Critics' Pick: Gary Naylor's Best of 2023 in Review
Some highlights of the last year and some optimism for an uncertain future...
Podcast Review: LOVE, CONDITIONALLY, Play Inside
Play Inside’s Love, Conditionally – a new, immersive, series of short (around 15 minutes) audio recordings made in the UK and Palestine – is made with interactive listeners in mind....
Review: STEPHEN SONDHEIM'S OLD FRIENDS: A CELEBRATION, Live at the Sondheim Theatre, Cast Recording
Were you one of the lucky few who managed to bag a ticket for the one-night-only, star-studded gala revue, StephenSondheim’s Old Friends, on May 3, 2022?...
Review: HIGH SOCIETY, The Mill At Sonning
As households around the country begin to plan their festive feasts, the delightful Mill at Sonning in Berkshire already has theirs well in hand. ...
Review: WICKED, Edinburgh Playhouse
Launching its latest UK tour, Wicked is casting its magical spell on audiences once again. The enchantment begins at the Edinburgh Playhouse, with a glorious 5-week run from Thursday, 7th December 2023, to Sunday, 14th January 2024, at this iconic Scottish theatre. This essential musical provides an...
Review: OLIVER!, Leeds Playhouse
Family show retains enough edge to honour its sources, providing thrills and spectacle and that wonderful, wonderful score...
Review: DICK WHITTINGTON, The Arts Centre Hounslow
As someone who moved to the UK last year, I’m still getting used to the tradition of pantomimes but have fallen in love with their boundless energy and cheesy jokes. Recently, I attended a 10:30 AM performance of Dick Whittington at the Arts Centre Hounslow, where I was one of two adults who was n...
Review: MACBETH, The Depot, Liverpool
Adapted by Emily Burns, the production sees the story transported to modern day. Excellently designed and featuring an incredible cast who keep the story moving quickly from scene to scene, it is a unique and innovative interpretation of the play that keeps you engaged from start to finish....
Review: BEAUTY AND THE BEAST, Newbury Corn Exchange
Newbury's pantomime is an all-singing, all-dancing show that will keep viewers of all ages smiling and laughing throughout...
Review: POTTED PANTO, Reading Rep
Seven pantos performed in the space of 70 minutes – it seems impossible… right? Oh no it isn’t!...
Review: CINDERELLA, Liverpool Everyman Theatre
It just wouldn’t be the festive season without The Liverpool Everyman Rock ‘n’ Roll Pantomime - and it’s easy to see why this beloved show has audiences returning year after year....
Review: THE SCOUSE DICK WHITTINGTON, Liverpool's Royal Court
It’s that time of year - and Liverpool’s Royal Court are back with their latest festive production, The Scouse Dick Whittington....
Review: NOISENIGHT40: ABEL SELAOCOE & THE BANTU ENSEMBLE, Boiler Shop
My friend and I both said the same thing at the same time as we left the Boilershop after seeing South African Cellist, Abel Selaocoe. This was 'that might have been the best gig I’ve ever been to'. That might not be a very journalism-y thing to say (well, neither is “journalism-y”,) but it su...
Review: I REALLY DO THINK THIS WILL CHANGE YOUR LIFE, Mercury Studio
Created by award-winning writer Emma-Louise Howell as part of the Mercury’s playwriting programme in 2021, I Really Do Think This Will Change Your Life is a bold new solo performance now making its professional debut at the Mercury Theatre, Colchester....
Review: EVERYBODY'S TALKING ABOUT JAMIE, Theatre Royal Brighton
This is a gold standard production in every sense of the phrase. It holds up extremely well against the west end production, to which inevitable comparisons will be drawn. Ivano Turco is fourth in a line of iconic Jamies past, and his elegance of movement is what sets him apart from those who stood ...
Review: MACHINAL, Theatre Royal Bath
With the AI (artificial intelligence) summit at Bletchley Park this week, Machinal at the Ustinov Studio, Theatre Royal Bath, couldn’t be more timely....
Review: COWBOIS, Swan Theatre, Stratford-Upon-Avon
Cowbois might sound like a reboot of Sister Act but there is far more going under the satin bonnets. Gunslinger Jack Cannon (Vinnie Heaven) arrives in a small Wild West-era outpost, handsome by appearance, fearsome by reputation and with a bounty of 200 dollars on their head. The town is populated o...
Review: THE GOOD ENOUGH MUMS CLUB, Birmingham Hippodrome
Society places a huge amount of pressure on mothers to be perfect, so it's a joy to see this new musical that reassures mums that their best is good enough. With a book and lyrics by Emily Beecher, who developed the show after her own diagnosis of postnatal depression, this production is produced, d...
Review: THE GIRL ON THE TRAIN, Salisbury Playhouse
All aboard for a new rendering of The Girl on the Train at Salisbury Playhouse, with clever background projection to lift a journey that doesn’t quite make its connection....
Review: 2:22 A GHOST STORY, Theatre Royal Brighton
2:22 A Ghost Story has made a bit of a mark for itself in its regularly rotating cast – often well-established actors known more widely for their off-stage work. As the show sweeps into its Brighton leg of the tour, the cast du jour boasts Joe Absolom, Charlene Boyd, Nathaniel Curtis and Louisa Ly...
INTERVIEW: 'The Play Couldn't Be More Timely': Actor Samuel Collings on Being in a 'Perfect Couple' and the Relevance of THE GIRL ON THE TRAIN at Salisbury Playhouse
Samuel Collings, from Hammersmith in West London, is one of the UK’s most versatile actors and can be found on stage, screen, radio and voicing audiobooks. He spoke with BroadwayWorld about his journey into acting, being part of a 'perfect couple' and the relvance of the story today....
Review: FREE YOUR MIND, Aviva Studios
Few venue openings have been as much-anticipated as that of Aviva Studios. With around £100m of public funding and £35m just from the naming rights, its opening production from Factory International was announced over a year ago: Free Your Mind would be “a large-scale immersive performance based...
Review: THE SCORE, Theatre Royal Bath
If the multi award-winning TV drama Succession taught us anything, it’s that no one can take Brian Cox’s place. Fans of the Scottish actor will be pleased to know that he commands centre stage – with Logan Roy-esque verve – in Trevor Nunn’s The Score, a new play by actor-playwright OIiver ...
Review: SHAKESPEARE'S R&J, Reading Rep
Joe Calarco’s electrifying interpretation of the legendary star-crossed lovers is nothing short of excellence. While mainly recited in its original Shakespearean form, Calarco brings a fresh take on the tragedy, through a modern setting and intertwining of a queer narrative....
Review: A VIEW FROM THE BRIDGE, Chichester Festival Theatre
It may be old enough to collect its state pension, but this classic play still has much to say about life as it's lived today...
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