BWW Review: Casus Circus Brings KNEE DEEP To Thrill And Amaze SYDNEY FESTIVAL Audiences
Brisbane based Casus Circus stuns SYDNEY FESTIVAL audiences with their beautiful display of precision, poise and playfulness in KNEE DEEP.
The latest reviews and critic recommendations from Sydney, Australia.
Brisbane based Casus Circus stuns SYDNEY FESTIVAL audiences with their beautiful display of precision, poise and playfulness in KNEE DEEP.
Director Gale Edwards' interpretation of Giacomo Puccini's LA BOHÈME returns for Opera Australia's 2016 Summer Season.
Shakespeare's LOVE'S LABOUR'S LOST challenges the romantic notion that women are ornaments that can be won with words alone.
THE IMPORTANCE OF BEING EARNEST is a delightfully comic expression of the ridiculousness of Victorian society where things aren't as simple as they first appear.
Capturing the grandeur of the early 20th Century with old world showmanship, THE ILLUSIONISTS 1903 transports the audience back to the days of Vaudeville and live stage magic.
The London Palladium production of THE SOUND OF MUSIC, Produced by Andrew Lloyd Webber, John Frost, David Ian and The Really Useful Group, has come to delight Australia, starting in Sydney.
The Australian Brandenburg Orchestra and Choir and soloist Emma Birdsall combine to create beautiful music that spans the centuries as they celebrate the Christmas Season with NOËL! NOËL!
Although any promise of Saint Nicholas, superb circus and carnival fun should be an easy sell to all families looking for a high-volume way to get their Christmas cheer happening this festive season, the promise of new Star Wars and end-of-year school reports can cause many a parent trepidation in t
Katy Warner's DROPPED is a complex and comic two hander that contemplates the position of women on the frontline of contemporary war.
An exploration on the history of Rock music, A RIFF ON KEEF: THE HUMAN MYTH is a loose tribute to Keith Richards presented in a typically Australian 'tongue in cheek' style.
VIOLET is the poignant and powerful story of self-discovery as a young woman embarks on a cross country bus trip to heal the scars of her past and attain the beauty of movie stars.
Multiple award winner Geoffrey Rush returns to the Sydney Theatre Company (STC) stage in KING LEAR in Neil Armfield's interpretation of the iconic work.
Dennis Kelly's humorous and dark comedy DEBRIS looks at the tragically bleak fragments of a family unit.
Linda Aronson paints a picture of life for the women left behind during the Second World War as they seek to save their livelihood, the factory that makes DINKUM ASSORTED Biscuits.
GREY GARDENS brings the story of the reclusive Bouvier Beale's, made famous in the 1975 documentary/movie of the same name, to the stage for an entertaining look into a very bizarre world.
The complex life of German transvestite Charlotte von Mahlsdorf (born Lothar Berfelde) is explored as writer Doug Wright unearths memories from conversations and research with the intriguing cross dressing antiquarian in I AM MY OWN WIFE.
Centred on the days following the disappearance of famed aviator, Sir Charles Kingsford Smith, WE ARE THE GHOSTS OF THE FUTURE invites the audience to meet the varied inhabitants of a poor harbourside community in this Immersive Theatre.
The famous story of CARMEN is reinterpreted in Expressions Dance Company and Queensland Performing Arts Centre's production of Natalie Weir's CARMEN SWEET.
The ROB GUEST ENDOWMENT AWARD GRAND FINAL CONCERT saw six finalists compete for the coveted award that honours Rob Guest - OBE, one of Australia's finest musical theatre performers.
The police drama gets up close and personal with A GIRL WITH SUN IN HER EYES as the mystery of the disappearance of an undercover policewoman plays out on stage.
With DEAD CENTRE/SEA WALL, Tom Holloway and Simon Stephens' seemingly separate plays, combine to complete a story.
Sydney audiences were treated to a wonderful selection of music from shows from 1922 to 2010 as AUDRA McDONALD SINGS BROADWAY with the Sydney Symphony Orchestra.
Nick Enright's GOOD WORKS examines the difference between the orchestrated image people present for the world to see and the truth of human character in a moving 90 minute work.
Andrew Lloyd Webber's CATS reconnects audiences with their inner child as T.
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Top Silk Ensemble Theatre (7/31-9/12) |
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I Love Your Faces: The Don Lane Story Capitol Theatre Tamworth (9/16-9/16) |
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The Last Single Girl in Syndey Erskineville Town Hall - Emerging Artist Share House - The Living Room (9/08-9/12) |
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Dixon and Daughters by Deborah Bruce Old Fitz Theatre (9/18-10/03) |
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Shrek The Musical Pioneer Theatre (10/30-11/08) |
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SYDNEY COMEDY FESTIVAL - SHOWCASE TOUR Regent Theatre (9/11-9/11) |
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Monty Python's Spamalot Coliseum Theatre, Rooty Hill (10/22-10/25) |
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Beetlejuice the Musical Capitol Theatre, Sydney (11/21-1/10) |
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Pride And Prejudice* (*sort of) Drama Theatre, Sydney Opera House (7/16-8/30) VIDEOS |
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Cicada Wollongong Art Gallery (8/27-8/29) |