November 4 at Voices Festival Productions

Mitch Greenberg has been acting professionally for half a century and thinks he’s finally got it right. November 4 marks his return to D.C. after a 19-year absence; he previously appeared in The Cocoanuts at Arena Stage (directed by Doug Wager), the National Theatre (in John Dexter’s production of Three Penny Opera starring Sting that went to Broadway), and at Theater J, under Ari Roth, for the world premiere of Robert Brustein’s Spring Forward/Fall Back. Mitch has performed in a dozen Broadway shows including Bart Sher’s production of Fiddler on the Roof; Jerry Zaks’ production of Laughter on the 23rd floor, and David Hyde Pierce’s production of It Shoulda Been You. He’s performed that many again Off-Broadway, and in numerous regional theaters and tours around the country. He’s also been seen in sitcoms (Married... With Children), dramas (Third Watch, Law & Order, Kate & Allie), feature films (The Rebound), shorts and commercials. His voice may be heard in many films, TV shows and documentaries, as well as in the dozens of audiobooks he’s narrated. Mitch’s career began at The Neighborhood Playhouse, studying with Sanford Meisner and William Esper, followed by a year with Uta Hagen. Audiences first saw him in Two for the Seesaw; his Broadway debut was as Groucho in the Tommy Tune production of A Day in Hollywood / A Night in the Ukraine. Pray for Ukraine!

Nicole Halmos is a Helen Hayes recipient for her portrayal of Della in The Cake. DMV credits include Virginia in Native Gardens at NextStop, Hanukkah Past at Round House Theatre’s A Hanukkah Carol or Gelt Trip! The Musical, The Squirrels at MET, The Alchemist at STC, Sweeney Todd at Baltimore Center Stage and A Christmas Carol at Ford’s Theatre. As a member of Obie Award winning Target Margin Theatre Co., Nicole appeared Off-Broadway in Hamlet, Mother Courage and Her Children, Dido and Aeneus, The Seagull, and Faust. Regional credits include Galileo at Yale Repertory, Wit at Dallas Theatre Center, Our Town at Triad Stage, Who’s Afraid of Virginia Wolfe and Cabaret at The Embassy and Carrie, Assassins, The Prom and August, Osage County at The Cumberland Theatre. You can also see her in the award-winning short film Invasion ’53. Nicole is grateful to be a part of this company of dedicated and talented artists who believe theatre has the power to change and to heal the world.

Chris Daileader is a DC-based actor, writer, and media & events producer who is excited to make his Voices Festival debut in November 4. Selected DC stage credits include: Synetic Theater: Treasure Island; Mosaic Theater Company: Paper Dolls; Monumental Theatre: Bonnie and Clyde: The Musical; Imagination Stage: Beauty and the Beast; Convergence Theater: Witch; Capital Fringe: Salvation Road; Silver Spring Stage: The Pillowman (WATCH Award for Outstanding Supporting Actor). Film credits include Haze and Lost Holiday.

Noah Mutterperl is a DC-born and raised actor who is honored to make his Voices Festival Productions debut. He was recently featured on the national tour of Tina - The Tina Turner Musical (Phil Spector) and the tour of Look Both Ways! produced by the Kennedy Center Theatre for Young Audiences. Regional credits include Arena Stage: The Age of Innocence (Valet); Toby's Dinner Theatre: Saturday Night Fever (Frank Jr.), Keegan Theatre: The Woman in Black (Kipps, Helen Hayes Nomination, Outstanding Lead Performer in a Play); Monumental Theatre: American Psycho (Paul, Helen Hayes Award for Outstanding Ensemble, and Nomination for Supporting Performer in a Musical); Workhouse Performing Arts: The Hunchback of Notre Dame (Phoebus, Helen Hayes Nomination, Outstanding Ensemble), Dracula: A Comedy of Terrors (Dracula), The Drowsy Chaperone (Robert), The Who's Tommy. Upcoming: Rock of Ages. Thanks to Resolute Artists and love to Alyssa. Peace now. @noah_mutterperl nmutterperl.comwww.nmutterperl.com

Emma Wallach in both 1995 and 2025 is making her Voices Festival Productions debut. Recent credits include This Play Isn’t About Brian in the Local Theatre Festival at The Kennedy Center, Tiny Lights and The Chameleon at Theater J, The Tempest at Round House Theatre, and Built For This in the Vanguard Arts Fund workshop at Olney Theatre Center. Education: American University, B.A. Musical Theatre; British American Drama Academy. Many thanks to my friends and family, especially my mom! www.emmawallach.com

Danny Paller has written some combination of music, lyrics, and book for a variety of musical theater works, including: The Geography of Night, a story of contemporary New York polyamory with music by Bach and Beethoven; Eli The Fanatic, an adaptation of a Philip Roth short story; Danger, a musical based on the true story of two 18th century women pirates; Table For Two, a musical revue; Ah, Jerusalem, a comedy-fantasy co-authored with Broadway writer/producer Bernie Kukoff; The Dybbuk, incidental music for a Yale University production; and a number of children’s musicals. He has also composed choral and instrumental works, including “Bestiaire” (poems of Apollinaire), “I Made My Song a Coat” (poems of Yeats), Preludes for Cello, a piano sonata, and others. He holds degrees in political philosophy from Harvard and Yale and studied music composition and ethnomusicology at Bar Ilan University and Hebrew University in Jerusalem.

