BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On TIDELINE
Director Anna Jahjah brings the Australian premiere of TIDELINE to the Chippen Street Theatre stage.
Sydney, Australia Theater Reviews
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BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On BECKETT'S PRESENTS THEATRE VIGNETTE NO.4: “I'M WITH HER”
BECKETT’S PRESENTS THEATRE VIGNETTE NO.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On THE MOUSETRAP
Producer John Frost has snared a superb cast to present this touring production of THE MOUSETRAP.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On PUPPETS
PUPPETS is the cabaret show devised and performed by Oliva Ruggerio about the perils of modern dating in the online domain.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On DO YOU HEAR THE PEOPLE SING
The musical expertise of lyricist Alain Boublil and composer Claude-Michel Schonberg is gloriously presented in DO YOU HEAR THE PEOPLE SING.
REVIEW: The Importance Of Accuracy In Addressing Real Events Is Examined In The Dramatisation Of THE LIFESPAN OF A FACT
John D’Agata and Jim Fingal’s book is given the live theatre treatment in Jeremy Kareken, David Murrell and Gordon Farrell’s interpretation of THE LIFESPAN OF A FACT.
REVIEW: Kim Ho's THE GREAT AUSTRALIAN PLAY Doesn't Seek To Add To The List But Rather Challenge Them
Challenging the question of what causes a piece of theatre to be afforded the reputation of THE GREAT AUSTRALIAN PLAY, this new work from Kim Ho is a reflection on his own work being elevated then swiftly challenged.
REVIEW: CHALKFACE Goes Behind The School Staffroom Door For An Honest And Humorous Look At The Realities Of The Public Education System
Angel Betzien’s CHALKFACE challenges the flaws with the public education system with hilarious black comedy.
REVIEW: TITANIC: THE MOVIE, THE PLAY Distills James Cameron's Cinematic Marathon Into 60 Minutes Of Madcap Interactive Theatre
25 years after James Cameron reawakened interest in the famous/infamous unsinkable ship, TITANIC: THE MOVIE, THE PLAY revisits the ill-fated love story with amusing economy.
REVIEW: Putting the Trans Female Experience On Stage, OVERFLOW Is An Enlightening and Entertaining Experience
Travis Alabanza’s (playwright) OVERFLOW is a brilliantly funny and powerfully informing new theatre work that puts the Trans experience in the spotlight.
REVIEW: Packemin Productions' KINKY BOOTS Delights And Enlightens at Riverside Theatre.
Cindy Lauper (music and lyrics) and Harvey Fierstein’s (book) multi award winning KINKY BOOTS is given the Packemin Productions treatment in a high energy production.
BWW REVIEW: PHOTOGRAPH 51 Shares Rosalind Franklin's Underappreciated Role In The Understanding Of DNA
Rosalind Franklin’s largely unrecognized contribution to the understanding of DNA and the men that hindered and betrayed her is explored in Anna Ziegler’s PHOTOGRAPH 51.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On ROUGH TRADE
ROUGH TRADE, dancing dildoes, online shenanigans, the evils of capitalism, and swapping sex toys.
REVIEW: Smash Hit SIX Takes To the Theatre Royal Stage On Its Third Sydney Season
Lucy Moss and Toby Marlow’s (both Book, Music, Lyrics) smash hit musical SIX returns to Sydney to hold court at the Theatre Royal.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On TOM AT THE FARM
KXT's Australian premiere production of Michael Marc Bouchard’s TOM AT THE FARM is the directorial debut for Danny Ball.
Review: The Touring Production Of THE PHANTOM OF THE OPERA Boasts All The Magic And Mystery Of A Permanent Production As It Opens At Sydney Opera House.
THE PHANTOM OF THE OPERA remains as captivating 35 years after it first premiered.
