BWW Reviews: Experiencing the Future at the 20th Annual Hawaii Conservation Conference, Part 2

Venturing back upstairs, I was just in time to hear Wyland give a brief speech from the stage, delivering the most quotable line of the evening: "If we're not going to get support from our government, we're gonna get it from each other !" Rousing cheers greeted this declaration.

There was still a little time before the headline music (Na Hoku Hanohano award winner, Anuhea) and so I took a deeper turn into the myriad of crafts and science booths in the upstairs conference hall.

My last stop was the Hawaiian Island Humpback Whale National Marine Sanctuary booth. The facilitator Fionna Langenberger was in the midst of explaining to another visitor about the highly specialized practice of freeing humpbacks and other whales from entanglement with nets. Sadly, this problem is on the rise, as our ocean becomes increasingly cluttered with debris, and scientists have developed a very delicate and specialized operation to free the large cetaceans. "One of the problems" Fionna explained, "is that the trapped whale is often guarded by another whale, and so great care has to be taken to not appear threatening. They use a procedure not unlike what traditional whalers used called 'kegging' to keep the whale at the surface. But instead of using wooden barrels attached by barbs lodged in the whale's flesh, they attach buoys to the strands of net. They then study the way the net is wrapped around the whale's body; usually it takes just one strategic cut with a highly specialized blade designed like scissors (sharpened only on the inner edges to prevent injuring the whale)." When I asked Fionna what she felt to be the most significant reason for providing whale sanctuaries in the islands, she responded: "Sanctuaries are a great platform for outreach and education opportunities. Also, valuable research is conducted to further Marine Conservation in Hawaii; for example, efforts in the whale disentanglement program."
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BWW-Reviews-Part-2-Experiencing-the-Future-at-the-20th-Annual-Hawaii-Conservation-Conference-20010101At last it was time for the luminous and tre' talented Anuhea, who took the stage playing acoustic guitar, accompanied by a percussionist and bass player, as the crowd eagerly gathered. Unfortunately, the acoustics in the room worked against her delicate vocals, and it was difficult to hear the lyrics. I tried to get as close as I could, and eventually grabbed a chair in the front that was vacated, so I had a great vantage point for most of the show. Her guitar playing is solid, and her accompanists provide highly sophisticated and nuanced rhythms (lots of emphasis on chimes) to compliment her pop/soul sound. The overall performance more than fulfilled it's objective for an event such as this (which is to create a great vibe). She is just a beautiful and accomplished vocalist. Early on, Anuhea surprised us with a faithful version of Fleetwood Mac's "Leather and Lace", not something I was anticipating in the repertoire of such a young artist.

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Gail Lloyd Born and raised on the island of Oahu in Hawaii, Gail grew up surrounded by the rich and eclectic music and entertainment heritage of the islands. She left Hawaii to attend the University of Colorado where she received a degree in Philosophy. After a few years in the Midwest, she moved to Nashville

and for 2 decades was immersed in the entertainment industry as a singer/songwriter and international recording artist.

Through her record label there, she helped launch the careers of a number of talented artists in the indie scene, recorded 3 albums, toured regularly in Europe (as well as performances in Norway and Israel). Gail and the artists on her albums have received reviews in entertainment publications worldwide. And, she has maintained popular blogs focusing on trends in music and cultural events.

For a several years after parting from the label, Gail has been writing/blogging “under the radar” transitioning from Musician to entertainment writer.

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