For more than two decades Myra has worked in journalism as a senior researcher in Israel for top U.S. newspapers, including 25 years with the Jerusalem bureau of The New York Times. She is a screenwriter specializing in historical dramas and murder mysteries. Her screenplay Shooting Star was a finalist in the ISA’s Emerging Screenwriters Screenplay Competition 2012 and a finalist in the Bruce Geller Screenwriting Contest in 2010. Her dark comic screenplay I’m On Deadline was a finalist in Emerging Screenwriters in 2013. Her murder mystery screenplay The Depths was a finalist in the StoryPros International Screenplay Contest in 2014. She holds a B.A. in history from Brandeis University and studied in the UCLA professional program in screenwriting.

Alexandra Aron is the founder and Producing Artistic Director of the Remote Theater Project bringing theater artists from different cultural backgrounds into dialogue to create new work. (remotetheaterproject.com). Working internationally and in the US, Alex has directed and produced dozens of world premieres. Most recently, she directed The Mulberry Tree by Hanna Eady and Ed Mast at La MaMa Theatre, King of the Jews by Leslie Epstein starring Richard Topol at HERE Arts (NYC) and Thank You for Listening by Carmen Rivera (RTP). Other directing highlights include: A Night in the Old Marketplace, music by Frank London, lyrics by Glen Berger, (São Paulo, Copenhagen, Warsaw, Toronto, Milan, New York City, MASS MoCA, and Bard Summerscape) Naked Old Man by Murray Schisgal starring David Margulies (Ensemble Studio Theatre, NYC); Imagining Madoff by Deb Margolin (Theater J, DC); Eloise and Ray by Stephanie Fleishmann, Three Seconds in the Key by Deb Margolin (New Georges, NYC); It Can Happen Here by Judith Sloane (Jamaica PAC, NYC) and Salomé: Woman of Valor, by Adeena Karasick/ music by Frank London (Vancouver, Toronto, ART’s Oberon Theater).

Paige Rammelkamp is a proud graduate of American University, with a dual degree in Musical Theatre and Vocal Performance. Notable projects include: The Comedy of Errors (Shakespeare Theatre Co.), Little Women (Shenandoah Summer Music Theatre), Evil Dead, The Hunchback of Notre Dame, Urinetown (Helen Hayes nominee - Best Music Direction), The Mystery of Edwin Drood (Workhouse Arts Center), Reefer Madness (NextStop Theatre Co.), Turn of the Screw, Working, Ichabod: The Legend of Sleepy Hollow (Creative Cauldron), The Bridges of Madison County (Red Branch Theatre Co.), Bonnie & Clyde (Monumental Theatre Co.), Squeakers & Mr. Gumdrop, The Adventures Of Mr. Bear (Arts on the Horizon), and FINN (Workshop - Kennedy Center TYA).

Amber Mayberry is a dancer, actress, choreographer and dance educator who recently received her MFA from the Shakespeare Theatre Academy at The George Washington University. A native of Washington, DC, Amber began her classical ballet training at the Washington School of Ballet and graduated from the State University of New York-Purchase, earning her BFA. She made her Washington, DC theatrical debut in Measure for Measure at the Shakespeare Theatre. In 2014, Amber joined the The Lion King where she performed extensively with the Broadway and National Touring companies for 10 years. In addition to her professional obligations, Amber is an advocate for making arts education accessible to all. She has been on faculty at The Washington School of Ballet, Maryland Youth Ballet, Dance Institute of Washington, Citydance Conservatory, Jones-Haywood and MOVENYC/DC IG@ambernmayberry

Select NYC: 4000 Miles (Lincoln Center - Lortel Award), Bad Jews (Roundabout), Skintight (Roundabout and Geffen Playhouse - Robby Award nomination), Bug (Obie Award), and, recently, Truman vs Israel and Mrs. Stern Wanders the Prussian State Library. Select regional: La Jolla Playhouse, South Coast Rep, Hartford Stage, National Tour of American Girl Live!, and several productions of Blue Man Group. Production designer for Ari Shaffir - Jew (YouTube - 7.8 million views) and Jordan Jensen: Take Me With You. Partner in Butter Designs.

