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Cambridge Junction

Cambridge Junction, Clifton Way, Cambridge CB1 7GX
Cambridge

Upcoming Shows

Not Now, Bernard

Not Now, Bernard

Feb 15, 2027

Created by Roustabout Theatre , based on the book by David McKee. ‘There’s a monster in the garden and it’s going to eat me.’ Bernard’s got a problem. There’s a monster in the garden… but his mum and dad are too busy to notice. So Bernard does what any sensible child would do —...

Review: TCHAÏKOVSKY: CHILD OF GLASS, Opera Holland Park

Review: TCHAÏKOVSKY: CHILD OF GLASS, Opera Holland Park

by Aliya Al-Hassan · August 15, 2026

Pyotr Ilyich Tchaikovsky can surely claim to be one of the world's most talented and memorable composers. Born in Russia in 1840, he composed some of the most well-loved and memorable ballets of all time such as Swan Lake and Nutcracker, as well as operas such as the masterful Eugene Onegin, and cla…

Review: DEATH NOTE, Barbican Theatre

Review: DEATH NOTE, Barbican Theatre

by Mica Blackwell · August 12, 2026

Diehard fans will love seeing the world brought to life with its stunning visuals and cast, while newcomers will give themselves over to the thrilling melodrama. If there’s one thing Death Note won’t do this summer, it’s leave you dying of boredom.…

Review Roundup: Did Critics Adore HOW THE OTHER HALF LOVES?

Review Roundup: Did Critics Adore HOW THE OTHER HALF LOVES?

by Aliya Al-Hassan · August 12, 2026

Alan Ayckbourn’s brilliantly crafted masterpiece juggles time and space to present the lives and loves, passion and panic of three married couples. The action takes place at two dinner parties given on different nights, with situations that lead to a string of misunderstandings and almost farcical…

Review: HOW THE OTHER HALF LOVES, Starring Roger Allam, The Old Vic

Review: HOW THE OTHER HALF LOVES, Starring Roger Allam, The Old Vic

by Alexander Cohen · August 12, 2026

Flick through any newspaper and at least once a week a columnist will lament the trials and tribulations of modern relationships: ghosting, situationships, adultery, all exacerbated by a drove of dating apps. First performed over fifty years ago, Alan Ayckbourn's bedroom farce bears a striking resem…

Past Shows

Still Noise: Ways to Occupy a Performance Space

Still Noise: Ways to Occupy a Performance Space

May 19

What filters the sounds we are tuned to hear? Whose voice is granted volume, and whose is reduced to mere noise? In Still Noise , the stage becomes a sonic laboratory where the underlying power structures of the performance space are exposed. From the mechanism of amplification...

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