Trevor Durham - Page 2

Fitzwater's Tarzan follows his first Disney hit, last year's sell-out Hunchback of Notre Dame, with more visual enrichment and performative wonder than the choir-led musical extravaganza, but nonetheless finds its way into hearts to sneak its creeping vines and take root.

Garcia took each question and spun it onto its head, something her characters are ought to do with each difficulty and challenge, so that they, like Garcia, can create beauty out of darkness.

1000 Miles is coming hot on the heels of Nilo Cruz' Alice N., a work of passion and dystopia that beautifully foils what has come before.

Humble and sincere as any of his characters, I realize quickly that he will leave an immeasurable impact on theatre long after I am gone. He speaks in the same way he writes, with unconscious music and interest in that which is beautiful.

The first reading of Alice N. promises a new, fascinating period of Cruz's writing for the stage.

Louis Tyrrell cascades East and West of the War, a collection of three monologues, in music and wonder of the pieces bursting louder than any symphony.

The underrated masterpiece, under the direction of Matt Stabile, gives three world class performers rise to the unbelievable character depth and connectivity that is Cruz' staple.

Rehearsals for the very first reading of Cruz' newest work, Alice N., are moving along with the five performers flowing through Cruz' poetic script and Theatre Lab's black box transporting through time and countries to prepare for audiences.

This weekend, Pulitzer Prize winner and celebrated Cuban-American playwright Nilo Cruz is set to host three play readings (two premieres) at FAU's Theatre Lab.

In the hands of honed director John Rodaz, the script's challenges are imagined as spectacles of the highest sort.

Giancarlo Rodaz' original work has broken limitations to achieve an immersive experience and stable narrative doused in the absurd.

Under the wise hands of John Rodaz, An Octoroon is going to be a show all too pressing for the contemporary theatre.

After five years, four venues, and a tragedy worthy of a Russian novel, The Great Comet of 1812 has thrown its final revelries.

The Area Stage Company invites us to take a glimpse into that era of racist complacency - and laugh at it.

The Search Party Tour is an end-of-summer highlight to keep things strange.

The beautiful suite prepared by William Dawson Jr. and the poetry of Florida's Poet Laureate Peter Meinke came together like a beautiful, strong cocktail- waves of the fused art forms crashed audiences note after note in unforgettable fashion.

On Tuesday, Florida Poet Laureate and long-time author Peter Meinke will recite stories of his life and poems over original arrangements of prized composer William Dawson Jr.

Rodaz' Wild Party is cruel, immersive, and leaves the taste of taboo with each jazz number.

The scatting, the clown noses, and the gruesome content all bounce through the asymmetrical loft as Rodaz plays with his Wild Party just one final time before he unleashes the orgy upon the world.

Clive Cholerton takes the demon barber's ballads into new dimensions of cruelty and possibility.