Deborah Caney has been designing costumes for over 25 years. Recent productions include the 2025 Scotsman’s Fringe First Award winning play RIFT at the Traverse Theatre in Edinburgh, written by Gabriel Jason Dean and directed by Ari Laura Kreith. She also designed costumes for Mrs. Stern Wanders The State Prussian Library by Jenny Lyn Bader, directed by Ari Laura Kreith, produced off broadway at 59E59th and WP Theaters. Other credits include: The operas Ghosts Of Gatsby, The Beautiful Bridegroom and Hansel & Gretel, directed by Karen Driscoll at The Alexander Kasser Theater; Ain’t Misbehavin’ directed by 2019 TONY Award Winner André DeShields at NJPAC and Crossroads Theatre Co. She has been the resident costume designer at Luna Stage Theatre Co. since 2008. Recent Luna Stage productions: Lonely Planet, written by Stephen Dietz, directed by Melissa Firlit, The Case For The Existence Of God, written by Samuel D. Hunter, directed by Ari Laura Kreith, and The Ripple The Wave That Carried Me Home, written by Christina Anderson and directed by Adrienne D. Williams.

DMV: Andy Warhol in Iran at Mosaic Theater, Your Name Means Dream at Theatre J, The Scenarios at Studio Theatre, Romeo & Juliet at Folger Theatre, The Nance at 1st Stage (Helen Hayes nomination), The Honey Trap (Helen Hayes Award) at Solas Nua, Look Both Ways at Kennedy Center/Theatre Alliance (Helen Hayes nomination), The Joy That Carries You (Helen Hayes nomination) at Olney Theatre Center, and Blood at the Root (Helen Hayes Award) at Theatre Alliance. Regional: Baskerville: A Sherlock Holmes Mystery at Alley Theatre, The Lehman Trilogy (Carbonell Award nomination) at Maltz Jupiter Theatre, What the Constitution Means to Me at Cleveland Playhouse, Business Ideas at Alliance Theatre, and Camelot: The Musical at Village Theatre.

Justin has collaborated Off-Broadway with 59E59 Theaters and Round House Theatre, and The Dixon Place Theatre. Regionally- Chautauqua Theatre Company, Cincinnati Playhouse In The Park, The St. Louis Black Rep, The Kennedy Center, Signature Theatre, Olney Theatre Center, Shakespeare Theatre Company, Woolly Mammoth, Studio Theatre, Constellation Theatre, Gala Hispanic Theatre, Imagination Stage, Round House Theatre, Folger Theatre, Prologue Theatre Company, VOCA, amongst many others. Justin is the Eastern Region Trustee for USA829's LUEB. Helen Hayes nominations include 2017 (Constellation Theatre Company THE WILD PARTY) and 2016 (I CALL MY BROTHERS Forum Theatre Company). visit: www.justinschmitztheatre.com

Daryl Eisenberg is Owner of Eisenberg Casting - an Artios-nominated full-service casting office. Eisenberg Casting is a fast-paced, bi-coastal casting office with extensive experience casting for Film, TV, Broadway, Theater, Commercials, Voiceover, and New Media. Daryl has cast stage productions for Broadway, off-Broadway, National Tours, and major regional theater houses. In DC: Folger Shakespeare Theatre, Theater J, The Kennedy Center, Voices Festival Productions. She has covered nearly all the major and minor markets coast-to-coast and her films have played major festivals such as Sundance, Venice, Tribeca, TIFF, SXSW, San Diego, Cleveland, Atlanta, Soho, and have also received distribution theatrically and streaming. Daryl is the chair of the Somerset County Film Commission and is a former Watchung Borough Councilmember. She holds a BFA from Tisch School of The Arts/New York University and Playwrights Horizons Theater School. Member of Casting Society of America. @EBCastingCo. www.ebcastingco.com

Maria Mills is excited to join Voices Festival Productions for this important American premiere. She is blessed to have collaborated with so many creative teams across the northeast, most recently Off-Broadway: MEXODUS (Audible Theater). Regional: The Dragon, Prof. Woland's Black Magic Rock Show (Spooky Action Theater); Bring It On (Young Audiences of America); Finn, The Dragon King’s Daughter (Kennedy Center TYA); The Lehman Trilogy (Shakespeare Theatre Company); Is God Is (Constellation Theatre Company); and Indecent (Chautauqua Theatre Company). Events: Will on the Hill (Shakespeare Theatre Company); Night Before: Mark Twain Award for American Humor, Black Girls Rock! Fest (Kennedy Center). Maria has a BA in political science from American University.

Megan Amos is excited to be joining VFP this fall on their production of November 4. She has previously worked at many theaters across the DC - Baltimore area such as Theater J, Imagination Stage, Olney Theater, IN Series, and Rep Stage. Most recently she worked on 13 The Musical with Young Artists of America as an Assistant Stage Manager. Along with being an Assistant Stage Manager, Megan also does carpentry, board op, and video work in the DC - Baltimore area.