Review: MOULIN ROUGE! THE MUSICAL at CAA Ed Mirvish Theatre
What did our critic think of MOULIN ROUGE! THE MUSICAL at CAA Ed Mirvish Theatre?
The latest reviews and critic recommendations from Toronto.
What did our critic think of MOULIN ROUGE! THE MUSICAL at CAA Ed Mirvish Theatre?
If the 2020s have occasionally uncomfortably reminded you of the 1920s, you’re not alone.
Matt Baram and Naomi Snieckus, a Second City comedy duo who are also married in real life, present a funny and meaningful meditation about what our things mean to us in BIG STUFF, using anecdotes and gentle audience participation to commune over the items we just can’t bring ourselves to toss.
One of the world's most beloved musicals returns to Toronto for a long term stay into the Spring of 2025.
Schreck’s script, a hit in New York that made its way to Broadway in 2019, is extremely accessible and sprightly in its deconstruction of the mythic text.
Opera Atelier’s production of G.
Vocally and musically, the Canadian Opera Company's production of Gounod's Faust directed by Amy Lane was a sumptuous feast for the ears.
The Next Stage Festival, curated and run by Toronto Fringe, plays at Buddies in Bad Times Theatre until Sunday, October 27, 2024.
MY FAIR LADY is quite obviously the most perfect choice of a musical that the SHAW FESTIVAL could program and this 2024 musical offering is a delicious delight, sure to please.
Read our critics coverage of the first three shows in Toronto Fringe's annual curated festival.
The 1999 ABBA jukebox juggernaut is back again at the Ed Mirvish Theatre, full of cheery, dance-heavy numbers, a simple, wacky plot, and plenty of shiny spandex outfits.
Canadian Opera Company launches their new season with a monumental first for the company - the premiere staging of Nabucco, directed by Katherine M.
Read BroadwayWorld's review of THE THANKSGIVING PLAY, which has made it to Toronto as part of Mirvish’s 2024/25 season.
In a contest between the hungry, unstoppable id of the wolf and the thoughtful, selfless superego of the crane, the audience comes out the winner.
As the characters erase and rewrite the messages that both literally and figuratively surround them, shaping the story with little other than chalk and resolve, Lauzon and Riordan’s complex, beautiful play surprises in its ability to create joy in the midst of heartbreak.
You must be living under a rock if you haven't heard of or seen Come From Away, the critically acclaimed musical with book, music, and lyrics written by Irene Sankoff and David Hein that has captured the hearts of audiences all over the world.
It couldn’t be clearer why Chris Abraham decided now was the time to stage this play about the challenge that a former pastor and the former caregiver to his late wife pose to a sitting conservative governor’s platform on the eve of a pivotal vote.
It comes in many forms, each one its own type of exquisitely agonizing rejection.
Life of Pi is an award winning novel by Canadian author Yann Martel.
He's done it again! The famous sleuth and his sidekick are back at it, solving cases with cunning precision and insight.
Who doesn't love a good belly laugh, a groan and a perpetual smile on their face for 2-1/2 hours.
A summer in Toronto is not complete without spending a night under the stars at the High Park ampitheatre watching a performance by Canadian Stage.
The Toronto Fringe’s 12-day extravaganza has concluded! Over 40,000 tickets were sold to 76 different shows around the city, from companies both local and international.
Reviews of Madame Winifred's Circus of Wonders, Rooted: A Musical Poem, Girls' Night Cabin Fever, How Lucky Are We, The First Jew in Canada: A Trans Tale, and Are You Lovin' It?
Reviews of Gulp, Bus Stop, and Rosamund
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