What happened to the good old days of "Whose Afraid of Virginia Woolf," "A Streetcar Named Desire," "All My Sons," "Long Day's Journey into Night?"
It seems like most plays these days have generic one word titles like: Eclipsed, Ruined, Sweat, Indecent, Disgraced. How is anyone supposed to keep these straight or even distinguish one from the other?
Future playwrights of the world -- please give us an interesting title. End of rant.
“I knew who I was this morning, but I've changed a few times since then.”
And what alternative titles would you suggest for each play? I'd love to hear some ideas, since you seem to think you know better than several Pulitzer Prize-winning playwrights.
Did you actually see Ruined or Indecent or Disgraced? Because each of those titles have a specific meaning within the world of the play.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I would expect the playwrights to come up with something more evocative. Yes, I saw the plays and I'm not questioning their merit, only the merit of their titles. You could essentially assign those one word titles to all the classic plays I mention in my original thread.
“I knew who I was this morning, but I've changed a few times since then.”
QueenAlice said: "I would expect the playwrights to come up with something more evocative. Yes, I saw the plays and I'm not questioning their merit, only the merit of their titles. You could essentially assign those one word titles to all the classic plays I mention in my original thread.
"
I'm still waiting to hear some of your suggestions for more acceptable titles.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Those are terrible titles that lack the punch of one well-chosen word.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Well, I don't know if I've ever encountered a clearer example of "less is more."
Don't quit your day job.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I'm not pretending to be a writer and like I said I think the plays are great. I'm just having a discourse dialogue on the validity of a singular title. Sure you could argue that there is power in the punch of one chosen word (and to Newintown's post - I think those are great titles - but they aren't one word verbs) but to me RUINED, DISGRACED, INDECENT, blah blah could pretty much be applied to any play that has ever been written.
“I knew who I was this morning, but I've changed a few times since then.”
"I think those are great titles - but they aren't one word verbs"
Oh, the parameters shift! So it's only titles comprised of single verbs (present or past tense) that annoy? That would make Indecent acceptable. Unless single adjectives are also out. So single nouns are good; single verbs and adjectives are out? What about adverbs, gerunds, or conjunctions?
Spreading our net wide, how are these?
If (Kipling) Kidnapped (Stevenson) The novels of Henry Green (Loving, Living, Concluding, etc.) Trainspotting (novel, play, and film) Red (play and film) Frozen
Those titles are wonderful. They are evocative. But if FROZEN and WICKED were were called DISGRACED and RUINED (which they could just as easily be) I would have a problem.
“I knew who I was this morning, but I've changed a few times since then.”
RUN - the musical version of Forrest Gump; score by Andrew Lippa
TRASHED - a young woman climbing the corporate ladder is temporarily undone by addiction issues; while homeless, she learns the true meaning of life from her fellow bums, and makes a comeback marketing Skid Row-chic housewares, fashions, and furnishings.
BEACHED - a la Hands On A Hardbody, a group of disparate clichéd characters each get to sing their own hackneyed song while attempting to rescue a stranded whale in Malibu. Spoiler alert: the whale dies.
DOWN - an evening of monologues about oral sex.
JUMPED - A daredevil (played by Andy Karl) seeks exceedingly higher and more dangerous places from which to freejump, until he finally meets that one special woman (Annaleigh Ashford) who makes him want to remain on the ground.
POOP - a delightful review of numbers from the worst shows of the past decade (Finding Neverland, Amazing Grace, American Psycho, Tuck Everlasting, Doctor Zhivago, It Shoulda Been You, The Last Ship, Big Fish, First Date, etc.)
And to be clear - I have no problem with one word play titles. As many examples have been cited - a brilliant one word choice when it is truly evocative is indeed a very powerful punch.
I'm nagging on plays that seem pretentious in their one word non specificity.
Imagine if instead of HAMLET we got a play called ANGST
Or instead of HEDDA GABBLER we got BOREDOM
or instead of CAT ON A HOT TIN ROOF we got a play called WEAKNESS
My argument is that the playwright is not doing their play any service by calling it something like DISGRACED or RUINED. Those titles could be used for almost any play with a central conflict in them.
“I knew who I was this morning, but I've changed a few times since then.”