Empress Bloody Mary
A future galactic Empress remembers her past life as Bloody Mary Tudor.
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Review: CADEL: LUNGS ON LEGS, Riverside Studios
Connor Delves delivers a remarkable one man show about a remarkable man…
Review: OUR GHOST DRINKS MATCHA, The Etcetera Theatre
'...the standout of the piece is the writing itself. Daye has a gift for calling out performative activism in a way that doesn’t feel accusatory... Our Ghost Drinks Matcha explores the grey area, the place where there isn’t a ‘happy ending’...'…
Review: SOME WOMAN, Starring Anne-Marie Duff, National Theatre
The National Theatre continue their commitment to new writing with a piece by Helen Edmundson. While this is wonderful in itself, this is not only a matter of having an original play on stage. Some Woman spotlights a category that’s often forgotten by the entertainment business, featuring a middle…
Review: THE BARBER OF SEVILLE, Glyndebourne
If you want to bring a little Spanish warmth into your autumn, you could do much worse than head down to Sussex, where Glyndebourne's Autumn Season is now in full swing. In 1775, Beaumarchais created the character of Figaro in his play Le Barbier de Séville and over 250 years later, we are still…
Review: TOM AT THE FARM, Barbican Theatre
Part Wuthering Heights, part God’s Own Country, this is a familiar tale viewed through an interesting lens. It doesn’t necessarily need to reinvent the wheel, but it does need to give us a reason to look at it differently.…
Review: GHOSTS, Jermyn Street Theatre
Helene Alving is about to inaugurate an orphanage dedicated to the memory of her late husband, an austere, unfaithful, and unpleasant man. Their son Oswald, who’d been sent away as a child to be protected from the inevitable scandals that would hit his father, returns home. His arrival comes with …
Review: THE CHERRY ORCHARD, Starring Kristin Scott Thomas, Harold Pinter Theatre
Kristin Scott Thomas and Stephen Mangan lead a starry cast in a play that can't quite locate the fragile centre of the swirl of relationships in rural Russia…
Review: MANON, Royal Ballet & Opera
It's impressive to have the same work showing at two companies simultaneously, and such is the case for Kenneth MacMillan’s 1974 full-evening work Manon. The ballet is currently in season at the Paris Opera and also opened last night at the Royal Ballet and Opera. Leading the cast are Francesca Ha…
Review: THE BANALITY OF EVIL: HANNAH ARENDT, FRANCE, 1940, Arcola Theatre
Doktor Arendt's ideas have never been more needed here than they are right now…
Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY, Underbelly Soho
Heated Rivalry: The Unauthorized Musical Parody is simply hilarious. Dylan Marcaurele writes an abridged 75-minute run-through of the show where original songs coexist with referential numbers, creating an endlessly amusing and entertaining mix. The lyrics are so comically unpredictable that the pi…
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