Maybe this has been discussed before, but I have seen some productions this Fall where there were standout performances, but the show didn't go over well with reviewers. Have you? If so, name them here.
Mine are: HAROLD PERRINEAU in The CHERRY ORCHARD
CORBIN BLUE in HOLIDAY INN
And then there are some new cast that took over for Hamilton that I wish could be nominated, but alas, I know the rules.
Broadwaybeauty2, are you asking for examples of winners of the Tony in the show that wasn't a hit? or asking for our opinion on performances you think deserved the Tony but didn't (also in a show that wasn't a hit)? the thread title seems to differ than the content of your OP
"Contentment, it seems, simply happens. It appears accompanied by no bravos and no tears."
While Passion wasn't a hit, it was still running during the awards, so it wasn't sure at that time whether or not it would be financially successful. In recent years, it is often shows that have closed by the time of the awards that have little chance of winning (the Ragtime and Spring Awakening revival, Bridges of Madison County, ect.).
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
Ado Annie D'Ysquith said: "My favorite historical example of this is when Patricia Routledge won a Best Actress Tony for a show that closed in under two weeks...
"
You don't have your facts straight. Darling of the Day wasn't a hit, but it stayed open for 5 weeks. Perhaps you're thinking of Dolores Gray, who won the Best Actress Tony for Carnival in Flanders, which closed after six performances.
Recently, Michele Pawk won for Hollywood Arms which had been closed for months at that point.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
The Father was a limited engagement and received a rave review from the Times.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Julie White bested Vanessa Redgrave (among others) for Best Actress in a Play for The Little Dog Laughed, which closed in February of that year. I don't remember the category being super competitive, and Julie White had gotten raves for that play, but she certainly seemed very surprised to win.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Oh my god, so many examples: Alexis Smith in Follies (I know, a brilliant show, but I'm pretty sure it lost its entire capitalization), Barry Bostwick in the Robber Bridegroom, Phil Silvers in the revival of A Funny Thing... I'm sure there are many many more.
I guess I am thinking, a show, not reviewed well at all. But still some standout performances. I think the easy calls are the BIG Ben Brantley reviewed well stories. Obviously those all get nominated, and everyone in them.