Don Juan, the epitome of the seducer, inspired Mozart to one of his most dazzling operas - frivolous, witty and profound in one.
Director Herbert Fritsch "deserted" in his interpretation of Don Giovanni "in the formally virtuoso arranged nonsense" and "gives the public such freedom of thought" [FAZ]. To this end, he reflects on the archetypal core of Don Juan and revives him as a malicious harlequin to a new life - a loser, brash, funny to laugh and irresistible at the same time, framed by the delicate, deep black tip Mozart music. A "fascinating and intelligent view far from any platitudes"