I'm sure ANGELS IN AMERICA, AUGUST; OSAGE COUNTY, DOUBT, and any number of other rapturously-received plays would have votes as well, henrik (and I personally would throw TOPDOG/UNDERDOG, THE GOAT OR WHO IS SYLVIA?, THE KENTUCKY CYCLE and THE PILLOWMAN in the ring as well.)
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Absolutely. WIT, JOE TURNER'S COME AND GONE, LIEUTENANT OF INISHMORE (and every other McDonagh play) and COPENHAGEN would likely have their champions as well (as well they should).
ARCADIA gets my vote, along with both ANGELS IN AMERICA plays. CLOSER also a (close) runner-up. THE REAL THING exceeds the quarter-century stipulation... but it's also right up there for me.