American Lyric Theater's THE GOLDEN TICKET Live Recording Released Today
American Lyric Theater (ALT) announces that the live recording of its first commissioned opera, The Golden Ticket, a comic opera by Peter Ash and Donald Sturrock based on Roald Dahl's Charlie and the Chocolate Factory, is set for release from Albany Records on Amazon.com and on CD today, December 1, 2012.
The Golden Ticket was commissioned by American Lyric Theater and Felicity Dahl in 2006. The opera received its world premiere in partnership with Opera Theatre of Saint Louis in June 2010, and its European debut in partnership with the Wexford Festival in October 2010. The live recording, conducted by composer Peter Ash, was produced by ALT in partnership with The Atlanta Opera during performances in Atlanta in March 2012.
The Golden Ticket represents the first time the estate of author Roald Dahl has authorized an operatic adaptation of the best selling, classic book, which has entertained children and adults alike since its publication in 1964.
The recording cast includes bass baritone Daniel Okultich (Willy Wonka), treble Benjamin P. Wenzelberg (Charlie), tenor Keith Jameson (Grandpa Joe), soprano Kristin Clayton (Grandma Georgina and Mrs. Gloop), mezzo soprano Jamie Barton (Grandma Josephine and Mrs. Teavee), bass baritone Jason Hardy (Grandpa George and Mr. Beauregard), countertenor Gerald Thompson (Mike Teavee), soprano Ashley Emerson (Violet Beauregard), tenor Andrew Drost (Augustus Gloop), mezzo soprano Abigail Nims (Veruca Salt), baritone David Kravitz (Lord Salt), and mezzo soprano Krista Costin (Candy Mallow and the Squirrel Mistress). Peter Ash, conductor; Walter Huff, Chorus Master. The Chorus and Orchestra of The Atlanta Opera.
Pre-orders of The Golden Ticket can be made HERE.
Today, December 1, the CD will be available on the AlbanyRecords.com, Amazon.com, Arkivmusic.com, hbdirect.com, and at other classical music retailers. Digital downloads will also be available from iTunes and other similar services shortly thereafter.
Founded in 1979, The Atlanta Opera is one of the finest regional opera companies in the United States producing mainstage opera productions and excellent arts education programs for all ages. It directly serves almost 100,000 people annually in Metropolitan Atlanta and throughout the Southeast. The Atlanta Opera strives to expand the experience of its patrons with memorable and exciting performances reflecting the highest musical and theatrical standards, while supporting community and educational programs. The Opera also works to attract the finest international, national, and regional singers, conductors, stage directors and designers.
Based in New York City, American Lyric Theater (ALT) was founded in 2005 to build a new body of operatic repertoire for new audiences by nurturing composers and librettists, developing sustainable artistic collaborations, and contributing new works to the national canon. ALT is the only company in the United States that offers extensive, full-time mentorship for emerging operatic writers. While the traditional company model focuses on producing a season, ALT's programs focus on serving the needs of composers and librettists, developing new works, and collaborating with larger producing companies to help usher those works into the repertoire.
In 2006, ALT, with Felicity Dahl, commissioned its first work, The Golden Ticket, a new opera based on Roald Dahl's Charlie and the Chocolate Factory. In 2007, ALT launched its core initiative, the Composer Librettist Development Program (CLDP), led by Producing Artistic Director Lawrence Edelson and a faculty comprised of some of the country's foremost artists, including composer-librettist Mark Adamo, dramaturg Cori Ellison, composers Robert Beaser and Anthony Davis, librettists Michael Korie and Mark Campbell, and stage director Rhoda Levine. To date, the program has provided intensive, personalized mentorship to 30 gifted emerging artists. 11 short chamber operas have been developed under the auspices of the program, which have been presented by organizations ranging from the San Francisco Conservatory to Center City Opera in Philadelphia. In 2009, ALT commissioned The Poe Project, the first formal commissions from CLDP Resident Artists. Three different composer/librettist teams are currently completing this trilogy of one-act operas, inspired by the fiction of Edgar Allan Poe. Production details for The Poe Project will be announced in 2013. In the fall of 2012, ALT announced three new full-length opera commissions, all currently being written by Resident Artists in the CLDP: La Reina by Jorge Sosa and Laura Sosa Pedroza, a story of revenge and corruption in the drug trade on both sides of the Mexican/American border; The Turing Project by Justine F. Chen and David Simpatico, a historical fantasia based on the life of English scientist Alan Turing; and The Long Walk, by Jeremy Howard Beck and Stephanie Fleischmann, based on the critically acclaimed memoir of war and homecoming by American veteran and author Brian Castner. (Details on all commissions, as well as short videos of this season's commissions are available on ALT's website.)
American Lyric Theater also presents a series of concerts, master classes and public symposia each the season. The company's popular series of public libretto readings, The Living Libretto, takes place at the National Opera Center between December 2012 and February 2013. These events are the culminating readings of extensive libretto workshops conducted for the new operas currently being written by ALT resident artists, featuring guest actors from Broadway and off-Broadway. Following each reading, there is a discussion with the artists moderated by Mr. Edelson. InsightALT, a new festival that offers an intimate, inside look into ALT's process of creating new operas at all stages of their development, takes place between May 29th and June 3rd, 2013, at the Goldman-Sonnenfeldt Family Auditorium, The JCC in Manhattan's state-of-the-art, 250-seat theater. Public readings of the three new commissions at different stages of their development will be at the center of the 2013 festival. InsightALT will also offer the opportunity for the public to attend open rehearsals, participate in a libretto workshop of a fourth new commission (to be announced in early 2013), and join together for symposia curated by dramaturg and ALT principal faculty member Cori Ellison, on topics including "Faith and Religion in Contemporary American Opera," and "Fantasizing History: How operatic writers balance fact and fiction in works based on real life events." (The full schedule of events for InsightALT will be announced in January 2013.)
In June 2012, ALT was the first company dedicated to artist mentorship rather than operatic production to be recognized by OPERA America as a Professional Company Member - a testament to ALT's service to the field.
Further details on all of ALT's events and activities can be found at www.altnyc.org.