Previews for the fourth Broadway revival of Lillian Hellman's The Little Foxes begin in two days (Wednesday, March 29, 2017) at the Samuel J. Friedman Theatre! Starring Laura Linney and Cynthia Nixon alternating the roles of Regina and Birdie for different performances, this production is directed by Tony winner Daniel Sullivan. The Little Foxes' opening night is set for April 19 (with Linney in the role of Regina and Nixon in the role of Birdie that evening) for a limited run through June 18.
I'll be there Wednesday night. Really excited about this production. I have a short NYC trip this week so if I don't get to post my thoughts right after the show, I'll post them this weekend!
Just saw it. Not to judge on the play itself, the performance is stellar. MTC is really on fire this season. I can see it takes some Tony noms and possibly wins. Can't wait for the role switch.
Went tonight and loved it. The acting is superb and it's wonderful having a new production of Hellman.
The entire company is excellent. Loved Cynthia Nixon's take on Birdie, understated and beautiful. Michael McKean plays an excellent Ben Hubbard and Richard Thomas is perfect as Hoarce. Linney as Regina is nothing short of amazing.
Another home run for MTC. They have really been killing it lately.
Play has two intermission. The standout was Cynthia Nixon . She is surely will get at least a tony nom or the win as supporting .
cast is good all around . I don't mention any particular male bc I'm sure the Jitney guys will claim most of those slots at tonys
Now Laura linney was good but I have in mind how Bette Davis played it in movie. Just felt she wasn't conniving enough. She was excellent in part but parts she played it too nice. I'm sure by end of previews she will be excellent
Completely agree. I overheard many people saying after the performance that they'd love to come back and see it done with the roles reversed. All I could think was, why? It was perfect as is. And McKean should get a Best Featured Actor nom.
Dancingthrulife2 said: "Just saw it. Not to judge on the play itself, the performance is stellar. MTC is really on fire this season. I can see it take some Tony noms and possibly wins. Can't wait for the role switch.
"
An hour and 49 minutes into the first preview of a two-intermission play? Do you mean you "just saw" the first act?
I'm interested in going the last week of April. I only have matinee slots on the Wednesday and Saturday but telecharge doesn't show any matinees that week. Anyone know why that might be?
KnewItWhenIWasInFron said: "Dancingthrulife2 said: "Just saw it. Not to judge on the play itself, the performance is stellar. MTC is really on fire this season. I can see it take some Tony noms and possibly wins. Can't wait for the role switch.
"
An hour and 49 minutes into the first preview of a two-intermission play? Do you mean you "just saw" the first act?
"
Performance started at 7 tonight. Why errbody gotta be so nasty on the internets?
Gorgeous picture of the set on Instagram from Scott Pask's studio- looks pitch perfect for this play. Saw the NYTW production with Elizabeth Marvel and loved it, but really looking forward to a more traditional version.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Kad and I are doing a marathon day in a couple weeks of Cynthia/Regina matinee and Laura/Regina evening, so I'm glad to hear the production is solid. Would've made for a tough nearly 6 hours if it weren't. Looking forward to hearing reports on Cynthia's Regina tonight!
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
CYNTHIA NIXON was heartbreaking and fantastic as BIRDIE! Her third act monologue is worthy of the TONY alone!! Seriously... she's that good! I was watching her in the first act, and the way she stays so committed to looking sad and nervous made my jaw drop...
Ugh.. Now I want to see her as REGINA! But at the same time, I'm not sure how LAURA LINNEY could top NIXON's portrayal of BIRDIE... It's a fascinating gimmick...I think I may be back in a few weeks!
See this if you can - it's a very old-school, well-directed play with WONDERFUL acting!
"See that poster on the wall? Rocky Marciano." - Andy Karl as Rocky in 'ROCKY'
No - she was excellent as she always is, especially in the back half of the third act... I was just caught off guard by NIXON's portrayal...She was fantastic!
"See that poster on the wall? Rocky Marciano." - Andy Karl as Rocky in 'ROCKY'
I would also love to read any feedback on Linney as Birdie and Nixon as Regina!
I'm debating whether to exchange my ticket for a time when Cynthia Nixon is playing Birdie. Also, for those of you who know this story (I have never seen the movie), would you recommend that I watch the movie first, or go in completely cold?
NYfanfromCA said: "I would also love to read any feedback on Linney as Birdie and Nixon as Regina!
I'm debating whether to exchange my ticket for a time when Cynthia Nixon is playing Birdie. Also, for those of you who know this story (I have never seen the movie), would you recommend that I watch the movie first, or go in completely cold?"
I'd definitely suggest seeing the play first. For one thing, the movie is in one respect quite different from the play - and not in a bad way, but in a very Hollywood-smart kind of of way. Helllman (who wrote the screenplay) made a very significant addition in the transfer to Hollywood, one that's firmly in keeping dramatically and politically with the play. And also with its tone (no sanitizing here). But it makes the narrative more Hollywood in a very satisfying, Golden age way. But if you saw the play first, you might miss that added dimension from the film Also, not having seen this production yet, I'd add that even a very fine mounting of the play might pale in comparison to Wyler's very impactful film.
In addition, the play is beautifully structured and easy to follow plot wise. There's no reason to brush up on the plot by seeing the movie first.