Toronto Music Garden

by Keira Grant - June 17, 2026

Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can. Score, libretto, set, costumes, lighting, and vocal and orchestral performances of the highest quality mingled into something that was more ...

by Elizabeth Armstrong - June 13, 2026

PUNCH: A New Musical - Presented in Concert is a warm, musical hug to those who feel like they don’t quite belong where they are expected. A favourable mix of originality and familiarity, the production features thoughtfully-crafted music and strong, believable performances....

by Samantha Wu - June 15, 2026

Based on the terrifying movies written and directed by Oren Peli, the stage adaptation of Paranormal Activity, now playing at the CAA Ed Mirvish Theatre, holds just as much edge-of-your-seat tension with the right amount of carefully timed jump scares that will keep you excited for more. If you're a...

by Michael Rabice - June 01, 2026

When FUNNY GIRL opened on Broadway it was a smash hit in 1964 and would jettison the career of Barbra Streisand. It became a staple on repertory companies, regional and community theatres and summer stock. But the looming memory of Streisand's iconic performance  on stage and then on screen seemed ...

by Keira Grant - May 30, 2026

On the whole, this intimate and emotionally raw black box presentation was a strong inaugural performance for this company, and I look forward to seeing more fresh grassroots performances from them in the future. ...

by Ilana Lucas - May 17, 2026

What did our critic think of CICADAS at Tarragon Theatre?...

by Keira Grant - April 27, 2026

Even if you are lukewarm to early 20th-century avant-garde music and don’t care for Schoenberg’s serial composition music-baby, you are sure to be won over by the brilliance of these performers and the creative team....

by Ilana Lucas - April 24, 2026

Anyone who’s spent ten minutes online in the past decade knows that we live in an age of anger and polarization when it comes to the issues and identities we hold dear. Stories abound about families who can no longer speak to each other or even share a meal, with jagged cracks in the foundations o...

by Keira Grant - April 17, 2026

Opera Atelier’s 2025-2026 production of Claude Debussy’s Pelléas and Mélisande is a departure from the company’s production modus operandi that will leave a lasting impression on audiences and signal a new era of innovation for Opera Atelier....

by Ilana Lucas - April 17, 2026

In Jen Silverman’s The Moors, the slightly deranged love child of the Brontës, Waiting For Godot, and Six, Emilie the governess (Blessing Adedijo) arrives at a manor amidst the titular plains to find that nothing is quite as she expected. Branwell, her supposed employer and warmhearted correspond...