classical.broadwayworld.com

NEW YORK CITY Articles
Click Here for More Articles on NEW YORK CITY...

Spectrum Presents Mari Kimura with Cassatt String Quartet and Jin-Xiang Yu Tonight

Spectrum Presents Mari Kimura with Cassatt String Quartet and Jin-Xiang Yu Tonight

Spectrum presents composer/violinist Mari Kimura performing her own multi-lingual, interactive audio/visual mini-opera entitled ONE, joined by multi-lingual vocalist Jin-Xiang Yu and Cassatt String Quartet tonight, April 26th at 7:30pm.

Ms. Kimura will also perform two world premieres for violin and electronics which were written especially for her by composers Hannah Lash and Eric Moe. Ms. Lash's piece is entitled Miele as in an appliance manufacturer of vacuum cleaners, and the work by Mr. Moe is entitled Obey your thirst.

It all takes place on Saturday, April 26, 2014 7:30pm at SPECTRUM, 121 Ludlow Street, Second Floor New York, NY. Subway: F, M, J & Z trains to Essex/Delancey station. Admission: $20. Visit www.spectrumnyc.com/blog/.

Notes on the Program

Mari Kimura: ONE: ONE is an interactive audio/graphic multi-lingual mini-opera in four acts (Birth, Youth, Conflict, Cure), with the theme of "love, humanity, faith and global solidarity." Violinist/composer Mari Kimura teamed up with an award-winning Japanese movie director Tomoyuki Kato's creative team from Japan, Yoshito Onishi (Image Programing) and Chisako Hasegawa (Visual Producer), creating a large-scale composition for an ensemble and herself on stage. Mari uses the state-of-the-art motion sensor technology "MO" developed at IRCAM interacting with audio and video in real time, and for today's performance, multi-lingual vocalist Jin- Xiang Yu will apprise the vocal part, singing and interacting with computer with the text in Japanese, Chinese, English and French, joined by the Cassatt String Quartet. ONE is commissioned by Harvestworks with funds from New Music USA's Commissioning Music/USA program, which is made possible by generous annual support from the NYC Dept of Cultural Affairs as well as endowment support from the Mary Flagler Cary Charitable Trust, the Helen F. Whitaker foundation, The Andrew W. Mellon Foundation, The Rockefeller Brothers Fund, The William and Flora Hewlett Foundation and the Francis Goelet Charitable Lead Trust. ONE was premiered at River-to-River Festival 2013 at the Michael Schimmel Auditorium in NYC, with vocalist Kyoko Kitamura and the Cassatt String Quartet.

Hannah Lash on Miele: "About a month ago, I was in bad need of a new vacuum cleaner, which I could not immediately afford. So I posted on Facebook, offering to write anyone a 3-minute encore in exchange for a new vacuum cleaner. A crazy idea, I realize. But I'm a clean-freak and will go to great lengths in pursuit of a clean house. To my amazement, I got quite a few responses, but the best one was from Mari Kimura, who knew exactly the brand and model I would like. She recommended a Miele, which is a fantastic line of German-made appliances. But the best part was that Mari, this extraordinary violinist and composer, was so willing to go along with the crazy premise I'd suggested for the commission of a short piece. For me it was a perfect combination. I got to write a piece for a performer I've long admired AND the prospect of a truly clean house was mere days away. The piece I wrote for Mari reflects the exuberance of my feelings towards this project. Its form is simple, almost refrain-like, and features a folk-like melody, which alternates with arpeggiated overtone harmonies. The piece explores just a few tonal areas, with the violin's low G-string representing the main tonic. I suggested to Mari who is much more accomplished than I am with technology that she might try a kind of resonator patch to add some overtones to the low G. I envision the piece as being able to exist either as a purely acoustic work, or one with an electronic element to increase its resonance. Aptly, I titled the piece Miele feeling that it was only right. And the word reminded me of the French word for honey, which suggested the sweetness of this project."

