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Photos: Go Inside Rehearsals for THE BEACH HOUSE, Coming To Park Theatre

A tender new play that explores the fragility of female relationships as three women grapple with motherhood, sisterhood and distractions.

Feb. 03, 2023  

The Beach House will premiere at Park Theatre having been shortlisted for Liverpool Hope Playwriting Prize. The cast comprises Gemma Barnett (Offie winner Best Actress for A Hundred Words for Snow) Kathryn Bond (Breach Theatre's It's True, It's True, It's True) and Gemma Lawrence (A Dead Body in Taos).

A tender new play that explores the fragility of female relationships as three women grapple with motherhood, sisterhood and distractions. Conceived against an ever-changing coastal backdrop, Jo Harper's play explores the crisis of becoming a parent, knotted bonds between two sisters and the endurance of familial and romantic love.

The production will run February 15- March 11.

Photos: Go Inside Rehearsals for THE BEACH HOUSE, Coming To Park Theatre
The Company of The Beach House

Photos: Go Inside Rehearsals for THE BEACH HOUSE, Coming To Park Theatre
The Company of The Beach House

Photos: Go Inside Rehearsals for THE BEACH HOUSE, Coming To Park Theatre
The Company of The Beach House

Photos: Go Inside Rehearsals for THE BEACH HOUSE, Coming To Park Theatre
The Company of The Beach House




Review: THE DEAD CITY (DIE TOTE STADT), London Coliseum Photo
Review: THE DEAD CITY (DIE TOTE STADT), London Coliseum
Annilese Miskimmon directs an arresting new production of Korngold's cult operatic meditation on melancholy
Review: MARJORIE PRIME, Menier Chocolate Factory Photo
Review: MARJORIE PRIME, Menier Chocolate Factory
Jordan Harrison’s 2015 Pulitzer Prize finalist is a reflection on mortality that doesn’t dare to go into the depths of the matter. It ends up being rather stagnant philosophically and anthropologically, but Dominic Dromgoole’s latest production is a delicate take. Running at 85 minutes on paper but around 70 in reality, the piece’s greatly sophisticated performances and sleek look save it from its redundant nature.
Review: WASTED, Lyric Hammersmith Photo
Review: WASTED, Lyric Hammersmith
Running at around 50 minutes, it’s snappy and positively Gen-Z in pace and subject. Fernandes crafts a script that wanders from deliciously colloquial to slightly expository, but remains solid throughout. Mundane conversations about parties and cleaning rotas act as the foundation for the pair’s bond, which is bound to be tested and tried once Jacob’s actions are revealed. At its core, it’s a story of friendship and loyalty camouflaged as a crime drama exploring the stigmatisation of sexual violence.
Photos: First Look At English National Operas THE DEAD CITY (DIE TOTE STADT) Photo
Photos: First Look At English National Opera's THE DEAD CITY (DIE TOTE STADT)
See production images for the English National Opera's The Dead City (Die tote Stadt), running 25 March - 8 April 2023.

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