Acclaimed Brooklyn-based composer/vocalist/pianist and visual/fine artist M Lamar creates music that crosses opera, metal and blues, and his diverse musical taste includes Diamanda Galas, Leontyne Price, Cecil Taylor, Ornette Coleman, Sun Ra, Burzum, Stephen O'Malley, and Wagner. Although he is a classically trained pianist and continues to study classical and bel canto voice technique, as he told "Impose" magazine in January 2016, "My connection to punk / goth / metal subcultures is huge. These are my people, this is my scene. That subculture is the thing that made me, that's where I come from, I'm still there." He recently received high praise for the January 13th and 14th NYC premiere of his multi-media concert, "Funeral Doom Spiritual", which was described by the "Wall Street Journal"'s Heidi Waleson as "...a noisy, honest power that is impossible to ignore." On the heels of the shows, Lamar will be releasing two new albums, "Funeral Doom Spiritual" and "Surveillance Punishment and the Black Psyche" tomorrow, 1/27.
Honest and raw in both his music and art, he has commented on the legacies of slavery, Jim Crow, slave ships, and lynching. The new albums and performance of "Funeral Doom Spiritual" draw on themes of apocalypse, end times, and rapture found in Negro Spirituals, what he calls "Doom Spirituals." It explores radical historical expressions and futuristic longings for destruction of the white supremacist world order. "Funeral Doom Spiritual" is a song of mourning for what law professor Anthony Paul Farley calls "the motionless movement of death through slavery, segregation, and neo-segregation." With his use of music, multichannel video, objects, and still images, Lamar shows that it is only with an intense awareness of this "motionless movement," carrying the coffins of the fallen "on our backs," that we can proceed. On "Funeral Doom Spiritual", all vocals and piano are performed by Lamar, and electronics and strings were written by Hunter Hunt Hendrix, the composer-philosopher-poet known primarily as the author of the text "Transcendental Black Metal" and as the guitarist, songwriter, and conceptual architect of the band Liturgy. Matthew Robinson from Opal Onyx played cello on the track "Carrying".https://www.facebook.com/m.lamarmusic/
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