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Review Roundup: GHOST, The Musical - All the Reviews!


Ghost The Musical makes its highly anticipated West End opening today, July 19, at the Piccadilly Theatre, after begining performances on June 24, 2011. Booking is open for performances through January 28, 2012.

Richard Fleeshman and Caissie Levy lead the cast of Ghost The Musical playing Sam and Molly in Matthew Warchus' stage musical version of the Academy Award® winning film. Accompanied by Sharon D Clarke as Oda Mae Brown and Andrew Langtree as Carl, Ghost The Musical has new music and lyrics by Grammy® award winning Dave Stewart and Glen Ballard as well as featuring the iconic song Unchained Melody. Oscar® winning Bruce Joel Rubin has adapted his original screen play for the stage. Set and costume designs are by Rob Howell, choreography is by Ashley Wallen with musical supervision and arrangements by Christopher Nightingale, illusions by Paul Kieve, lighting by Hugh Vanstone and projection design by Jon Driscoll. Matthew Wachus directs.

A timeless story about the power of love, Sam is trapped as a ghost between this world and the next trying to communicate with his girlfriend Molly through a phoney psychic in the hope of saving her from his murderer. Ghost, based on the Oscar® winning Paramount Pictures film, will feature new music and lyrics as well as the classic Unchained Melody.

For more information, visit, and find out what the critics thought here!

Henry Hitchings, The Evening Standard: Ghost: The Musical has a huge readymade audience. The film on which it's based is romantic, lyrical and tear-jerking - a shamelessly cheesy fantasy. And with superb special effects and engaging performances, Matthew Warchus's production certainly has plenty of dazzle.

David Benedict, Variety: Warchus' well-drilled staging is supremely slick. He and the design team achieve real flow between multiple locations and the how-did-they-do-that? factor of the ghost effects are the show's highs. But this is an evening of applauded effort rather than achievement.

The real question, though, is: Does Molly get her famous scene at the potter's wheel? Yes, but it's later in the action and, like much of the show, is robbed of the close-ups that would heighten its impact. But "Unchained Melody" is there, initially crooned sweetly by Fleeshman on a guitar. That transposition is the sort of imaginative change the show needs throughout. And when the sole pre-existing song is a tuner's high point, it prompts a question that may come back to haunt the creative team: Why turn it into a musical in the first place?

Charles Spencer, The Telegraph: Though the story is a touch corny, and often gloopily sentimental, there is something genuinely distinctive about Ghost...This may not be a great musical, but it is a highly entertaining one that looks set to keep audiences laughing, gasping and sniffing back tears for a long time to come.

Matt Wolf, The Arts Desk:  The material is cheesy, often defiantly so, and it's here been polished to a high sheen by the director Matthew Warchus and a design team who pull out all the stops in order to snap to attention even the most ADD-afflicted in the house...The audience pre-sold on the material will doubtless enjoy the experience, even as sceptics are likely to be unmoved.

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