Robert Schenkkan is the author of twelve plays, two musicals and a collection of short plays, and the Pulitzer Prize-winning The Kentucky Cycle, which was performed to great acclaim at the Intiman Theatre, the Mark Taper Forum, The Kennedy Center, and on Broadway. It also won the LA Drama Critics Award, and was nominated for the Tony, the Drama Desk, and the Outer Critics' Circle Awards. His other plays include Lewis and Clark Reach the Euphrates, By the Rivers of Babylon, Handler, Heaven on Earth, Final Passage, and 1992, and the film The Quiet American. For television he wrote the Emmy nominated HBO miniseries The Pacific, produced by Tom Hanks and Steven Spielberg; the miniseries The Promised Land, The Andromeda Strain, Crazy Horse, and Spartacus. He also wrote two plays for children, The Devil and Daniel Webster and The Dream Thief.
Bill Rauch is the Artistic Director of Oregon Shakespeare Festival. Having spent eleven seasons as director, he has directed three world premieres: Mr. Schenkkan's All the Way and By the Waters of Babylon, and Bill Cain's Equivocation; and thirteen other plays including Medea/Macbeth/Cinderella, Measure for Measure, The Pirates of Penzance, Hamlet, The Merchant of Venice, The Music Man, Romeo and Juliet, The Two Gentlemen of Verona, The Comedy of Errors, Hedda Gabler, and Handler. Among his initiatives at OSF, Mr. Rauch committed to commissioning up to 37 new plays to dramatize moments of change in American history. American Revolutions: the U.S. History Cycle is now in its fourth year of productions. Mr. Rauch is also cofounder of Cornerstone Theater Company, where he directed more than 40 productions and served as its artistic director from 1986 to 2006. He has directed a number of world premieres, including The Clean House at Yale Repertory Theatre; Living Out and For Here or To Go? at the Mark Taper Forum; and My Wandering Boy and The Further Adventures of Hedda Gabler at South Coast Repertory. He also directed the New York premiere of The Clean House at the Lincoln Center. Work elsewhere includes productions at South Coast Repertory, Guthrie Theater, Arena Stage, Long Wharf Theatre, Pasadena Playhouse, Great Lakes Theater Festival and En Garde Arts. He is the recipient of numerous awards, and is a graduate of Harvard College.
Tickets to All the Way will be available with subscription purchases in May. Single tickets will be available in July.
The American Repertory Theater (A.R.T.) at Harvard University is dedicated to expanding the boundaries of theater. Winner of the 2012 Tony Award for Best Musical Revival for its production of The Gershwins' Porgy and Bess, the A.R.T. is a leading force in the American theater, producing groundbreaking work in Cambridge and beyond. The A.R.T. was founded in 1980 by Robert Brustein, who served as Artistic Director until 2002, when he was succeeded by RoBert Woodruff. In 2008, Diane Paulus became the A.R.T.'s Artistic Director. The A.R.T. is the recipient of numerous other awards including the Tony Award for Outstanding Regional Theater, the Pulitzer Prize, and many Elliot Norton and I.R.N.E. Awards. Its recent premiere production of Death and The Powers: The Robots' Opera was a 2012 Pulitzer Prize finalist.
During its 32-year history, the A.R.T. has welcomed many major American and international theater artists, presenting a diverse repertoire that includes premieres of American plays, bold reinterpretations of classical texts and provocative new music Theater Productions. The A.R.T. has performed throughout the U.S. and worldwide in 21 cities in 16 countries on four continents. The A.R.T. is also a training ground for young artists. The Theater's artistic staff teaches undergraduate classes in acting, directing, dramatic literature, dramaturgy, voice, and design at Harvard University. In 1987, the