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UK Regional Theater Reviews

The latest reviews and critic recommendations from UK Regional.

Review: FANNY, Watermill Theatre

Review: FANNY, Watermill Theatre

by Mica Blackwell — May 31, 2024

With a captivating performance from Charlie Russell leading a fantastic ensemble and a well crafted script by Calum Finlay, this should mark your next visit to the Watermill Theatre in its amazing summer season.

Review: PARTY GAMES!, Theatre Royal Windsor

Review: PARTY GAMES!, Theatre Royal Windsor

by Kat Mokrynski — May 20, 2024

Written by Michael McManus and directed by Joanna Read, Party Games! is a “comedy-drama” that gives audience members an inside look into the political world of the United Kingdom through the “One Nation” party, which has been created in opposition to the other existing parties.

Review: COMIC CON LIVERPOOL, Exhibition Centre Liverpool

Review: COMIC CON LIVERPOOL, Exhibition Centre Liverpool

by Sarah OHara — May 15, 2024

Since hosting their first event at Exhibition Centre Liverpool in 2018, Comic Con Liverpool have delighted fans with one of Europe’s largest pop culture conventions - and this year’s was one of their biggest, best and most brilliant yet.

Review: THE DEEP BLUE SEA, Theatre Royal Bath

Review: THE DEEP BLUE SEA, Theatre Royal Bath

by Cheryl Markosky — May 14, 2024

Tamsin Greig is a marvel as Hester Collyer in Lindsay Posner's new revival of Terence Rattigan's 1950s classic, The Deep Blue Sea, at Theatre Royal Bath's intimate, 126-seater Ustinov Studio.

Review: VANITY FAIR, Open Bar Theatre

Review: VANITY FAIR, Open Bar Theatre

by Aliya Al-Hassan — May 9, 2024

Pub garden theatre specialist Open Bar Theatre has returned for a spring season with a deft and slightly chaotic version of William Thackeray's Vanity Fair.

Review: BOYS FROM THE BLACKSTUFF, Liverpool's Royal Court

Review: BOYS FROM THE BLACKSTUFF, Liverpool's Royal Court

by Sarah OHara — April 25, 2024

Following its sold out run in 2023, Boys from the Blackstuff has returned to Liverpool’s Royal Court, before the show transfers to the National Theatre in London and Garrick Theatre in the West End.

Review: SILENCE, Birmingham Rep

Review: SILENCE, Birmingham Rep

by Laura Lott — April 24, 2024

“Old friends in the morning, then wanting us dead in the afternoon”, says one of the men in Silence, repeating the line over and over.

Review: CALENDAR GIRLS, The Mill at Sonning

Review: CALENDAR GIRLS, The Mill at Sonning

by Mica Blackwell — April 22, 2024

Unlike Firth’s decision to stretch out the film’s first half for the musical, confusingly ending it on the long-awaited calendar photoshoot, his play adaptation allows the audience to see the impact the calendar has on the outside world and the women’s personal lives.

Review: MUCH ADO ABOUT NOTHING, Watermill Theatre

Review: MUCH ADO ABOUT NOTHING, Watermill Theatre

by Mica Blackwell — April 17, 2024

Much Ado About Nothing is a quintessential Shakespeare farce: mistaken identities, intertwining romances, betrayals and deception all wrapped up with a neat little bow by the end.

Review: THE PROMISE, Birmingham Rep

Review: THE PROMISE, Birmingham Rep

by Laura Lott — April 10, 2024

New play The Promise, which has its world premiere at Birmingham Rep this week, looks at the intersectionality of dementia and deafness through the experiences of one family, and highlights the urgent need for more understanding and care options.

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