Eric Moe on Obey your thirst: "The eco-poeticist Timothy Morton points out that the soft-drink slogan "Obey Your Thirst" has the effect of turning a bottle of soda into a bottle of thirst. No coincidence - what's in the bottle is carefully formulated to stoke the craving for more. This piece has the violin in furious pursuit of satisfaction, a moment of perfect bliss. It delves deeply (well below the conventional range of the instrument, using subharmonics) and climbs high in its search, catches its breath (once), clambers up walls or runs into them and bounces off. Throughout, it chases or is chased by an electroacoustic partner in canon - like a typical cartoon cat-and-mouse scenario where the animals take turns chasing one another. Is thirst quenched at the end? You decide. I composed OBEY YOUR THIRST in 2014 for the amazing Mari Kimura, pioneer of subharmonic playing techniques. The piece requires extreme virtuosity throughout and makes incredible demands on the performer."

Mari Kimura, Composer/Violinist: Mari Kimura is at the forefront of violinists who are extending the technical and expressive capabilities of the instrument. As a performer, composer, and researcher, she has opened up new sonic worlds for the violin. Notably, she has mastered the production of pitches that sound up to an octave below the violin's lowest string without retuning. This technique, which she calls Subharmonics, has earned Mari considerable renown in the concert music world and beyond. She is also a pioneer in the field of interactive computer music. At the same time, she has earned international acclaim as a soloist and recitalist in both standard and contemporary repertoire.As a composer, Mari's commissions include the International Computer Music Association, Harvestworks, Music from Japan and others, supported by grants including New York Foundation for the Arts, Arts International, Meet The Composer, Japan Foundation, Argosy Foundation, and New York State Council on the Arts. In 2010 Mari won the Guggenheim Fellowship in Composition, and invited as Composer-in- Residence at IRCAM in Paris. In May 2011, Mari was presented in a solo recital at the Bohemian National Hall in NYC by the Vilcek Foundation, in recognition of her ground- breaking work as a foreign-born artist; subsequently she was named one of 2011's 45 individuals as "Immigrants: Pride of America" by the Carnegie Corporation, published in the New York Times. Mari's latest CD, The World Below G and Beyond, is devoted entirely to her own compositions and focuses on works using Subharmonics and interactive computer music. In October 2011, Mari presented her "I-Quadrifoglo", her first string quartet with interactive computer at New York's Symphony Space, commissioned by the Cassatt String Quartet through 2010 Fromm Foundation Commission Award from Harvard. Mari's work has been featured in major publications including the New York Times written by Matthew Gurewitsch, and in Scientific American written by Larry Greenemeier. As a violinist, Mari has premiered many notable works, including John Adams's Violin Concerto (Japanese premiere), Luciano Berio's Sequenza VIII (US premiere), Tania Le?on's Axon for violin and computer (world premiere), and Salvatore Sciarrino's 6 Capricci (US premiere), among others. In 2007, Mari introduced Jean-Claude Risset's violin concerto, Schemes, at Suntory Hall with the Tokyo Symphony Orchestra. The cadenza she wrote for the concerto, incorporating advanced Subharmonics, was subsequently published in Strings. In November 2010, Mari appeared as a soloist with the Hamburg Symphony performing John Adams' Dharma at the Big Sur, under the direction of Jonathan Stockhammer, conductor.In 2013, Mari inaugurated a new summer program as the Director of "Future Music Lab" at the Atlantic Music Festival in collaboration with IRCAM. The program focuses on high-level performers using the latest technology. Since 1998, Mari has been teaching a graduate course in Interactive Computer Music Performance at Juilliard. www.marikimura.com www.atlanticmusicfestival.org/the-institute/programs/future-music-lab

Related Articles


Comment & Share


REVIEWS
BWW Reviews: Thomas Hampson: An American Hero at TanglewoodBWW Reviews: Thomas Hampson: An American Hero at Tanglewood

Become a Fan, Follower & Subscriber

FROM THE EDITOR
WHAT'S ON YOUR IPOD? BWW Classical Talks to Park Avenue Chamber Symphony's David BernardWHAT'S ON YOUR IPOD? BWW Classical Talks to Park Avenue Chamber Symphony's David Bernard
by Peter Danish