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Bohemian National Hall

321 East 73rd Street
New York, NY 10021

Upcoming Shows

The Imposter Unmasked

Feb 27

A musical masquerade set in 17th-century England featuring songs of longing, satire, devotion, and melancholy by Dowland, Campion, Purcell, and early Handel. Stage direction is...

Review: THE SMOKER at Contemporary American Theater Festival

Review: THE SMOKER at Contemporary American Theater Festival

by Andrew White · July 15, 2026

Lisa D’Amour offers us a fascinating character study in her latest play, The Smoker, and under the empathetic eye of Director Shelley Butler we are invited into the lives of normal people we routinely pass by without a thought. As if by accident we meet our central character, a recovering alcoholi…

Review: ¡VOS! at Contemporary American Theater Festival

Review: ¡VOS! at Contemporary American Theater Festival

by Andrew White · July 15, 2026

The one-word title of this play isn't just a form of direct address; in Argentina, it's a form of 'You!' that turns its gaze away from the stage and back on all of us in the audience. Playwright Christina Pumariega is determined that we never forget the Disappeared of Argentina, and recognize the em…

Review: REFUGEE RHAPSODY at Contemporary American Theater Festival

Review: REFUGEE RHAPSODY at Contemporary American Theater Festival

by Andrew White · July 15, 2026

Playwright Yussef El Guindi has given us a window into many issues at once—too many at once to keep track of, from this critic’s perspective. But the issues collide here in the Contemporary American Theater Festival’s Studio 112 with memorable force.…

Review: ICONIC WORKS at Woolly Mammoth Theatre Company

Review: ICONIC WORKS at Woolly Mammoth Theatre Company

by Steve Sucato · July 14, 2026

For her final production as Artistic Director of Washington, D.C.-based Chamber Dance Project (CDP), Diane Coburn Bruning chose to pair a few of her signature contemporary ballets with others from CDP’s rich repertory, along with a world premiere ballet by up-and-coming choreographer William Moore…

Review: HOW TO DIE IN JAPAN at District Fringe

Review: HOW TO DIE IN JAPAN at District Fringe

by Aidan O'Connor · July 14, 2026

If nothing else in this world, we all have one thing in common – everyone is born, and everyone will die. Regardless of the country or culture shaping us, every human encounters the daunting ambiguity and the rigid finality of the end of this life sentence equally. Contrastly, our experience with …

Review: WHEN I WAS at District Fringe

Review: WHEN I WAS at District Fringe

by Roger Catlin · July 14, 2026

Teenage years are no picnic for anyone. That we survive it at all makes us wish we all had the knowledge then what we know now. Such is the premise of MaKayla Baker Paxton’s play “When I Was” that’s playing as part of the District Fringe.…

Review: BEETLEJUICE at National Theatre

Review: BEETLEJUICE at National Theatre

by David Friscic · July 12, 2026

The current touring production of Beetlejuice, now playing at the National Theatre, is an odd theatrical piece –in that it is really more of an ostensible cult musical event for the generations in their twenties, thirties, and early forties. This in itself is perfectly fine, but I must admit that …

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