses a moment and says, "It's both. As far as a film career, it hindered me. As far as the theater, it's given me a recognizable name. I was certainly typecast for a while on television because I was always being cast as the 'compassionate mother' or whatever. That's not true now. Certainly in the theater I've been getting to do all sorts of wonderful stuff so I can't complain. I'm booked until the end of the summer and I'm working all the time. I'm grateful that I have a theater career because television isn't kind to you when you're over forty."




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Joe Panarello is one of those people who have most certainly been born with theater in their blood. As an actor, Joe has played such varied roles as Harry Roat in Frederick Knott's Wait Until Dark, Jimmy Smith in No, No Nanette and Lazer Wolf in Fiddler on the Roof a vehicle he's performed in several times and designed the sets for on one occasion. He's also directed productions of Thornton Wilder's Our Town, Neil Simon's Barefoot in the Park and Henrich Ibsen's Peer Gynt. Joe is a respected author and although his latest work, The Authoritative History of Corduroy won't be published until this summer, it is already being translated into several different languages by a group of polyglot nuns in Tormento, Italy.. The proceeds from their labors will go to the restoration of the nearby Cathedral of Gorgonzola.


 
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