Click below to access all the grosses from all the shows for the week ending 8/4/2013 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Let It Be, Forever Tango and Soul Doctor are the three shows that have low box office figures. Chicago almost made it to 700, 000. I'm still surprised at the appeal of "Lion King." It's not a show I would like to see, but those box office numbers... wow!! Love to see Pippin doing so well. Hurry back soon Orion! RC: from the blue city of Austin in the red state of Texas
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
Visually Lion King is a stunning show. The set and costume designs are spectacular. The first time I saw it, after seeing the opening number- The Circle of Life, I felt I'd already gotten my money's worth. It is a show that appeals to both children and adults. Being based on a very popular Disney movie also doesn't hurt its appeal. In movie form, I like Beauty and the Beast better, but the stage version of Lion King is just as good if not better than the stage version of Beauty and the Beast.
Cinderella is doing great! Good to see it's still grossing $1M a week. I don't think it's going to close anytime soon, to the person who keeps saying it will after Christmas(hm, Matt1)
FIRST DATE might have more staying power than we think. It's not selling out, but it's doing a lot better than I expected.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
It's percentage of seats filled is high...but looking at their average ticket price and their $ amount taken in, they are still papering quite a bit.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
If the reviews are even remotely positive for FIRST DATE, they can probably grab some pull quotes and stay open into the fall busy season.
I'm not surprised it's showing the potential to stick around; it kind of has the Broadway rom-com market solely to itself. BIG FISH is really the only other romantic show coming this fall (unless someone who saw GENTLEMAN'S GUIDE... can set me right if I'm wrong) and FIRST DATE has contemporary comedy vibe those lack. I kind of feel like its only competition is ROCK OF AGES, in that respect.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
I'd also say that if Rock of Ages has been able to keep itself running with grosses ranging in that $350,00 to $500,000 range I would imagine First Date might just be scraping by as well. It's a fairly small cast and I would imagine the crew requirements are not super large either (I assume it's a unit set, I haven't seen it yet). It will be interesting to see what happens with it after Labor Day when the fall drop off sets in.
Maybe people are realizing that Motown just isn't a good show.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Though it's the theatre owner's responsibility to report grosses and not the producer, it will surely do no favors for the producer(s) of SOUL DOCTOR that their gross was apparently reported incorrectly yesterday and the correct figure is only $195,120 -- roughly $100K less, and making its average ticket price $43.05 and putting it at 26.05% of Gross Potential.
Oy vey, indeed.
"No matter how much you want the part, never let 'em see you sweat." -- Old Dry Idea commercial
I was not able to post my thoughts this week, so I wanted to do this before the week was over. It is indeed great to see many shows do well in the first week of August.
"Cinderella is doing great! Good to see it's still grossing $1M a week. I don't think it's going to close anytime soon, to the person who keeps saying it will after Christmas"
Yes, it is. As I mentioned before it's doing even better than the Broadway Theatre's previous musical, 'Sister Act', which played there for two summers. I think 'Cinderella' will be here for summer of next year at least and possibly longer.
averagebwaynut- how do you know the figure was incorrectly reported? (not saying you're not right, I'm just curious because I looked for info on a corrected figure being released but couldn't find it). Either way, that show is in more than a little trouble.