You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl
"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor
"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl
"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
A few other musicals have included rap or hip/hop numbers, but not as the driving force of the score. "Enterprise" from Runaways comes to mind. I think it might just be those four for hip hop musicals.
I know Fela Kuti didn't label his music as hip-hop, and I don't think it technically is, but it obviously influenced some of hip-hop. I think you can argue that Fela! could play as a possible origins story for the genre.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
g.d.e.l.g.i. said: "So by that count, we've got about 9 shows involving hip-hop and/or current or gestational elements thereof.
"
Seems like it. I suspect Hamilton has opened the door to many more. It is astonishing how big it is becoming. I am interested in seeing if hip hop will bring a younger generation to Broadway, or will it remain as the older crowd, since they can only afford it.
To boil the success of Hamilton down to people wanting to see hip hop seems to be pretty reductive as a thesis as well as a lack of insight into what all is happening onstage at the Richard Rodgers Theater.
^ Agree there. Also, past shows with the same genre of music failed, so I wouldn't put too much on the music of Hamilton to draw a younger audience.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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The idea that these styles rather arbitrarily lumped into the labels "rap" and "hip hop," both of which have roots going back to the 1920's (if not earlier), are somehow inherently "young" and will bring "young" audiences to Broadway, is - well, I'm too worn out now to continue the thought.
This doesn't necessarily qualify as a "hip-hop musical" but GHOST has a rap part with the Subway Ghost and Sam. At least it shows I guess the short-term influence of how rap can be used effectively in a show; it's very fitting. Legally Blonde also had a small rap section in 'Positive.'