Is it too late to hope the artwork on their website isn't the final version? Why green? And why text that most will have to stop and stare at for a few seconds to figure out what it says? And who in New York would stop and stare at anything for that long? Patrick Bateman would never approve of that font type.
I listened to the songs, and I like them. On the fence with the one that just lists a lot of brand names (I forget what it's called), so depending on the scene, I could see myself loving or loathing it. The others are dark and different.
The 'brand name' song ("You Are What You Wear" was a bit of a showstopper in the London production. It was performed by all the women in the cast (including Bateman's shallow girlfriend and her ghastly best friend) the harmonies were rather gorgeous and the Vogue(as in the dance)-like choreography was a riot and had a great build to it. One of my favourite numbers actually,
ajh said: "The 'brand name' song ("You Are What You Wear" was a bit of a showstopper in the London production. It was performed by all the women in the cast (including Bateman's shallow girlfriend and her ghastly best friend) the harmonies were rather gorgeous and the Vogue(as in the dance)-like choreography was a riot and had a great build to it. One of my favourite numbers actually."
Also a nice compliment to the business card number.
I have no problem at all reading the text on that green and love the color. Might be a color perception difference thing. Red, white, and blue seems a bit obvious.
They have at least taken it in a better direction by fixing the text. The colors are obvious but they make more sense than green. I'd rather have a window card in all red or all blue rather than the half blue and half red.