by Stephi Wild - April 24, 2024
Northern Ballet's revival of Romeo & Juliet comes to Sadler's Wells this May. With glorious dancing and Prokofiev's timeless music played live by Northern Ballet Sinfonia, audiences will be invited to rediscover the iconic love story like it's the very first time. ...
by Matthew Paluch - April 25, 2024
Is there anything similar to The Sleeping Beauty overture? With Tchaikovsky filling the theatre with full-blown fairy tale drama - it's quite the opener.
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by Matthew Paluch - April 18, 2024
“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?”
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by Matthew Paluch - April 12, 2024
The Elixir Festival returns to Sadler’s Wells with the same, integral mission: “rethinking perceptions around dance and age.”...
by Louise Penn - April 08, 2024
The Velveteen Rabbit is a story which needs little introduction, and which retains wide appeal. This retelling by Ben Crompton for balletLORENT pops with life as a man reacquaints himself with childhood toys, notably a beloved rabbit. Aimed at a family audience, this is a delightful way to while awa...
by Matthew Paluch - March 28, 2024
Inger's Carmen is successful in two key ways: firstly it tells the existing narrative of Carmen incredibly clearly, secondly it actually does so with “new resonance' - who'd have thunk it.
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by Kat Mokrynski - March 22, 2024
Assembly Hall takes place in, as you might have guessed, an assembly hall, where a group of medieval reenactors are coming together for what may be the final meeting of the General Assembly of the Benevolent and Protective Order. However, everything is not as it seems . . ....
by Franco Milazzo - March 19, 2024
Getting to grips with what a mute medium like dance is trying to convey is never easy even when there is a recognisable concept like Jim Henson’s The Dark Crystal....
by Matthew Paluch - March 13, 2024
Wayne McGregor has been working with digital intelligence in relation to creativity since 2017, and why not? This is the digital age after all. Who needs humans?!...
by Vikki Jane Vile - March 09, 2024
New York City Ballet are at Sadler’s Wells for the very first time, and returning to London for the first time since 2008 in a rare event for dance fans in the capital. Now under the direction of Jonathan Stafford, they arrive with a diverse quadruple bill, presumably designed to offer something for...
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