Review: Putting Anne Deveson's Story On Stage, TELL ME I'M HERE Helps Raise The Understanding Of Schizophrenia And The Support Required For Sufferers And Their Loved Ones
Anne Deveson’s memoir about life with a child suffering with Schizophrenia, TELL ME I’M HERE, is given the stage treatment in Veronica Nadine Gleeson’s adaptation.
REVIEW: Bell Shakespeare Reimagines THE COMEDY OF ERRORS To Represent Modern Relationships
William Shakespeare’s THE COMEDY OF ERRORS is given a new spin with Janine Watson’s (Director) 70’s Disco inspired interpretation of the farcical comedy.
Review: HOW TO DEFEND YOURSELF Opens Up The Discussion On Consent, Body Autonomy, and Social Conditioning In A World Where Women Still Fear For Their Physical Safety
Liliana Padilla's HOW TO DEFEND YOURSELF uses the American college experience to explore the universal realities of the ever-present vulnerability and fear of assault that women experience on a daily basis.
REVIEW: Kip Williams Adapts and Directs Robert Louis Stevenson's Gothic Thriller STRANGE CASE OF DR JEKYLL AND MR HYDE With Mixed Results
Following on from the success of merging live performance and live video capture, Kip Williams has given STRANGE CASE OF DR JEKYLL AND MR Hyde the same treatment with the addition of a second performer.
REVIEW: Gothic Thriller JEKYLL AND HYDE THE MUSICAL Is Given A Makeover For Its Australian Professional Production Premiere
Sydney finally receives a fully staged professional production of JEKYLL AND HYDE THE MUSICAL, the musical theatre interpretation of Robert Louis Stevenson’s famous novella.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On ALBION
ALBIOB directer Lucy Clements has assembled a fine cast to present this analogical portrait of a nation torn between preserving the past and radically reforming the present.
Review: FANGIRLS, Yve Blake's Feel Good Celebration Of The Force Of Female Power Returns To Sydney For A Second Encore Season
The audience love for Yve Blake’s musical comedy thriller FANGIRLS stays strong as the celebration of the power of female emotion, energy and enthusiasm remains important as society continues to need to shift views on the joyous devotion women of all ages display for strangers they see on stage an
REVIEW: Claudia Osborne and Tasnim Hossain's Adaptation Of BURN, WITCH, BURN Explores Witchcraft To Leave It Even More Of A Mystery
FERVOUR and Red Line Productions have joined to present Claudia Osborne( Adaptor and Director) and Tasnim Hossain’s (Adaptor and Dramaturg) interpretation of Sidney Hayers BURN WITCH BURN (a movie originally released in 1962 as NIGHT OF THE EAGLE), a work in turn based on Fritz Leiber’s novel CO
REVIEW: Little Triangle's Latest Offering Is The Hilarious 'Choose Your Own Ending' Musical Of THE MYSTERY OF EDWIN DROOD
Rupert Holmes’ (Music, Lyrics, Book) multi Tony Award winning musical of Charles Dickens’ final, unfinished novel is given the Little Triangle treatment in their brilliant interpretation of THE MYSTERY OF EDWIN DROOD.
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I Love Your Faces: The Don Lane Story The Juniors Kingsford (11/13-11/13) |
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Cirque Alice Sydney Lyric Theatre (9/25-10/11) VIDEOS |
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Bach & Charpentier – Music for Christmas Our Lady of Dolours Catholic Church (11/14-11/14) |
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Monty Python's Spamalot Coliseum Theatre, Rooty Hill (10/22-10/25) |
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Monty Python's Spamalot Sydney Event Centre - The Star (10/15-10/18) |
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As For Me And My House Campbelltown Town Hall Theatre (10/15-10/18) |
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Macbeth Sydney Opera House (11/18-12/06) |
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Bach & Charpentier – Music for Christmas St. James’ Church (11/15-11/15) |
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Catch As Catch Can Old Fitz Theatre (10/09-10/31) |
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Cruise Seymour Centre (10/09-10/31) |
