BWW Review: Challenging the Status Quo with the KATHAK ENSEMBLE & FRIENDS

BWW Review: Challenging the Status Quo with the KATHAK ENSEMBLE & FRIENDS

On the evening of March 3, 2017, the Kathak Ensemble & Friends, under the artistic direction of Janki Patik, presented a new Indian-influenced contemporary dance at the Danspace Project at St. Mark's Church-in-the-Bowery. This new work entitled WE SINFUL WOMEN, draws upon the theme of universal repression of women. The choreography is performed to the words of female Urdu poets Ishrat Aafreen, Kishwar Naheed, Zehra Nigah, and Fahmida Riaz along with an original music score by two-time Canadian Grammy-winner and composer Kiran Ahluwalia.

The poems are part of a collection of the same name, WE SINFUL WOMEN, originally published in 1990. It tells the story of women who had few rights- and their poetry was considered blasphemous for bringing up such themes. The poems along with the choreography send a strong message of feminism and women's rights. However, Ms. Patrik describes the work as "..not classical Indian dance. And the poets do not consider their texts 'feminist' poetry either. Instead the dance, poetry, and music join in expressing what it is to be a woman- her tender feelings, her pride, her resistance to efforts to destroy her selfhood, her sadness at consistent denigration by those in power."

The dance contained eight movement sections. Each section represented a different poem. Some of the parts really resonated with me. The opening segment was called FIRST PRAYER OF MY ELDERS. It focused on the deep sadness of a woman who just gave birth to a baby girl. In traditional Indian culture (and many other cultures), having a son was seen as a valuable resource, since males can earn money, while having a daughter was seen as a liability because of the financial responsibility her parents owe to her husband's family. Another part that I enjoyed was entitled IMAGE. It talked about the comparison of what society expects of women, how a woman views herself, and how drastically different the two images can be. Playing with the idea of mirroring- moving like one's reflection in choreography- there was a tension of which image will be accepted, which one should be exposed.

I enjoyed the relationship between SAROPA/ From Head to Toe and ANTICLOCKWISE/ From Head to Foot. In the first section, it is a man speaking about how he adores his wife. However it portrayed the idea of the woman being clasped at the ankles and being tied down. The second part is the woman's response. It was very forceful in that the man can do everything he can to hold the woman back, but she will not be broken. We need to remember that our mind is our greatest weapon. Hinduism, as many other religions, is a predominately male oriented one that has trickled down to become societal norms often curtailing a woman's freedom. There is a traditional dominance of male authority that often restricts women. Many wives live miserable lives as servants to their husbands and kept in confinement. This leads to much resentment and anger- which is an expression of their pain and hurt.


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Caryn Cooper Caryn Cooper is an arts administrator, educator and performer. She began her dance training at a young age studying ballet in the Royal Academy of Dance (RAD) technique for eight years and has trained in other dance forms such as tap, jazz, hip hop and West African where she has had the opportunity to perform at various venues in the Greater New York City Area including, The Wild Project, Frederick Loewe Theatre, 92 Y, Ailey Citigroup Theater, Tilles Center for the Performing Arts and Radio City Music Hall. Administratively, she has worked for a number of arts organizations including Alvin Ailey American Dance Theater, Ballet Hispanico and the New York City Center. She is currently pursuing her certification to become a Moving for Life instructor under the direction of Dr. Martha Eddy using dance to help breast cancer recovery patients and those with physical disabilities. Caryn holds a BFA in Arts Management from LIU Post, a MA in Dance Education from NYU, and is a member of the dance/NYC Junior Committee.