Those tweets read like he's pissed. There must be some serious drama with the producers (as suggested by Reidel). It's not like they don't have PR/marketing people.
I loved it! And by the looks on the faces of those who attended with me, they did, too. Of course, if you're a member of the theaterati, you probably wouldn't like it because it's not brantleyan enough. I understand why you feel the way you do.
Yes, there is a rule, but the notice can come down and extend week by week. I have heard of shows (not recently) that kept the notice up than took it down as insurance for paying an extra week.
"Yes, there is a rule, but the notice can come down and extend week by week. I have heard of shows (not recently) that kept the notice up than took it down as insurance for paying an extra week.
Correct me, if I'm wrong."
I think the Ragtime revival tried it, but it backfired and they closed after extending a week.
My thoughts go to the cast and crew of "Leap Of Faith." There was so much drama, even before the show arrived in NYC. The cast worked with what was handed to them. I cannot even imagine what they're feeling now, as they face an imminent closing, in the face of scathing reviews. For those of you who have actually seen the show recently, what is it like being in a theatre with very few people in the audience? What is that like? Just wondering.... RC in Austin, Texas
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)