After the radio success of “LET IT GO”, I think TEAM IDINA should consider an “adult contemporary” version of “ALWAYS STARTING OVER”. It is a worthy follow up single, IMO.
I'm actually wondering how they are going to do it on the Tonys haterobics.
I'll be surprised if this is made as a single. I enjoy it but I actually had to listen to it over and over again before I could really distinguish the melodies etc. I wouldn't say it is a catchy song like LET IT GO is.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I'm really hoping she sings "Always Starting Over" at the Tonys. "Learn to Live Without" is beautiful but it's not right for the broadcast in my opinion.
I don't think "Always Starting Over" is single material, personally. It's an 11:00 number, but it's a lot of histrionics without a very memorable hook, if you ask me. I found "Some Other Me" a much more memorable melody, and a song that's probably easier to translate to a single version (a la "I'll Never Fall in Love Again" - a duet in PROMISES, PROMISES - becoming a solo hit for Dionne Warwick.)
But I don't think much in the score is as strong a potential hit as "Let It Go" has been. Also, keeping in mind that IF/THEN has been seen by only a fraction of those who've seen FROZEN there isn't as wide a base on which to build a successful platform to launch. But if any show could launch a hit single, I'll agree Idina and IF/THEN might stand the best chance.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
If they want to sell tickets through the summer, they need to have Idina belt out "Always Starting Over". She's already done "YLTLW" on national TV at least twice. It would feel very been-there-done-that on the Tonys.
I'm sending pictures of the most amazing trees/You'll be obsessed with all my forest expertise
I completely agree about YLTLW on the Tony's. Have heard that song on so many shows and clips. She had also been doing that one at concerts last year, I believe.
I would love to hear something different on Sunday.
For the love of God, if she doesn't sing ALWAYS STARTING OVER, I'm gonna be very sad. Also, they could just have her say "Thank you for finding me and thank you for the care. And SCREW you for making me think..." possibly?
"Life in theater is give and take...but you need to be ready to give more then you take..."
She's been performing Learn to Live Without since (at least) her tour a couple of years ago, so I think it's always been the one that they've been pushing. I really hope she does Always Starting Over at the Tonys though, it would be really nice to hear her performing something different for a tv appearance
"I completely agree about YLTLW on the Tony's. Have heard that song on so many shows and clips. She had also been doing that one at concerts last year, I believe."
Most people watching the Tonys will likely have heard none of the songs from the show, though. I know tons of people who make a habit of watching the Tonys to decide what they want to see on Broadway, and whatever is performed is the basis for what they know/think about a show.