dance.broadwayworld.com

BWW Reviews: Lyon Opera Ballet Offers a Mobil Sculpture as Glimpse of the End of the World

Related: Lyon Opera Ballet, Dance, BAM
BWW Reviews: Lyon Opera Ballet Offers a Mobil Sculpture as Glimpse of the End of the World

Last weekend, The Brooklyn Academy of Music saw the return of the Lyon Opera Ballet and the American premier of Christian Rizzo's Ni Fleurs, Ni Ford-Mustang. While commissioning works by contemporary choreographers is now a staple with ballet companies (particularly in Europe), Lyon Opera Ballet has developed a bit of a vanguard reputation in championing "modern ballet." Since its inception in 1969, the Company has commissioned works by American choreographers Bill T Jones, Susan Marshall, William Forsythe, and Trisha Brown as well as avant-garde European artists Alain Buffard, Maguy Marin and Jerome Bell, just to name a few.

The Company's engagement at BAM is part of the three week DANSE: A French-American Festival of Performance and Ideas, which highlights the work of French choreographers and performers to expand the visibility of contemporary dance to a wider public. As I sat in the audience of BAM's Howard Gilman Opera House Friday night, I couldn't help but wonder if this particular audience was ready for what the choreographer had to offer.

The Ballet actually began about 10 minutes before the curtain rose: a propulsive score, created for the work by Jerome Nox, crept through the speakers of the theater as the audience took their seats. The music became louder and louder until the audience was drowned in its tension. The curtain rose on a deserted landscape to reveal red glittered heels, a la Dorothy in The Wizard of Oz, scattered around the stage and a metallic silver skeleton suspended from the ceiling. Upstage right was a massive white screen that glowed a stark white light, revealing an indistinguishable, animal-like mass among the ruby slippers. The dancers entered by one, took their places on stage, and lay lifelessly around this tempestuous landscape that Rizzo had created.

Related Links
Julie Nathanielsz & Karen Nelson to Present THE TUNING PROJECT in JanuaryJulie Nathanielsz & Karen Nelson to Present THE TUNING PROJECT in January
November 21, 2014
Juilliard Dance's 2014-15 Season Opens with 'New Dances: Edition 2014' in DecemberJuilliard Dance's 2014-15 Season Opens with 'New Dances: Edition 2014' in December
November 21, 2014
Parsons Dance Company to Perform at Eccles Center, 12/20Parsons Dance Company to Perform at Eccles Center, 12/20
November 21, 2014
BWW Reviews: THE LOOK OF FEELING Moves at Steps BeyondBWW Reviews: THE LOOK OF FEELING Moves at Steps Beyond
by Matt Hanson - November 21, 2014
Jacob's Pillow Announces Dates for New Season; Archives Facility Expands and MoreJacob's Pillow Announces Dates for New Season; Archives Facility Expands and More
November 21, 2014


About Author

Subscribe to Author Alerts
Brendan Drake Brendan Drake is a Brooklyn based freelance choreographer, dancer and occasional writer. He creates work under the umbrella of his group Brendan Drake Choreography which has been produced at Movement Research, Dixon Place, The Wild Project and others. His first full length work entitled Last B@#$% Standing, premiered at Triskelion Arts Center as part of their Split Bill Commissioning Program. Brendan holds a BFA in Dance from the University of Massachusetts.



BWW Reviews: THE LOOK OF FEELING Moves at Steps BeyondBWW Reviews: THE LOOK OF FEELING Moves at Steps Beyond

Become a Fan, Follower & Subscriber

BWW Reviews: The Mikhailovsky Ballet's GISELLEBWW Reviews: The Mikhailovsky Ballet's GISELLE
by Barnett Serchuk